Media Bill

Lord Vaizey of Didcot Excerpts

Committee stage
Wednesday 22nd May 2024 Lords Chamber

[Lord Foster of Bath (LD)]

My Lords, it is an extremely surreal moment to stand up just as the Prime Minister is about to walk out of the door of No. 10, maybe to announce a general election for 4 July. Of course, if that does happen it means we will be dealing with these very important issues during the wash-up process.

[Lord Vaizey of Didcot (Con)]

I just wanted to let the noble Lord know that Downing Street is delaying the announcement for 10 minutes so that we can hear his speech in full.

[Lord Foster of Bath (LD)]

I am always grateful for suggestions from my friend, the noble Lord, Lord Vaizey.

The amendments that have already been debated are extremely important. I am particularly grateful to the noble Viscount, Lord Colville, for explaining the somewhat complex details surrounding the amendment proposed by the noble Baroness, Lady Berridge. These amendments are really important in the context of going back to the sort of local radio stations we used to enjoy. He is also right to point out that a number of our debates have already demonstrated how important it is for Parliament to give a clear direction to Ofcom about its various activities.

I will concentrate on my Amendments 75 and 76. On Monday, I referred to the vital importance of Sections 319 and 320 of the Communications Act in creating an impartiality framework for TV and radio, building on earlier ones. That tradition of impartiality is the basis for the very high level of trust in our broadcast journalists—a tradition as vital for radio as it is for television. As I said on Monday, in an era of disinformation and conspiracy theories, spread so easily and quickly via social media, those impartiality requirements and the trust they engender in broadcast news and information are more important than ever. However, they are now under threat from a combination of a new generation of opinionated news stations and what appears to be the increasing reluctance of Ofcom to implement Parliament’s will.

Those impartiality rules, laid down by Parliament in 2003, are very clear. Section 319(2)(c) of the Act lays down that one of the standards objectives to be enforced by Ofcom is that

“news included in television and radio services is presented with due impartiality and that the impartiality requirements of section 320 are complied with”.

Section 320 states clearly that, for every radio and television service, due impartiality must be preserved in—this is critical—

“matters of political or industrial controversy; and … matters relating to current public policy”.

In simple terms, I believe that means that the due impartiality requirements must apply equally to both news and what we might call current affairs.

Recently, however, Ofcom seems to be making a distinction, allowing greater latitude for current affairs programmes to escape the due impartiality requirement. The distinction was first raised on 21 March last year in an Ofcom blog posted by its then group director for broadcasting and online content, Kevin Bakhurst. It was headlined, “Can politicians present TV and radio shows? How our rules apply”. Mr Bakhurst stated that,

“generally speaking, if it’s a news programme, a politician cannot present”,

but

“They are allowed to present other kinds of shows … including current affairs”.


Yet that distinction between news and current affairs appears nowhere in the relevant statute; nor did it appear in Ofcom’s Broadcasting Code or in the guidance that accompanies the code, yet Ofcom now clearly sees a distinction.

Last month, looking further into the issue of politicians presenting programmes, Ofcom commissioned IPSOS to carry out some focus groups among audiences. One of the conclusions in the IPSOS report was:

“Participants thought they could easily distinguish between news and current affairs … However, in practice, the presentation and style of these types of content blurred the line between news and current affairs which confused participants”.


IPSOS concluded that:

“The most prevalent opinion was feeling uncomfortable with politicians presenting current affairs content”.


While Ofcom appears to want news and current affairs to be treated separately, audiences have difficulty distinguishing between the two, so, just as the 2003 Act intended, news and current affairs programmes should both be covered by Sections 319 and 320 of the Act. The arbitrary distinction that Ofcom appears to have made between news and current affairs has no basis in law. After all, both quite clearly relate to

“matters of political or industrial controversy; and … matters relating to current public policy”.

Were the distinction to continue, it would significantly weaken the impartiality framework, so Amendment 75 makes it clear that Parliament always intended news to incorporate current affairs, in line with audience expectations.

This brings us back to the issue about partisan presenters. We have some outstanding radio show presenters with well-known political allegiances, including some from this House. I mention in passing the excellent programmes on Times Radio presented by the noble Lord, Lord Vaizey, and the newly ennobled noble Baroness, Lady Hazarika. We would not want to banish them from the air waves any more than we would want to banish, say, Nigel Farage from GB News. We are a liberal democracy, and we want to protect those contributions, but surely only if their shows live up to the same standards of impartiality required for news programmes.

