Elgin Marbles

Baroness Bennett of Manor Castle Excerpts

Thursday 14th December 2023 Lords Chamber

[Baroness Bennett of Manor Castle (GP)]

My Lords, it is a pleasure to follow the noble Lord, Lord Frost, and entirely agree with everything that he said. I think he said that the Parthenon sculptures sitting in the British Museum are less than the sum of their parts that they would be if they were together in their original context with their original structure. That reflects a recent article in the Times that talked about going into the Parthenon sculptures gallery and feeling the melancholy of exile. These marbles have been deprived of the charisma that ancient objects can have when they are in the place where they were made, created and lived with for thousands of years.

I was a volunteer at the British Museum for many years, and I am a passionate lover of the place. One thing I did as a volunteer was to stand in the galleries with ancient objects and give visitors the chance to hold them. One such object was a 350,000 year-old hand-axe from Kent. That was a magic object when you felt it in your hand, but it was a magic object in its place and time. You could feel the connection to the people—probably homo heidelbergensis, or possibly early Neanderthals—who lived before us on this island and whom you were experiencing in that moment. That is something that we are depriving the world—anyone who visits Athens—of, by taking the Parthenon sculptures away.

Like others, I thank the noble Lord, Lord Lexden, for the chance to have this debate, and the noble Baroness, Lady Chakrabarti, who set out the case very well—I am not going to repeat it. I disagree with the noble Lord’s conclusions, which are very much contested. I am, perhaps typically as a Green, going to take this as a chance to think a bit more broadly. This is a chance to reassess the position of many objects in the British Museum—the Benin Bronzes are another very obvious example. Let us think about our museums, galleries and collections, and place this in the context of Britain’s place in the world. We hear a great deal of talk of Britain wishing to be world-leading in standing up for human rights and the rule of law, doing the right thing and promoting a proper international order. Let us think about that and about what we could actually do. I am no legal draftperson, but I am sure the Table Office could come up with a Bill that would see the Government directing museums, galleries and other institutions to make, over time, an assessment of their entire collections to see whether they have fair, just and rightful title to the objects in those collections.

I would ask the Government to provide some modest ongoing funding; I am not saying this is something that would happen in a year or even a decade. It could be an ongoing programme—and we can already identify some of the objects that would clearly be a problem.

Noble Lords may ask what this would achieve. I pick up the point the noble Lord, Lord Allan, made about how the sculptures here in London send out a message of celebration, still, of that period of colonialism, exploitation, extraction and straight-out theft. We would be saying, “That’s not the kind of world we want to live in”. We want to build and create a new and different future that respects the rule of law and different cultures all around the world and that seeks to work with them to celebrate together the wonderful creativity of humans. That is a global tradition that belongs to everyone that should be all in its rightful place.