UK Streaming and Cinema Sector

Lord Brennan of Canton Excerpts
Monday 2nd March 2026

(2 weeks, 5 days ago)

Lords Chamber
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Baroness Twycross Portrait Baroness Twycross (Lab)
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Anticipating that this question might come up, I asked whether I was able to give a definitive date for when the freelance champion will be appointed. Unfortunately, my wording is still just “as swiftly as possible”. I can report to your Lordships’ House that the Minister for Creative Industries, my colleague in the other place, Ian Murray, has held a round table with the sector to work through a number of the issues around the remit of this role. I genuinely hope, for a whole host of reasons, to be able to report back to your Lordships’ House on the next occasion I am asked that question. At the moment, unfortunately, my answer is “as swiftly as possible”.

Lord Brennan of Canton Portrait Lord Brennan of Canton (Lab)
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My Lords, can I encourage my noble friend the Minister to regard these questions as a sort of canary in the coal mine? The Government’s original opt-out proposals on AI exemptions obviously caused a great deal of consternation in the House, and I think the idea of a commercial research exemption would be similarly difficult if it were the proposal the Government eventually came forward with. Even if the Minister cannot rule something out at this stage, can she at least acknowledge the fact that many of us in the House regard that as little more than a smokescreen for mass copyright theft?

Baroness Twycross Portrait Baroness Twycross (Lab)
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I have heard that loud and clear, and I will convey the sentiment of the House back to colleagues in DCMS.

Creative Industries: Freelance Champion

Lord Brennan of Canton Excerpts
Thursday 22nd January 2026

(1 month, 3 weeks ago)

Lords Chamber
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Live Music Industry: Support

Lord Brennan of Canton Excerpts
Monday 23rd June 2025

(8 months, 3 weeks ago)

Lords Chamber
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Asked by
Lord Brennan of Canton Portrait Lord Brennan of Canton
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To ask His Majesty’s Government what discussions they have held recently with the live music industry about support for the sector.

Lord Brennan of Canton Portrait Lord Brennan of Canton (Lab)
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My Lords, I beg leave to ask the Question standing in my name on the Order Paper and draw noble Lords’ attention to my entry in the register.

Baroness Twycross Portrait The Parliamentary Under-Secretary of State, Department for Culture, Media and Sport (Baroness Twycross) (Lab)
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The Government engage regularly with the live music sector on our shared goal of a sustainable grass-roots music ecosystem and to maximise opportunities for growth. Today we have published our Creative Industries Sector Plan as part of the industrial strategy, including up to £30 million for music. Ministers have recently convened two round tables with the live music industry to drive progress on the industry-led ticket levy, in addition to a round table on improving ticket resale and combating touts.

Lord Brennan of Canton Portrait Lord Brennan of Canton (Lab)
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I thank my noble friend for that Answer. This week, 200,000 people will gather at the world’s greatest live music event, but Glastonbury is simply the apex of the great pyramid of the UK’s live and electronic music sector, which generates over £6 billion for our economy and brings immeasurable pleasure to millions. The base of that pyramid is in danger of crumbling without due care and attention, so the Commons Culture Committee has asked me to head a fan-led review of live music in the coming months. Will my noble friend the Minister commit our Government to engaging seriously with the findings of that review and doing their bit to support our world-beating live music sector?

Baroness Twycross Portrait Baroness Twycross (Lab)
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I cannot think of anyone better than my noble friend to carry out this work. We welcome the launch of Parliament’s fan-led review of the live music industry and look forward to considering its findings. From the industry’s own recent fan-led review, we know that fans are deeply invested in supporting live music, particularly local artists and independent venues, but rising financial pressures, dynamic pricing concerns and the closure of beloved venues threaten long-term sustainability. We recognise those same challenges, which is why today, as I mentioned previously, we have announced a major investment to drive growth in the UK music industry.