Given the very high trust that audiences have invested in our broadcast services, as well as the clear audience discomfort with politically partisan presenters, we should seriously consider whether additional impartiality guardrails might be necessary for programmes hosted by well-known figures with well-recognised political allegiances. Amendment 76 addresses the rules around partisan presenters, whether on news or current affairs programmes, and it offers the simple proposal that the Secretary of State should review whether an enhanced duty of impartiality for such presenters might be necessary. The current rules around impartiality should not be allowed to be weakened by a regulator, certainly not without Parliament’s permission. Taken together, Amendment 75 and 76 seek to protect the legacy of trust which our broadcast media has taken decades to construct and which must not carelessly be disregarded.

[Lord Vaizey of Didcot (Con)]

Well, if no one is going to fill the gap, I will. I can confirm that a general election has not yet been announced—in deference to the excellent speech on radio from the noble Lord, Lord Foster. I thought I would make a few brief remarks —while we wait for this imminent event—with some reflections on radio.

I was lucky enough to be the Radio Minister for six years in the DCMS and now I am lucky enough to be a broadcaster on Times Radio—which is duly declared in my register of interests—so I have seen both sides of the fence. Ofcom has had a fantastic team looking after radio for many years and they are great experts on it. They were very much on the front foot when we discussed some of the mechanics and the engineering needed to extend digital radio.

The watchwords for radio are that we in Britain have an extremely successful radio ecosystem. We love our radio. We are also very far in advance of many other countries. To all intents and purposes, we have a universal digital network, which not many countries have. We still have our FM network. We have a plethora of radio stations, from legitimate national stations to quasi-national stations—which are really a group of regional stations knitted together—through to local radio stations and community radio stations. One of the things that I wanted to do most as a Minister was to support community radio. There is not enough money for it; there should be more money for it and for the engineering to support it. It is truly local radio. I used to visit places such as Swindon community radio which provided a vital service. It was run by volunteers and, rather like hospital radio, it is a great gateway into the radio industry and lots of young people still want to work in radio. That is very important.

It is a good thing, as it were, that the Government never made a firm decision on whether to switch over FM to digital and have allowed the radio industry in effect to lead that process and wait for it to come and say when it might be ready—when the dual costs may be too much or it might be sensible to go to a purely digital system. The other important point about radio is that the BBC sits at the heart of that radio ecosystem. That is one the important reasons to support the BBC but, at the same time, the BBC should be very mindful of its place and, in my view, be leaning in to providing the kind of radio services that commercial radio cannot afford to provide. In particular, that is local radio.

I completely agree with the noble Lord, Lord Foster, that there is far too much broadcast regulation being made up on the hoof by Ofcom, without any guidance from Parliament. That is partly up to the Government to drive consultation and to frame the debate so that Parliament can have that debate and make some decisions. However, I accept that, as a Conservative Peer, broad- casting a show on Times Radio, it feels very odd to interview Wes Streeting about Labour’s health policy. The people who run Times Radio and who run other radio stations take their obligations to Ofcom very seriously. They have compliance departments and ask whether something will comply with Ofcom or cross a line. They are very mindful of the existing guidance that Ofcom prepares.

As I said in the Second Reading debate, we should not be misled in terms of thinking about this kind of regulation for opinionated news—if you like—a sort of hybrid. We should not be misled because we might not like GB News, because it is deemed to be a right-wing station. We should have a proper debate about whether there is room for opinionated news in the broadcast ecosystem, particularly as we are now so deep into such a rich information environment with social media.

[Lord Bassam of Brighton (Lab)]

My Lords, I can usually spot a cunning plan when there is one afoot, and I fancy that our debate this afternoon is going to be overshadowed by events outside this House as the lectern has already been rolled out. This is an eclectic group of amendments which raise some important issues on radio regulation. The noble Lord, Lord Storey, in Amendments 71, 73 and 74 seeks to establish a baseline of locally provided programmes. I suspect we all have some sympathy with this.

There was a time when local radio was genuinely that: local. I well remember, as a local government leader, a time when both commercial and public service broadcast—BBC—radio stations used to call me up to face a quizzical reporter or phone-in audiences on local issues. But it has been a while since those days, as less and less content is generated from a locality. Basically, “local” means anything but that, as the programmes can be made and broadcast anywhere, as the noble Lord, Lord Storey, accurately described, and have no particular geographical audience.

Most commercial radio stations now work to the same format and are owned by fewer and fewer companies, with little or no community input. Sadly, they have contributed to the overall decline of local news as well. As we know, the BBC has much reduced its local services—several noble Lords have mentioned this—as part of its slimming down of local radio. It remains an open question as to how practical and workable the amendments of the noble Lord, Lord Storey, are in the current context, and that is a question for us to consider.

