Musicians and Creative Professionals: Working in the European Union

Lord Clement-Jones Excerpts

Thursday 7th July 2022 Grand Committee

[Lord Clement-Jones (LD)]

My Lords, the noble Earl, Lord Clancarty, aided and abetted by many of those who have taken part in today’s debate, has been raising these issues for well over two years now. I congratulate him on his tenacity in securing this debate and his comprehensive introduction today. I certainly hope that the Minister has now got the picture—or should I say the mood music, with all the variations, perhaps, that the noble Baroness, Lady Bull, described in her speech.

As we have continuously emphasised in the last two years, we are talking about not only touring by the music industry—one of the most successful and fastest growing sectors, where real jobs and livelihoods now risk being lost—but by a number of other important parts of the creative sector as well: museums, theatre and the wider visual arts sector, as described by the Contemporary Visual Arts Network, and indeed the sports sector, as described by the noble Lord, Lord Moynihan. The ramifications are very broad. The right reverend Prelate reminded us that this impacts on levelling up and on values. We heard from the noble Baroness, Lady Fleet, about the impact on the talent pipeline and the potential to impact on communities through music education.

The dual registration deal on cabotage, which we have debated previously, falls short of satisfying the greater number of smaller specialist hauliers and own-account operators—it was described as a sticking plaster by my noble friend Lord German, and he is correct. On these Benches, we pointed out that the issues on cabotage were just one part of a huge cloud now hanging over the creative sector as a result of Brexit. The noble Viscount, Lord Stansgate, my noble friend Lord Strasburger and the noble Lord, Lord Hannay, all described that, including the requirement for work permits or visa exemptions in many EU countries, CITES certificates for musical instruments, ATA carnets for all instruments and equipment, and proof of origin requirements for merchandise. It is a real return to the past, as described by my noble friend Lord Jones.

The failure to secure a reciprocal exemption to permit freedom of movement for creatives on tour or short-term paid engagements and their support staff when we left the EU has been catastrophic for UK and EU touring creatives. The sheer disparity of treatment was described by my noble friend Lord German. As the noble Lord, Lord Hannay, said, it was very clear from the outset that that would be the impact.

The reason we are in this mess is that the Home Office refused to grant particular categories of EU citizens, including sportspersons or artists performing an activity on an ad hoc basis, the right to 90 days permitted paid engagement, and so the EU would not reciprocate. We are still pursuing freedom of information requests to find out exactly what the UK Government put forward. The problems with merchandise, carnets and CITES are, if anything, worse, as described by a number of noble Lords. As the noble Baroness, Lady Bull, confirmed, the ISM says:

“In fact, almost nothing has changed since the TCA came into effect, as recent accounts from musicians resuming EU tours have demonstrated.”


As the Classical Music APPG, LIVE, UK Music, the ISM and many others have advocated, what is urgently needed are permanent solutions which will secure the kind of future that the noble Viscount, Lord Stansgate, referred to.

Some require bilateral negotiation and some can be done unilaterally through greater engagement, but the key to this is multilateral action. As a number of noble Lords have said, we need more productive, collaborative relationships. This was mentioned by the noble Lords, Lord Hannay and Lord Cormack, my noble friend Lord German and the noble Baroness, Lady Bull. The noble Baroness made some very constructive, detailed suggestions about how we can get to that point on those multilateral negotiations. We need comprehensive negotiation on road haulage for cultural purposes, a cultural waiver in relation to ATA carnets and CITES, and a visa waiver agreement.

There is a very depressing letter from former Minister Lopez to my colleague in the Commons Jamie Stone, which sets out very few constructive proposals. I hope the Minister here today does rather better. Will we get the kind of new beginning that the noble Lord, Lord Cormack, mentioned? We need something simple and effective.