BBC News Impartiality: Government's Role

Adam Holloway Excerpts
Tuesday 27th February 2024

(2 months ago)

Westminster Hall
Read Full debate Read Hansard Text Read Debate Ministerial Extracts

Westminster Hall is an alternative Chamber for MPs to hold debates, named after the adjoining Westminster Hall.

Each debate is chaired by an MP from the Panel of Chairs, rather than the Speaker or Deputy Speaker. A Government Minister will give the final speech, and no votes may be called on the debate topic.

This information is provided by Parallel Parliament and does not comprise part of the offical record

Adam Holloway Portrait Adam Holloway (Gravesham) (Con)
- Hansard - -

I, too, am concerned about the BBC’s persistent failure to fulfil its legal obligation to be impartial. We saw this with Brexit. To give an example, News-watch, which is an independent monitoring organisation run by a former BBC producer, said that, on Europe, there were twice as many remainers as pro-Brexit speakers, with an even greater imbalance in the amount of time people had to speak, at 7:3, or nearly 9,000 words against 4,000 words. No wonder the political elites of this country were stunned by the result of the referendum—they did not see it coming.

Theresa Villiers Portrait Theresa Villiers
- Hansard - - - Excerpts

The BBC, in its language about Brexit, was not impartial, as illustrated by it persistently describing leaving without a deal with the EU as a so-called cliff-edge Brexit. No one wanted that outcome, but the BBC should not have been portraying it as a potential disaster via the terminology it used.

Adam Holloway Portrait Adam Holloway
- Hansard - -

I wish I had thought of that for my speech. The reality is that the BBC fails to impartially report the multiplicity of viewpoints in the UK. It prides itself on diversity, but it has a real lack of diversity of thought. There is an intellectual homogeneity, which means there is no real balance of opinion among its staff. There is no recognition among those who make the decisions at the BBC that a recruitment policy that broadened its culture would better serve licence fee payers and better reflect the BBC’s viewers and the wider country.

Today the stakes seem very much higher, as we heard in the superb speech by my right hon. and learned Friend the Member for Northampton North (Sir Michael Ellis). Given that the BBC has these huge resources made available to it via the licence fee, and given the heightened tensions here as a result of the crisis in the middle east, we thought it really could do a bit better. In 2021, colleagues and I wrote to the Prime Minister and urged him to consider directing Ofcom to deal directly with all impartiality events at the BBC, rather than letting the BBC do those itself in the first instance. Of course, that would need to be accompanied by some changes in Ofcom; to deal with complaints impartially and objectively, its contents board needs to change, because it seems to be stuffed with former BBC lifers. I also urge Ministers to consider requiring the BBC to set up an independent unit to monitor bias on an ongoing basis.

Safety of Journalists

Adam Holloway Excerpts
Thursday 10th June 2021

(2 years, 10 months ago)

Commons Chamber
Read Full debate Read Hansard Text Read Debate Ministerial Extracts
Adam Holloway Portrait Adam Holloway (Gravesham) (Con) [V]
- Hansard - -

As a foreign correspondent, I have reported from wars in Bosnia, Afghanistan, Libya and Iraq. I hope you will indulge me, Mr Deputy Speaker, in reading the names of those British-based journalists who have died in the course of their work since I was the ITN correspondent in Sarajevo. The list is not exhaustive, and of course there are several still missing. It reads: Paul Jenks; Ibrahim Goskel; John Schofield; Vincent Francis; Martin O’Hagan; Roddy Scott; my colleague from ITN, Terry Lloyd; James Miller; Richard Wild; Simon Cumbers; Kate Peyton; Paul Douglas; James Brolan; Martin Adler; Rupert Hamer; Tim Hetherington; Marie Colvin, who I was with during the war in Iraq in 2003; Mick Deane; and most recently, as far as we know, Lyra McKee.

That long list of names is evidence of the fact that proper journalism is eye witness journalism—you have to bear witness yourself; there is no substitute for being there on the ground. This kind of journalism cannot be pursued over the internet, at a distance or even using local sources. This is what gives us a true picture of the world that we cannot get from fake news, internet memes, propaganda and sophisticated Government propaganda, often over Twitter.

But there is a terrible cost to this type of journalism, and we owe a debt to those who have lost their lives in pursuit of the truth. All too often today, news is confused with entertainment—what I call “news entertainment”—and many of those who currently call themselves journalists should be ashamed of themselves. We need to reclaim this heritage and support real news by real journalists.

Covid-19: Cultural and Entertainment Sectors

Adam Holloway Excerpts
Tuesday 2nd March 2021

(3 years, 1 month ago)

Commons Chamber
Read Full debate Read Hansard Text Read Debate Ministerial Extracts
Adam Holloway Portrait Adam Holloway (Gravesham) (Con) [V]
- Hansard - -

It is a great pleasure to see the hon. Member for Cardiff Central (Jo Stevens) back in her place. There is no denying that the entertainment and culture sector has been one of the industries hit hardest by the pandemic and it has been felt by businesses and individuals alike. Some people take the view that those who work in the media, film and TV earn huge salaries and are not in need of Government support, but that is very far from the truth. There is a huge number of people both on and off the screen who, before the pandemic, were earning very modest salaries with very little job security. I know that many have sought jobs in other sectors, which is the right thing to do, but with the hospitality industry almost completely closed, along with non-essential shops, there are few opportunities available to them.

While the Government’s financial response to the pandemic has been very ambitious and far-reaching, on a global scale, there regretfully remains a very significant number of people who have been unable to make use of the support schemes. A large number of those are in the culture and entertainment sector and, in some cases, this is because they work via a limited company and cannot access self-employment grants, or, indeed, because they are employed on fixed-term pay-as-you-earn contracts. Many of my constituents who find themselves in this position have pointed out the disparity in Government support, given what someone who has been made redundant and someone who is on furlough will receive, especially when the worker who has been made redundant is not eligible for universal credit because of savings or home ownership, yet that will have no impact on his or her ability to be furloughed.

The aim of the Government has been to save as many jobs as possible with a finite supply of taxpayer funds. However, inevitably, everyone will have to play a part in paying off the debt, including those who did not receive any support. I know that the culture sector is anxious to know when it can reopen and I welcome the Prime Minister’s road map, which sets out a gradual return to normality.