I turn to the amendments from the noble Baroness, Lady Berridge, particularly Amendment 72, which I think we would all accept hits on a very significant issue. If we want to look at radio coverage in the context of levelling up—and I think we should—we clearly have a long way to go, because there are definitely issues of access. Last year, we passed legislation that in theory should enable better coverage digitally, but it remains the case that rural areas are still significantly disadvantaged. In replying to the noble Baroness, can the Minister update the Committee today on progress and how the Government see, and are seeking, other means to redress this widely perceived imbalance? Are there, for instance, any government targets in place that are designed to move the UK towards a more universal quality of coverage that will take account of rural and local needs?

Turning to the amendments from the noble Lord, Lord Foster, on radio news impartiality, I say that, yes, of course there should be careful consideration by Ofcom, both for television and radio, when current affairs shows are on either news stations or channels, or stations that focus heavily on news and current affairs. The noble Lord, Lord Vaizey, seems to have introduced a new expression into our debate today: “opinionated news”. I thought that was a very good expression and not one I had heard before. I do not think that we can easily move away from challenging that. How we resolve the fact that politicians of a particular party host such shows in the face of regulations that are pretty clear on impartiality and balance is something we need now to seriously consider, and the noble Lord raises a telling question.

We must also ensure that Ofcom has the tools it needs to decide on impartiality when it comes to politically hosted shows. Perhaps the Minister could outline what discussions he and his department have had with Ofcom on this matter, because it is a matter of serious concern. We need considerable reassurance on this because, hand on heart, we cannot say that it is working as well as it should—despite what the noble Lord, Lord Vaizey, says about Ofcom having a very good team covering radio. I am sure that is true and that great diligence is exhibited there, but we need to move on and ensure that Ofcom can get on with the job in a way that satisfies widespread public concern about impartiality rules.

Media Bill

Lord Vaizey of Didcot Excerpts

Committee stage
Wednesday 8th May 2024 Lords Chamber

[Baroness Benjamin (LD)]

My Lords, I rise to speak to Amendment 33 in the name of my noble friend Lady Bonham-Carter—I thank her for the name check—which I have put my name to in support. I also support the noble Baroness, Lady Bull, in everything she said in her speech. I declare my interests as set out in the register.

When I started my career in television, more than 50 years ago, diversity and inclusion was not a priority for public service broadcasters. I personally had to break down so many barriers to get diversity on the agenda to where we are today. Thankfully, enormous strides have been taken and the diversity landscape has been transformed, both in front of and behind the camera. Although we have not yet reached what I call “diversity nirvana”, we are well on the way. Broadcasters such as ITV have made huge progress with their diversity and inclusion strategy and should be applauded.

But, talking to people across the industry, the big concern is the redundancies that are sweeping throughout the industry, combined with the slowdown in commissioning, which in turn will lead to many production companies going out of business and will therefore have a negative effect on all the diversity gains over the past few years. As ITV and Channel 4 look for new financial models and tighten their belts, they need to make sure that they do not take their eye off the ball when it comes to diversity and inclusion, because most TV workers are freelancers and work for independent production companies. So perhaps some programme-level data is necessary in order for us to properly see how many of the PSBs’ full-time staff are from under- represented backgrounds and how much of their programming is made by diverse talent from the freelance community.

Adeel Amini, a series producer and the founder of The TV Mindset, said, “While PSBs have certainly been saying all the right things regarding diversity, their impact on the ground level and on the wider industry structure as a whole has been harder to see. In fact, many people from underrepresented backgrounds feel like the industry has gone backwards. Given the current crisis, they feel they are being squeezed out quicker than ever before. This particularly applies to roles at mid and senior level, with not enough representation at decision-making level. It’s important that diversity is seen not as a box-ticking exercise, but something that demands accountability if we are to change the fabric of this industry and make it truly welcoming and inclusive to all”.

Amendment 33 is very much the start of making this process a reality.

[Lord Vaizey of Didcot (Con)]

My Lords, I shall just slip in on the back of the excellent speech on diversity from the noble Baroness, Lady Benjamin, because this is a subject very close to my heart. I think Amendment 33, put down by the noble Baroness, Lady Bonham-Carter, is very telling in calling for public service broadcasters to put forward a diversity strategy.

But I would go behind the amendment and say that, in my experience, it is often the case that public service broadcasters can hide behind a strategy, and a strategy can often be an excuse for inaction. I remember that when I first got involved in the diversity in broadcasting debate, which is now more than a decade ago, I was very struck by the fact that, when we had a meeting with the broadcasters—there were three main broadcasters in play: ITV, BBC and Sky—the BBC came in and said, “We totally get what you’re saying and we’re going to produce a strategy”. ITV came in and said something in between. Sky came in and said “We’re just going to go for 20%”—and it did go for it, in terms of people both in front of and behind the camera. So it is very important that the Minister himself gets very engaged with the broadcasters, because if they simply put strategic documents on his desk, nothing will change.

