(11 years, 5 months ago)
Commons ChamberI am sure the Minister is aware that today is the first day of the Edinburgh international film festival, which is just one of a number of film festivals around the UK. The Edinburgh festival will this year have 146 films from 53 countries. That serves to demonstrate the interest there is in film across the UK. Film festivals are important, and they drive that interest in film in the UK.
I want to speak briefly about a different film festival in Scotland—the Glasgow film festival. It is not a rival to the Edinburgh film festival, which is largely industry-driven, as Glasgow’s is a strongly, and highly successful, audience-led festival which has taken place over the past 10 years—I believe next year’s will be the 10th. Fortunately for me, the festival has coincided exactly with the February recess in the past couple of years, which has meant that I have been able to enjoy a number of its films.
I welcome what my hon. Friend is saying. I know that he is a keen supporter of the Glasgow film theatre, as am I, because I was involved when it was opened and when I was assistant director of the Scottish Film Council. Does he feel that the renaissance of the British and Scottish film industry owes a great deal to the former Chancellor and Prime Minister, my right hon. Friend the Member for Kirkcaldy and Cowdenbeath (Mr Brown), who rightly judged the need for tax concessions?
Of course, my right hon. Friend is too modest to mention his own role in that as a distinguished former film Minister during that period. I hope to get time to make a point about the enduring nature of that support and the importance of its continuing into the future.
First, I wish to make a couple more remarks about the Glasgow film festival. My hon. Friend the Member for Paisley and Renfrewshire North (Jim Sheridan) talked about the contribution of film making to the city of Glasgow. At last year’s festival, I saw “Cloud Atlas” and it was interesting to see streets just three or four blocks away from where I was sitting being represented as 1970s San Francisco. That demonstrates the ability and technical expertise in the film industry. The Drovers Inn, on the A84, where I have spent many a Hogmanay, was also in that film. It was not the greatest of films, but it was interesting to see. Those things are an indicator of the ability of Glasgow as a city, and as a city region in the west of Scotland, to drive that interest and investment in film, and of the greater contribution that film development makes to the wider economy. A number of people are in the city centre when some of these films are being made, just to see that happening. People came in during the early hours of the morning, when the streets were being shut off and the American taxis were around George square. It was amazing, and it really caught the interest and imagination of people.
The Glasgow film festival is a regional one and it has applied for lottery funding, to which the Government amendment refers. I place on the record that that support is very valued and I know it has been heavily oversubscribed. I am sure that the announcements are due soon and I hope that Glasgow will be successful. The film festival brings in very many people. It brings in not only people from in and around Glasgow, such as myself, but people from outwith Glasgow, from more widely in the UK and from overseas. The boost that that brings to the wider economy in terms of tourism and the hospitality industry is tangible and recognised, and it has helped to generate some sponsorship to go alongside the funding that the festival needs. It does need funding to be able to continue to bring that festival to life each year. I pay huge tribute to Jaki McDougall, Allison Gardner, Allan Hunter, Seonaid Daly and all the others who have been involved in the film festival over the past few years and have built it up to be the fastest-growing film festival in the whole UK. It certainly does deserve the support of lottery funding and the British Film Institute because of its approach.
For those reasons, I wanted to touch on the BFI-commissioned report by Oxford Economics indicating the very real contribution that film brings to the wider economy. This debate is about the economic contribution, and a huge amount comes to the UK through the film industry. We are talking about: 117,000 jobs; British film’s 15% share of the worldwide box office; the £1.7 billion in royalties in 2011 from British films shown overseas; and £2.1 billion in visitor spend in the UK from film tourism. So the industry has made a huge contribution, and it has been successful largely because of policies that developed over time—policies from the previous Government that have so far been continued. My right hon. Friend the Member for Coatbridge, Chryston and Bellshill (Mr Clarke) made that point very well. That has happened because of that support, which must continue. The wider economic and cultural benefits are clear to see. I want to see many more representations of Glasgow as San Francisco and actors as zombies, to repeat the clarification that my hon. Friend the Member for Paisley and Renfrewshire North (Jim Sheridan) made earlier, so that I do not offend any of my constituents. Those benefits can come about only with sustained and continued support for the film sector. It is vital. It brings so much culturally and economically, and many are concerned that in the drive to reduce support for arts, the film industry will suffer, although it provides a great deal that we should all be hugely proud of.