UK-EU Relations
Debate between Baroness Twycross and Earl of Clancarty(1 week, 3 days ago)
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Baroness Twycross (Lab)
I am not going to give a blow-by-blow account of ongoing discussions. In relation to my noble and learned friend Lord Hermer’s presence, or otherwise, in your Lordships’ House, I see him pretty regularly. I have no idea where the noble Lord, Lord Balfe, is when the Attorney-General is in your Lordships’ House; I would suggest, if the noble Lord wants him to answer questions, that he put appropriate Questions into the ballot.
The Earl of Clancarty (CB)
My Lords, it is disappointing that there was no mention in the Statement referring to any discussion about the effect of Brexit on the arts and creative industries. When are the UK Government going to have that discussion with the EU, bearing in mind that the creative industries are hugely important to this country, as the Minister knows? The creative industries are waiting on this.
Baroness Twycross (Lab)
The Government are committed, as set out in our manifesto, to supporting our creative industries and our creative artists in touring and performing around Europe. I am happy to meet the noble Earl, and I will ensure that my DCMS office gets in touch with him. I am not going to give a description of where we are regarding ongoing discussions or a commentary on negotiations. We are clear, as I know the noble Earl is, that this could help deliver real benefits not just to artists in this country but to artists and venues from across the EU.
National Lottery: Contribution to Good Causes
Debate between Baroness Twycross and Earl of Clancarty
Baroness Twycross (Lab)
I cannot agree with my noble friend’s suggestion that the National Lottery is a tax on the poor. It is an incredible national institution, founded by Sir John Major’s Government, and which had great ambitions to become part of the lifeblood of DCMS sectors. If we had not had the National Lottery, by default, it could not have contributed money to such incredible iconic national treasures as the Angel of the North—a particular favourite of mine—Shakespeare’s Globe, the Wales Millennium Centre, the Glasgow Science Centre, the Ulster Museum and many more local projects.
The Earl of Clancarty (CB)
My Lords, on that point, does the Minister feel that more could be done to publicise the good causes to which people contribute when they buy a lottery ticket, particularly at the point of sale?
Baroness Twycross (Lab)
The noble Earl makes a very good point, and I hope that this will start happening as Allwyn progresses its stewardship of the lottery during the course of the fourth licence. Having reached its 30th birthday year, the National Lottery has raised over £50 billion for good causes, with over £94 billion in prizes to players and over £21 billion in lottery duty to the Exchequer.
Creative Industries: Creating Jobs and Productivity Growth
Debate between Baroness Twycross and Earl of Clancarty
Baroness Twycross (Lab)
I will feed that back to the department; I cannot commit to it here and now, but I did hear and note that point. I will feed in points made during the debate to relevant Ministers and teams in the department but I cannot commit to that on the hoof in this debate, as I am sure the noble Viscount understands. I am liable to run short of time so, at this point, I will commit to writing to noble Lords with responses to the many questions asked and the really interesting points made throughout this debate.
Moving on to the question from my noble friend Lord Stevenson, the forthcoming BBB charter review will shape the BBC’s crucial role in the creative economy. This includes skills development, investment in the nations and regions, and continuing the BBC’s vital role as an anchor institution around a creative companies cluster.
The noble Lord, Lord Berkeley, and my noble friend Lady Donaghy raised points about higher education and universities. It is important to understand the role of further and higher education in driving innovation in the creative industries, and we will being forward a comprehensive strategy for post-16 education to help us do this.
The noble Baroness, Lady Benjamin, raised the importance of issues facing children’s TV. The Government recognise the importance of UK-made, high-quality content for children. That is why we are moving ahead with the implementation of the Media Act, which enshrines educational content in the new public service remit. As she noted, consumption is moving to platforms such as YouTube, where content can be more variable. We are discussing with these platforms what may be possible to promote high-quality programmes.
A number of noble Lords, including the noble Lord, Lord Berkeley of Knighton, my noble friends Lady McIntosh and Lord Brennan, the noble Lord, Lord Londesborough, my noble friends Lady Griffin and Lord Stevenson of Balmacara, the noble Baronesses, Lady Prashar and Lady Bonham-Carter, and others almost without exception mentioned issues around AI and IP protection. We hear creatives’ concerns over the impact of AI, in particular the use of copyrighted works in AI training. As my noble friend Lady Thornton said, the Secretary of State has been clear that creatives are the core of our AI strategy. In December, therefore, we published a 10-week consultation to engage AI and creative industry stakeholders on the impact of AI on the copyright regime to clarify the copyright framework for AI: ensuring creators have control over their work, transparency from AI developers and the ability to license their content and be paid for it.
The noble Baroness, Lady Bennett of Manor Castle asked for action, and I sense the urgency that noble Lords feel on this point. We are absolutely clear, however, that we will not make any decisions to proceed without confidence that an approach is workable and effective for rights holders. I look forward to updating noble Lords in due course on these issues.
Turning to the Arts Council England review, raised by my noble friends Lady Thornton and Lord Lemos, the review of my noble friend Lady Hodge will be supported by an advisory panel of great minds from across the sector and beyond, who will bring a mix of establishment and fresh voices to help in this work. The review will ensure that everyone can access and enjoy the arts, no matter who they are or where they live. It will also make sure the Arts Council is working effectively with local communities and supporting creativity at all levels.