The other important part of any strategy that is legislated for in this Bill is that it brings forward proper, in-depth statistics about what is happening in broadcasting in terms of diversity and equality. On that point, I would like the Minister to update me on the Diamond network, which was the measurement standard put in place in the mid-2010s in which broadcasters had to report for every production. It gradually included the independent producers, because that was another thing that we discovered made life more difficult, because you then had to go to all the independent production companies and bring them within the system. What has happened to the Diamond system? What kind of statistics is it throwing up that reveal what is actually happening in broadcasting?

I am fully aware that, when one talks about diversity, there may be a small element of the public—perhaps a Venn diagram overlapping with Garrick Club members—who regard talking about diversity as some sort of woke totemic point. But the point is that we live in an extremely diverse country. It is so important—and it really emphasises why this Bill and broadcasting are still so important, no matter how diverse and fragmented broadcasting has become in terms of platforms—that people in this country are able to tell their stories and see themselves represented. Equally, to echo the noble Baroness, Lady Benjamin, it is not just the people in front of the camera; it is the people making the programmes and making the decisions about what is commissioned. You can have as many diverse people as you like appearing in a television programme but, to be blunt with the Committee, if the people commissioning the programmes are all white, those are the stories that will get told.

As far as the other amendments are concerned, since I am on my feet, I am obviously very much in favour of the principle that the noble Baroness, Lady Bull, put forward about putting back the Reithian principles into broadcasting. But I simply say at the beginning of what will be a mammoth session of days and days of scrutiny of this Bill that I am also very deregulatory minded. It is important for the Committee to be aware as much as possible that broadcasters sit under a plethora of regulations and there must also be a mindset as we debate this Bill that we do not simply put every single issue and principle that we care passionately about—albeit I am now massively contradicting everything I have just said—into the Bill, because technology is changing rapidly, costs are rising, as the noble Baroness, Lady Benjamin, hinted, and putting a lot of people under pressure, and people need flexibility. To a certain extent we need to trust our broadcasters, for whom quality programme making is to a certain extent embedded.

[Lord Bassam of Brighton (Lab)]

My Lords, this has been a fascinating debate, capped by a single show of dichotomy from the noble Lord, Lord Vaizey. I am sure that most of us found it both entertaining and enlightening, in line with true Reithian values.

As we draw this debate to a close, we should congratulate the noble Baroness, Lady Bull, on tabling her amendments in this group. As we have heard, they broadly relate to the Reithian principles that have under- pinned public service broadcasting for much of the last century. We on the Labour Benches have co-signed Amendments 1 to 3 and 7. Additionally, we support Amendment 8 in the name of the noble Baroness, Lady Boycott, so ably spoken to by the noble Baroness, Lady Hayman. We also support Amendment 33 on diversity. On reflection, having spoken to my colleague, the noble Baroness, Lady Thornton, I feel that we should have had a separate debate on the whole issue of diversity. It is merited in the context of the Bill. The noble Baroness, Lady Benjamin, underlined the importance of workplace diversity, as referred to by the noble Baroness, Lady Bonham-Carter. There is much to think through about what we see and how it is measured to ensure that our public service broadcasters reflect the diversity of our great nation.

I turn to the Reithian principles. My honourable friend Stephanie Peacock in another place said that she welcomed the attempts to simplify the remit of PSBs. I made a similar observation at Second Reading. As we have heard, a number of commentators have argued that this may have the unintended consequence of leading to rather more restricted content. The Communications Act 2003, which this part of the Bill seeks to update, gave a fair expression of the PSBs’ Reithian principles. Over time, these have become partly enshrined in particular genres. These amendments attempt to take the debate beyond genres and to talk to the issue of the fundamental purpose of public service broadcasting, in particular the purpose of broadcasting in a multimedia world now tackling the challenges of the digital age and digital content.

At Second Reading I said that, while the Bill was very welcome—it continues to be very welcome—and for the most part highly supportable, it seemed to lack an overarching purpose and principle: an abiding vision, if you like. As we have heard, Lord Reith believed that PSBs should “inform, educate and entertain”. The 2003 Act sought to flesh out what that meant. Labour enshrined those principles in legislation. In that regard, it did a more than serviceable job. This new legislation seeks to do it slightly more flexibly. Flexibility is one thing, but I think we need firm statements of principle and purpose. These amendments move to set Reithian standards and values in a more modern context.

We want public service broadcasters to retain high standards of content. We want them to maintain high- quality production and editorial integrity, as referenced in Amendment 1. We want to see content that meets the Reithian dictum of informing, educating and entertaining, while recognising the role of the sector in stimulating, reflecting and supporting the cultural and creative industries.

