Access to Musical Education in School

Lord Knight of Weymouth Excerpts

Wednesday 18th October 2023 Lords Chamber

[Lord Knight of Weymouth (Lab)]

My Lords, it is great to follow the noble Lord, Lord Hampton, and like others I am grateful to my noble friend Lord Boateng for securing, and the way he introduced, this debate.

The evidence of unequal access to music education is clear. My daughter, Ruth, had private instrument lessons and now her production of “La Traviata” opens on the ENO stage next week. Our 12 year-old, Coco, has private piano lessons and is learning the power of practice as she struggles on through her grade 7, but their privilege in having parents who can afford tuition is clear.

I recently read an excellent book by Jude Rogers, entitled The Sound of Being Human. In it, she quotes the cognitive psychologist, Professor Daniel Levitin. He points out that the earliest human-made artefacts were musical instruments, including a 60,000 year-old bone flute found in Slovenia. Singing around a campfire helped early humans to stay awake and ward off predators, but it also helped us develop co-operation and turn-taking, strengthening human group dynamics. Not only does Levitin find that music is at the very core of being human but he finds that it is absolutely core to the brain development of children. It encourages different parts of the brain to work together in an integrated way, and the curiosity that in turn allows the development of language is formed from there. Three separate parts of the brain are connected by conversation through music: the most advanced with the most mechanical, connecting our most primitive with our most advanced selves.

The science around how music triggers subconscious memory is also well known. The neuroscience is clear. Music must be a core subject, especially in early years education. So how is it going? Like the noble Baroness, Lady Bennett, I have been reading last month’s Ofsted report on music education in England, which was published with the headline:

“Music teaching too variable in quality and often not given enough time”.


The report says:

“The inequalities in provision that we highlighted in our last subject report … persist. There remains a divide between the opportunities for children and young people whose families can afford to pay for music tuition and for those who come from lower socio-economic backgrounds”.


We have also heard today about the decline in GCSE and A-level music entries since the EBacc was introduced 13 years ago. Yet, in the last 20 years, vocational music qualifications taken in schools have rocketed.

I remind the House of my education interests, especially as a member of Pearson’s qualification committee. Has any thought been given to the impact on vocational music if the Government proceed with defunding BTECs to prioritise money for T-levels, which contain no music, as we have heard, and will have to be significantly reformed if they are to be a part of the advanced BS that the Prime Minister proposes? The decline in the music teaching workforce is also deeply worrying. Two years ago, we were recruiting into initial teacher training at 71% of target, and last year at 64%. If the National Foundation for Educational Research is correct, just 31% of target will be met this year. What is the evidence that a £10,000 bursary is enough?

In closing, I ask the Minister to reflect with her colleagues on the need for a change of approach. I am pleased that the Prime Minister wants a more balanced post-16 curriculum, but we need the same rebalancing throughout the secondary curriculum. We need a change to the accountability system of the EBacc and Progress 8 to give much-needed oxygen for the creative subjects. As the minister knows, AI is marching on apace. Our current curriculum is equipping our children to be outcompeted by technology. Our competitive advantage against machines is to be better humans. What better way to prepare our children for their human future than by ensuring that they have a strong music education?