Department for Digital, Culture, Media and Sport Ministers regularly engage with music industry representatives from across the live music and recorded music sectors. I met representatives from Live to hear directly about the challenges facing musicians. I look forward to meeting the Music Venue Trust shortly, to hear more from the grassroots music sector on the cost of living pressures.
I am sure the Minister will want to join me in congratulating Mae Muller on being selected as the UK’s representative at Eurovision in Liverpool.
Surely the Minister acknowledges that the creative sector has probably been the most heavily impacted sector throughout this cost of living crisis, and that musicians have probably been the most impacted within that sector. Earnings for recordings are next to zero, Europe is effectively closed to them, musicians who want to travel to the US face visa problems, and studios and rehearsal spaces are at great risk because of sky-high energy bills. The charity Help Musicians has found that 90% of musicians—the lifeblood of the music sector—are worried about how they are going to pay their next food bill, and half are thinking about leaving the industry. Does the Minister believe that this is the worst possible time to be an aspiring musician, and what is she going to do to rectify the situation and support our musicians?
As a musician himself, the hon. Gentleman is a tremendous champion of the music industry, and I appreciate all the work he does. He has raised a series of points. On an individual level, the Government have put forward a substantial package to help people through the cost of living crisis. That is an extension of the cultural recovery fund. We also have the Arts Council England fund for supporting grassroots live music. He highlighted issues about US visas, which I am very concerned about and on which we are engaging with US counterparts. I encourage him to get the industry to engage with that consultation, and I am happy to engage with him on some of the issues he raises.
Many musicians are self-employed and lose out on cost of living payments, particularly early on in their careers, because of the operation of the minimum income floor. They have variable incomes early on, which was raised on Monday with Department for Work and Pensions Ministers. Will the Minister and her DCMS colleagues give their support to meeting representatives of self-employed musicians, to find a workable way through and to make sure that they are not unfairly penalised by how they build their careers in their early stages?
I thank my hon. Friend for championing a fantastic festival in his constituency and congratulate the organisers on their 20th anniversary. VisitBritain has found that 3% of trips in the UK are made to attend a festival, which equates to more than £1.4 billion a year in spend. That is making a tremendous difference to communities such as the one he represents.
I thank the hon. Lady for her question. What happened in her constituency was an absolute tragedy and I pass my condolences on to the people affected. We have received her letter, and I am terribly sorry that it has not yet received a response. I was made aware of that only last week. I am asking for this to be looked into, because I appreciate that she has highlighted things that she sees as gaps in the system, but, as she knows, the Met is also investigating this. I will look very carefully to see whether they highlight issues that the Government themselves need to consider.
It was encouraging to see the news this week that Amazon Prime video is taking steps to adopt the British Board of Film Classification ratings. However, this makes the decision of Disney+ to continue to disregard UK best practice even more disappointing. Do the Government agree that it makes it far harder for parents to properly regulate their children’s viewing when age ratings are unfamiliar?
I know that my hon. Friend has done a lot of work on supporting parents and children in transparency in this area. Something that we want to do in the media Bill is to regulate video on demand in the same way that we do with broadcast. We continue to view the BBFC age ratings as best practice, and I too welcome the news this week about Amazon taking on those ratings.
I thank my hon. Friend for championing this role and for all the work that he does on science, technology, engineering and maths, which has such an important overlap with what is going on in the creative industries. We have a creative sector vision coming up, and I am also pleased to highlight that his council, Basildon, has put forward a fantastic bid for a creative centre for screen and immersive tech, and we will be announcing soon whether that has been successful.