Finally, these amendments take us to the educative purpose of public service broadcasters and help promote a culture that values learning as a lifelong activity to serve all. Together, one could paraphrase a sort of John Prescott-ism and place old-style Reithian values in a modern setting. For that, and for the other reasons I have set out, we are very happy indeed to support this group of amendments. We hope to receive some words of encouragement from the Minister. I do not think public service broadcasters will object at all to this renewed obligation. It does much that will help Ofcom in its periodic reporting on this aspect of the public broadcasters’ remit.

News Broadcasting: Regulation

Lord Vaizey of Didcot Excerpts

Thursday 14th March 2024 Lords Chamber

[Lord Vaizey of Didcot (Con)]

My Lords, I congratulate the noble Lord, Lord McNally, on securing this important debate on the regulation of news broadcasting companies. The role of due impartiality in broadcasting is an important issue to discuss.

I should say that I have skin in the game, as I have a regular Friday night show—7 pm to 10 pm—on Times Radio, where I normally cover culture. I always have an MP on the show: sometimes I am interviewing a Labour MP, sometimes a Conservative MP. I also cover shows. I covered Mariella Frostrup’s show recently, where we changed the section “Meet the Member” to “Meet the Peer”. I was lucky enough to have the noble Lord, Lord Heseltine, on that section, but I did not feel that at any point we strayed beyond the rules of due impartiality in discussing his distinguished career. The noble Baroness, Lady Bonham-Carter, has been on as “my frenemy” on a Sunday show hosted by Alexis Conran. And of course, I should say that the Minister has been a guest on my show as well.

But enough about me; let us talk about due impartiality, because it is important that we discuss it. Obviously, we need to think back: as the noble Lord, Lord McNally, pointed out, this has been around for 100 years. There is a reason why we have due impartiality rules, and there is a reason why we need to debate them now. We had them then because the BBC was by far the most dominant broadcaster, along with ITV and, to a certain extent, Sky News when it came into being. Most people got their news from linear television news, and it was important that they got it in as unbiased a fashion as possible. We have never worried about due impartiality from the rich newspaper ecology that we have in this country.

Now we face a very interesting landscape, where we have a plethora of new media companies able to launch because of technology—not just Times Radio but GB News, LBC and TalkTV. And we have streaming. If you decide that flat earth is your thing, you can spend 24 hours a day, seven days a week, looking at flat earth conspiracy videos on YouTube. Amazon and Netflix are coming within Ofcom’s remit, but there is now a plethora of media.

We all know why we are talking about due impartiality. We want to avoid what we think we saw in the US, which was the rise of Fox News on the right—with its heavily biased programming and positions dictated to a certain extent by the management team—and CNN on the left. It is perhaps ironic that, if you examine the rise of President Trump, you might actually see that CNN played a bigger role, because, frankly, Trump was box office and got wall-to-wall coverage on CNN anyway.

When we discuss due impartiality, we need to be cautious. We need to have this debate not because we dislike GB News—although it does often air questionable content—or another right-wing broadcaster, because there are plenty of other stations that you could accuse of potentially breaching impartiality. LBC has David Lammy and James O’Brien—he is a broadcaster I admire, but nobody can pretend they do not know where his politics lie. The BBC has in fact today reappointed Robbie Gibb, a Conservative activist, to its board for another four years. Interestingly, in this Conservative Government, the noble Lord, Lord Parkinson, himself is investigating the BBC for due impartiality.

Nevertheless, I do support the thrust of what the noble Lord, Lord McNally, said in his remarks, which is that it is important, as much for Ofcom’s sake as for ours, that it is not left to develop policy on its own without some oversight from Parliament, some indication from Parliament, about which direction it should travel in—and I absolutely agree with him that Ofcom is an excellent regulator that has proved itself time and time again able to navigate distinctly choppy waters where people have very strong opinions. I thought the remarks from Melanie Dawes, the chief executive, about holding broadcasters with a higher audience to a higher standard, was an interesting adaptation of doctrine, a bit like a papal bull, which deserves to be discussed in Parliament.

I sat on the fence when I raised the issue at Second Reading of the Media Bill—and guess what? I am going sit on the fence again and simply come to the position that we need to debate what we mean by “due impartiality” in a fragmented media world. Having said that, I will get off this fence and say emphatically that we need to continue to regulate broadcasters and we need the essence of due impartiality to continue.

Media Bill

Lord Vaizey of Didcot Excerpts

2nd reading
Wednesday 28th February 2024 Lords Chamber

[Lord Vaizey of Didcot (Con)]

My Lords, I declare my interests as a broadcaster on Times Radio, chairman of Marlow Film Studios and chairman of Common Sense Media in the UK. It is a great pleasure to follow the excellent speech of the noble Lord, Lord Hall. I loved working with him when I was a junior Culture Minister many years ago.

