UK Musicians: EU Visa Arrangements

Debate between Caroline Dinenage and Tracy Brabin

Tuesday 19th January 2021 Commons Chamber

[Caroline Dinenage]

Quite simply, of course touring is still encouraged. Artists and musicians from the EU are very welcome and encouraged to visit and perform in the UK, and absolutely vice versa. I am sure that individual member states have different restrictions when it comes to visas and work permits; some are very limited, some are a little bit more complicated. This is very much a quid pro quo—it works for the EU as much as it does for our musicians here in the UK—and I am sure that many countries want to come to an arrangement that will allow their musicians to move, travel, work and tour and to take their beautiful music around Europe.

[Tracy Brabin (Batley and Spen) (Lab/Co-op)]

I am sure the Minister will agree that this is a double whammy for anyone who cares about levelling up and the creative industries in West Yorkshire and beyond. Recent figures show that the creative industries in West Yorkshire and the Humber have grown by 10.9%. It is really important for jobs and opportunities that we keep this industry flourishing, so will the Minister tell us what the Government have put in place to compensate for the inevitable loss of these opportunities, and will she make available what impact assessment has been done on the changes that this will make to the ability of businesses to continue to flourish after covid?

[Caroline Dinenage]

Of course we know that this has been such a horrible year, particularly for the sectors that I represent—the cultural and creative industries in west Yorkshire and around the whole UK. Covid has been a bitter blow. Of course we did not get the agreement with the EU that we wanted on touring musicians, but we want to do everything we can to support them, including providing clear, easy-to-access information and speaking to our colleagues in EU member states. We will also talk to our colleagues in the Treasury to see what financial support can be put in place at a future fiscal event.

Oral Answers to Questions

Debate between Caroline Dinenage and Tracy Brabin

Thursday 10th December 2020 Commons Chamber

[Caroline Dinenage]

The hon. Gentleman is right to talk about all the amazing parts of the industry that support our creative and cultural venues up and down the country. Of course this Government have just put in an incredible amount of unprecedented business support right across every sector—over £100 billion for the furloughing scheme, the self-employed income support scheme, grants, loans, VAT deferrals—and for freelancers we know the best thing we can do is get our sectors back up and running. That is what the culture recovery fund is all about.

[Tracy Brabin (Batley and Spen) (Lab/Co-op)]

Today, research from the Creative Industries Policy and Evidence Centre has shown that in the last six months there have been 55,000 job losses in music and the performing and visual arts—all that talent, dedication and diversity of voices lost. Our creative workers are desperate to get back to doing what they do best, and we know the simplest way to get money to freelancers is to make shows, but to do that producers need a safety net. Germany has just announced an indemnity fund so event organisers can plan for the second half of 2021 without the financial risk posed by a potential covid outbreak. Industry predictions suggest a three-month indemnity here could get the sector back on its feet. I know that the Minister is receptive to this idea, so can she explain what is holding things up? Has the Chancellor again said no?

[Caroline Dinenage]

The hon. Member is absolutely right to highlight that our creative industries are a fantastic success story. They contribute more than £112 billion to our economy, more than the automotive, aerospace and life sciences sectors combined, so we do need to do everything we can to help them. The next stage of the cultural recovery fund will be announced shortly—that is another £258 million—and we are looking very carefully at the German insurance model. It has only been announced this week so the details have not been made clear. We have to be sure that it really is the only obstacle to things being able to reopen, but we very happy to have those conversations with the Treasury.

Oral Answers to Questions

Debate between Caroline Dinenage and Tracy Brabin

Thursday 24th September 2020 Commons Chamber

[Caroline Dinenage]

I cannot agree with the hon. Gentleman that this package of support is not working. In his own constituency of Ealing, Southall, there has been £47,000-worth of emergency funding so far, and £500,000 in total support from Arts Council England in this financial year. We know that, more than anything, those who work in the sector just want to get back to doing what they love. The £1.5 billion cultural recovery fund will secure the future of performing arts and live events and protect jobs in the industry to allow them to do just that.

[Tracy Brabin (Batley and Spen) (Lab/Co-op)]

Millions in our country long for live performing arts to return, none more so than those who work in those industries. Some 70% of theatre workers are self-employed or freelance, but many are ineligible for the self-employed income support scheme and have been excluded from Government support since March, bringing extreme hardship. They desperately need the sector to be back up and running. While we support the Government’s road map to reopening, we know that socially distanced shows are simply not viable without insurance against covid cancellations. The Digital, Culture, Media and Sport Committee agrees, warning that without a pandemic indemnity scheme,

“efforts to resume filming, touring and live performance are doomed to failure”.

What representations has the Minister made to her Treasury colleagues for insurance support similar to that for film and television so that our incredible creative workforce can get back to what they do best when it is safe to do so?

[Caroline Dinenage]

As I have already articulated, I meet the sector on a very regular basis, and actually it has been its feedback that has helped to form, to shape and to drive the cultural recovery fund as we have it today. As I have explained, there is £95 million of additional support in there for individuals, including freelancers. We continue to listen. We continue to talk to Treasury colleagues to make sure that we are creative, inventive and thoughtful and doing everything we can to get our sectors back up and running.