European Union (Future Relationship) Bill

Tracy Brabin Excerpts

2nd reading & 2nd reading: House of Commons
Wednesday 30th December 2020 Commons Chamber

[Tracy Brabin (Batley and Spen) (Lab/Co-op) [V]]

Thank you for calling me to speak in this important debate, Mr Deputy Speaker. When the Division is called later, I will be supporting this legislation. With only one day until the end of the transition period, voting to implement this treaty is the only way to avoid no deal. No deal would be nothing short of catastrophic for the producers, manufacturers, exporters and businesses of Batley and Spen, and of the wider West Yorkshire area; the bed makers, biscuit manufacturers and paint companies would all suffer. Keeping no deal on the table for so long has already caused enormous stress, job losses and uncertainty, which has been especially cruel after such a challenging few months due to covid-19.

We have already heard today about how many glaring omissions there are in this deal, but I wish to focus on one that will cause long-lasting devastation to one of our most successful exports, the creative industries. Labour’s amendment on that was not selected. Over the past few months, Home Office officials have made it simple for artists from all the EU to come to the UK in 2021 and beyond; they planned ahead, consulted and developed a single extension of the existing arrangements for artists from non-visa countries, such as the United States and Canada—a temporary worker creative and sporting visa, the T5. Issued by a sponsor, it does not cost a lot and is proven to work, giving musicians from the EU 90 days in which to work in the UK. They also upgraded a scheme called “permitted paid engagement”, which makes it simple for almost anyone—academics and individual artists—to visit for cultural reasons. Sadly, the Government’s brilliant negotiators failed to negotiate reciprocity for our simple and generous measures. I hope the Minister will be able to tell us whether this is part of a cunning plan or just a mistake. We know that members of the Government’s Front-Bench team support a creative passport, so why do we have this glaring omission?

This failure will have an impact on young artists trying to break through in the EU, and on musicians working in EU bands and orchestras, who will be subject to border delays. Then there is the perception of EU festival organisers, which could mean British artists being overlooked. In addition, the cabotage rule means that UK-based trucks can have only three drops at EU venues, which means EU companies becoming more cost-effective. Of course it is easy to focus on stars, but this is about haulage companies, producers, production crew, technicians, artists, professional musicians, dancers and actors, all of whom contribute to this £111 billion industry. It is no wonder that a petition calling for the Government to remedy this situation has been signed more than 195,000 times, and the number is rising. The Bill places bureaucracy, carnets, costs and delays where there once was frictionless trade, and I hope the Minister will lay out his plans to support this vital British sector.