Many noble Lords have said during the debate that this is the biggest media Bill for 20 years. Of course, the last big media Bill, in 2003, created Ofcom. It was genuinely a very big media Bill and Ofcom has indeed proved itself to be an effective and robust regulator. It has increased its reach and powers, even to the extent that it now sits in your Lordships’ Chamber, keeping watch over the debate to see that we stick to the rules and give it appropriate praise. It has taken over the regulation of the BBC, which I oversaw and was very much in favour of. But when it comes to broadcasting, interestingly, Ofcom is wrestling now with the difficult question of impartiality—particularly some of the challenges posed to it by, for example, new and innovative stations such as GB News, which is testing the boundaries.

Interestingly, there does not seem to be much room in the Bill or this debate to discuss impartiality, or indeed the Broadcasting Code itself and whether it is up to speed. I am not putting forward a specific view here. There is a particular recognition by Ofcom that the broadcasting landscape is changing as more people are able to start television channels, but a debate on how the Broadcasting Code should adapt to this changing landscape is perfect for this House.

This is not a very important or very big Bill. That is not an insult to either the Government or the Minister, because we are simply tweaking the edges. In my view, the biggest media Bill we have had since 2003 was the Online Safety Act, which gave Ofcom very important powers to regulate the content of platforms. That, of course, encapsulates the change we are debating, because we are now a country that watches streamed content, and people are moving in their droves online. That is what the consumer is doing naturally, as the noble Baroness, Lady Benjamin, pointed out in her robust speech on the quality of children’s programming, for which she has been a staunch advocate for many years.

It is true that, as my noble friend Lord Mendoza said, the streamers make great investment in the UK but the link to the public service broadcasters is important. Many of the senior executives you might meet from these big companies trained at places such as the BBC, so we still provide not just quality broadcasting but quality broadcasting executives to the streamers. It seems that at the heart of this debate is the support for our PSBs, particularly the BBC, no matter how much it annoys us. The existential question at the heart of the debate, which we have to address, is: what are we going to do when all the content we consume as British subjects is owned by the Americans? It will be on Netflix and Disney; it will be on Amazon, Apple and YouTube. If we are to preserve British cultural content, if we believe that to be important, we are going to have to support as best we can the BBC and the public service broadcasters. That may mean asking difficult questions such as whether their three streaming services should be allowed to merge— presumably in the face of opposition from the Competition and Markets Authority —and whether we can bring a degree of scale to this debate in order to have any sense of competition.

I was glad that the noble Lord, Lord Hall, mentioned that he was pleased that radio has its own section in this debate, because radio is something I am passionate about. While I might have used this opportunity to big up Times Radio, what I actually want to talk about is Global. I was delighted to see that the founder of Global, Ashley Tabor, got a CBE while the chief executive, Stephen Miron, who has led it for 16 years, has just announced that he will be stepping down and becoming the chairman. Of course, the noble Lord, Lord Allen, one of our own, is the current chairman. It is a great British success story because we love radio in this country. Global took some assets such as Capital Radio and has turned them into real broadcasting powerhouses. It has been helped to do that by a process of deregulation, so I am pleased to see that the Government are continuing that process.

Behind deregulation lies the ability to trust the broadcasters to know where their audiences are and to use technology to provide local content—not necessarily having to be based locally, but still able to present local content. On that point, I would challenge how we have debated genres for public service broadcasters, because if we sit in this Chamber and decide what we think are important parts of the broadcasting genre land- scape, we will end up disappearing down a rabbit hole. I would err on the side of deregulation simply to give our broadcasting companies, whether public service broadcasters or commercial, room to thrive.

Specifically on radio, I would love to hear the Minister’s views on switchover. I avoided the date for switchover like the plague. There is nothing worse than having a person of a certain age with eight FM radios, one in the garden shed, coming at you if you tell them that they have to buy a digital radio. It seems that, rather like DTT, this should be led by the industry. I am a passionate supporter of community radio and would be interested in the Minister’s views about its future. I would also challenge the BBC because, again, if there is any area where the BBC can have a major impact, it is on local radio. I simply do not understand why it keeps pulling back from local radio and making such a mess of it.

The regulation of video on demand is fascinating. I would love to see how it is to be implemented in practice—how to effectively regulate a library of content with things such as impartiality or a watershed. I am delighted that Channel 4 can now invest in its own content. The debate on privatisation, which again I was open-minded about, proved to be an enormous and costly distraction for Channel 4. I do not agree with my noble friend Lord Bethell that the British Board of Film Classification should be given a monopoly on ratings; I should say that Common Sense Media provides excellent ratings, which are loved by British parents, and there should be a choice. I agree with the noble Lord, Lord Stevenson, that the one issue we have not debated, partly because we do not have any answers, is the impact of artificial intelligence on content.