In response to the request from my noble friend Lord Lemos, the full terms of reference for the review will be published in due course. This will set out the scope for the review, which will report to the Government in the autumn of 2025, and we expect to publish the conclusions of the review along with the Government’s response in early 2026. I will, however, feed my noble friend’s view in.
The noble Earl, Lord Clancarty, raised the Welsh National Opera. We are pleased to see that it has received £750,000 from the Arts Council of Wales’s jobs protection and resilience fund. Minister Bryant has held a series of productive meetings with the Welsh Government, Arts Council England and the Welsh National Opera to understand how, within the parameters of the arm’s-length principles, we can best ensure a strong and secure future for the Welsh National Opera.
The noble Baroness, Lady Bennett, mentioned the grassroots music sector and, like noble Lords, clearly including my noble friend Lord Brennan, I really love live music. It brings a huge amount of joy to my life, and my summer is structured around concerts and gigs of all sizes. Some of the most iconic things about Britain internationally relate to our brilliant musicians, composers and songwriters past and present, but music must be part of our national cultural future, too. Britain’s best-selling artists start their careers in our grassroots venues. Ed Sheeran played at over 360 grassroots venues before reaching arenas; 150 of them have now closed. This is why the Government are urging the live music industry to introduce a voluntary levy on tickets for stadium shows to support a sustainable grassroots music sector. We welcome the progress made by industry in establishing the LIVE Trust to manage funds for the voluntary levy.
A number of noble Lords, including my noble friend Lord Lemos, the noble Earl, Lord Clancarty, and the noble Baroness, Lady Bonham-Carter, raised issues relating to our EU exit, and in particular to EU touring. The Government are working to improve the UK’s trade and investment relationship with the EU and to tackle unnecessary barriers to trade without seeing a return to freedom of movement. Improving arrangements for creative professionals, including musicians and crew, is a priority for this Government, on which we will continue to work closely with the creative sector.
The Earl of Clancarty (CB)
I asked the Minister when discussions will be held with the European Commission on this. Does she have any detail about when that might happen?
Baroness Twycross (Lab)
May I write to the noble Earl on that point? I have reams of paper here, which I am not likely to get through in my limited time, but I will endeavour to write.
The noble Lord, Lord Londesborough, raised the point about philanthropy. I feel really strongly about this, and we are committed to supporting philanthropic growth across the country. The Secretary of State has publicly committed to a place-based strategy to create an environment that will encourage and support local communities and ensure that philanthropy reaches the areas that need it most.
The noble Lord, Lord Freyberg, raised issues around the art market, not least in the context of us leaving the EU, and import and export issues. We recognise the challenges faced by the art market and the importance of maintaining the UK’s status as a major international hub. The Government have conducted a review of the temporary admission procedure, engaging extensively with the arts sector, and HMT is undertaking a review of money laundering regulations with impacted industries.
The noble Lord, Lord Parkinson, and the noble Earl, Lord Clancarty, asked about the British Council. The Government highly value the British Council as a UK soft power asset and are committed to working with it to ensure its financial sustainability. The FCDO is exploring all options with the British Council and HMT to ensure this, and I will feed in suggestions made during this part of the debate.
We have heard today what is needed to build thriving creative industries. As part of our plan for change in the industrial strategy, we are developing a creative industries sector plan to drive growth across the country. Culture and creative industries are a key part of the UK economy, not just nice things to have for personal engagement, although it is clear from the passion and enthusiasm across your Lordships’ House that creative industries add richness and enjoyment to our lives. We are clear that the foundation for the future success of the creative industries starts by breaking down barriers to opportunity, and we are ready to enact meaningful change.
Budget: Arts, Heritage and Cultural Organisations
Debate between Baroness Twycross and Earl of Clancarty
Baroness Twycross (Lab)
Absolutely—I would be happy to. We are almost out of time, so I again thank the noble Baroness, Lady Sater, for raising the issue and securing this debate. A number of these one-hour debates on Thursday afternoons could be considerably longer. I look forward both to working closely with the sectors and to continuing to provide the support they need.
The Earl of Clancarty (CB)
My Lords, the question we asked on specialist schools was about the music and dance scheme, and the dance and drama awards. I am not sure that the Minister mentioned them. They are the ones that I thought were now exempt from VAT.
Baroness Twycross (Lab)
With huge apologies, we have run out of time and we need to move on to the next debate. My officials will go through the Official Report and we will endeavour to write to noble Lords.
European Union
Debate between Baroness Twycross and Earl of Clancarty(4 months, 2 weeks ago)
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Baroness Twycross (Lab)
I will take the proposal back to the department.
The Earl of Clancarty (CB)
My Lords, the Minister should agree that in the cultural area the UK should have much closer relations with the EU. Although the language has changed, we have not yet seen any action at all to address the specific concerns of the arts and creative industries. When will that happen? Every passing week represents lost opportunities and revenues for many artists and creatives who continue to face huge difficulties in Europe.
Baroness Twycross (Lab)
There is a genuine commitment and determination from the Government to address this. I thank the noble Earl for his question on this point.