I end by congratulating my noble friend Lord Forsyth on moving his amendment. I did not realise that if you put in a regret amendment, you get to speak at the beginning and the end of the debate. I put the House on notice that I will be putting down a regret amendment on every Second Reading of every Bill that comes before your Lordships in future.

[Lord Bethell (Con)]

I completely agree with my noble friend that no one should be given a monopoly on minimum standards. However, my amendment will be advocating that there should be minimum standards.

[Lord Vaizey of Didcot (Con)]

I look forward to supporting the noble Lord’s amendment.

Arts

Lord Vaizey of Didcot Excerpts

Thursday 1st February 2024 Lords Chamber

[Lord Vaizey of Didcot (Con)]

My Lords, it is a great pleasure to follow the noble Lord, Lord Bragg, who has given so much to the arts over so many years. I briefly declare my interests as a trustee of the Tate, chairman of the Marlow Film Studios and a cultural broadcaster on Times Radio, broadcasting from the South Bank, but not quite to the same level as the noble Lord, Lord Bragg.

The funding for the arts in this country is not actually insubstantial, if you take the direct grants to museums, the grants through the Arts Council, the BBC itself, the tax credits which extend from film through to theatre and museums and, of course, university and local authority funding, although I accept that local authority funding is under intense pressure at the moment. This Government also deserve a great deal of credit for the support they gave the arts throughout Covid. My noble friend Lord Mendoza is not in the Chamber today, but he and Ministers worked tirelessly to ensure that the arts were supported. Nevertheless, it will not surprise your Lordships to learn that I think we can still give more.

I take a very simple view: that the arts budget is effectively a rounding error in terms of what government spends across the piece. It could be increased substantially for the arts insignificantly for what government spends overall, and it would make a difference. My thesis has always been that the Government should decide effectively what their national champions are—the national museums, flagship theatres, not just those in London but around the country—and fund them properly, securely and long-term, not to such an extent that it stifles their creativity, enterprise and philanthropic needs, but certainly to ensure that they do not have to keep looking over their shoulders to see whether they can keep the roof on. That to me is what one could call a no-brainer.

At Tate, for example, we have not lost our ambition. Tate Liverpool is going through its first major refurbishment for 40 years. Tate St Ives has acquired the Palais de Danse in St Ives, where Barbara Hepworth made her sculptures. We are building a new storage centre, which will be open to the public in a very deprived area of London. Please help these national institutions match their ambition.

I noted that the noble Lord focused on the economic impact of the arts, and there is no doubt that the arts and creative industries are some of our most successful industries. Their wider impact has also to be taken into account. I do not really like these terrible economic reports which say that for every pound you spend on the arts you get £500 back. I think they are nonsense—but we are world-leaders, and the arts have a huge impact on health, education, criminal justice and soft power.

The arts are the venture capital for really successful industries, such as our film, television and video games industries. Marlow Film Studios could not exist if it were not for the incredible talent that exists through this country’s heritage in television and film, but Marlow Film Studios may not exist because of the chronic and appalling planning system that exists in this country. If we look at the planning guidance in this country, we can see that cultural heritage and assets come even behind Wetherspoon pubs. The sooner we put cultural assets and heritage at the heart of our planning system and speed it up, the better.

Finally, I love the system we have in the UK of what we call the three-legged stool—core government funding, enterprise and creativity, and philanthropy. It is important to acknowledge all the people who make that happen and say thank you—thank you to the people who work in the arts, who work for salaries far lower than their talents deserve or what they could receive outside. We must thank the philanthropists, who give so generously, two of whom are in the Chamber with us today, and thank business—and yes, thank BP for its grant to the British Museum. Finally, of course, we should thank my noble friend Lord Parkinson for being such an excellent Arts Minister, and for the hard work and devotion he gives to his job as a servant to the community that he works for.

BBC: Funding

Lord Vaizey of Didcot Excerpts

Wednesday 17th January 2024 Lords Chamber

[Baroness Goldie]

My Lords—

[Lord Vaizey of Didcot (Con)]

Tina!

BBC: Royal Charter

Lord Vaizey of Didcot Excerpts

Monday 15th January 2024 Lords Chamber

[Lord Parkinson of Whitley Bay (Con)]

It is important to begin with the fact that the BBC will benefit from more than £3.8 billion of licence fee income per year; that is a considerable amount of money. We froze the licence fee to help people with the cost of living but it is now rising in line with inflation. It is for the BBC to decide how it spends the money that it gets from the licence fee payer within the expectations that are clearly set out in the royal charter, in which its first public purpose is:

“To provide impartial news and information to help people understand and engage with the world around them”.


It is important that the BBC does this.

[Lord Vaizey of Didcot (Con)]

My Lords, those of us who care passionately about the BBC are very worried about the direction of travel for BBC News. There have been decimating cuts to local radio, with long-standing presenters being made redundant in the most brutal of ways, the botched merger of world news and domestic news, and the cuts to flagship programmes. As the Minister said, is it not the BBC’s duty as a publicly funded broadcaster—particularly in an age of disinformation being so widespread—to invest heavily in a news service that we all rely on?

[Lord Parkinson of Whitley Bay (Con)]

Although it is up to the BBC to decide how to deliver its services, the Government are clear that it must make sure that it continues to deliver its remit as set out in the royal charter and the agreement. The Government expect Ofcom, as the BBC’s regulator, to ensure that the BBC is held to account in the way it does so. We recognise the strength of feeling on the importance of news coverage, both nationally and locally. We have raised the concerns expressed in your Lordships’ House and another place about cuts to local news reporting services, but it is up to the BBC to decide how it delivers these services with the money that it gets.

Loot Boxes in Video Games

Lord Vaizey of Didcot Excerpts

Wednesday 13th December 2023 Lords Chamber

[Lord Parkinson of Whitley Bay (Con)]

Research has provided evidence that loot box purchases may be linked to a variety of harms. In particular, there is robust evidence of an association with problem gambling, as the noble Lord mentions, but research has not established whether a causal relationship exists. There are a range of plausible explanations. We have developed and published the video games research framework to support high-quality, independent research into video games, including into loot boxes. If new evidence becomes available, we will consider it.

[Lord Vaizey of Didcot (Con)]

My Lords, I heap praise on the noble Lord, Lord Foster, who has been a great supporter of the video games industry, although I do not agree with him on loot boxes. I am sure that he and the Minister will have seen the recent report from the Association for UK Interactive Entertainment, the trade body for video games, showing how this industry, which is bigger than film, television and music put together, has huge benefits for our wider economy, including the automotive and health sectors. Does the Minister agree with me that it is important not to overregulate such a successful industry? I refer to my entry in the register.

[Lord Parkinson of Whitley Bay (Con)]

My noble friend is right to point to the huge success of the UK consumer games market. It is currently valued at more than £7 billion, which is more than double its size in 2013—during my noble friend’s heyday as the Minister responsible for it. The industry employs 27,000 people across the country, with nearly 80% of those people based outside London; there are video games clusters in Dundee, Sheffield, Manchester, Guildford and Royal Leamington Spa. The growth has of course been accelerated by generous tax reliefs, including those on which my noble friend worked in government. We are very proud of the impact that it has on our wider creative industries.

BBC Funding

Lord Vaizey of Didcot Excerpts

Tuesday 12th December 2023 Lords Chamber

[Lord Parkinson of Whitley Bay (Con)]

I have indeed pointed to the extra freedom that the Government have given the BBC to pursue its commercial income, so that it can continue to do its excellent work and be funded in a sustainable way that is fair to licence fee payers, viewers, listeners and indeed bakers.

[Lord Vaizey of Didcot (Con)]

My Lords, given that a full-scale rebellion is under way against my noble friend Lord Harlech’s—

[The Deputy Speaker (Lord Russell of Liverpool) (CB)]

My Lords, the time allowed for the Statement has elapsed.

Classical Music

Lord Vaizey of Didcot Excerpts

Thursday 7th December 2023 Lords Chamber

[Lord Parkinson of Whitley Bay (Con)]

I congratulate OperaUpClose, which is one of the new operatic organisations that have joined the Arts Council national portfolio. I met another, Pegasus Opera, which is doing great work as well in encouraging new audiences and new compositions so that opera can continue to be a rich art form that people of all backgrounds get to enjoy. The noble Baroness is right that private philanthropy as well as public subsidy plays an important part. My right honourable friend the Secretary of State and I have had meetings with arts organisations and funding bodies to look at ways in which we might be able to create further incentives for giving. But I hope that people will be able to leverage their part in the national portfolio through the Arts Council—not just to spend the public subsidy that is given but also to be part of that network, which they now are.

[Lord Vaizey of Didcot (Con)]

My Lords, leaving aside the extreme concern that the Chancellor is favouring EU composers over British composers—I hope that nobody tells the Prime Minister that—may I ask my noble friend what he is doing to increase diversity in classical music? Will he join me in congratulating the Chineke! Orchestra on its success and all it has done to increase diversity in our orchestras, and perhaps illuminate us regarding the discussions he has had with the Arts Council to continue this impressive progress?

[Lord Parkinson of Whitley Bay (Con)]

The Arts Council did a very valuable study on diversity in classical music—diversity in every form. As I say, companies such as Pegasus Opera are doing important work in bringing people from diverse backgrounds into art forms that we can all enjoy, as are the Chineke! Orchestra and many others. Through its new national portfolio, the Arts Council is investing in more companies and organisations in more parts of the country than ever before, including those led by a more diverse range of people.