Live Events: Government-backed Insurance

Steve Brine Excerpts

Tuesday 23rd March 2021 Westminster Hall

[Steve Brine (Winchester) (Con)]

It is nice to see you in the Chair, Mr Rosindell. I thank the hon. Member for Caithness, Sutherland and Easter Ross (Jamie Stone) for opening the debate today. I am co-sponsoring this debate with the hon. Member for Cardiff West (Kevin Brennan), with whom I serve on the Digital, Culture, Media and Sport Committee.

I want to focus again on the festival industry. I say “again” because I spoke about it in the DCMS estimates day debate a couple of weeks ago. The risks to events taking place this year revolve around three things: uncertainty, even with the road map; lack of working capital for our festivals; and the ongoing absence of the insurance solution.

There are, believe it or not, around 975 festivals in the UK every year—an incredible number. We reckon they generate around £1.75 billion to £1.8 billion for the UK economy every year and support around 85,000 jobs. According to the excellent UK Music, more than 5 million people attended a festival in 2019—including me. It was a Boomtown Fair in my Winchester constituency, and, for the record, Pattishall—a small community music festival in Northamptonshire. That really shows the difference between a very big event of tens of thousands of people and a very small village affair.

I would attest that a Government-backed insurance scheme is essential to the festival industry. I am not saying that insurance is the sole barrier to kickstarting festivals, and it is a leap of faith, in some respects, with taxpayers’ money. However, organisers cannot enter into the usual planning for 2021 without an insurance solution in place. It is simply the key that unlocks the process. As the hon. Member for Caithness, Sutherland and Easter Ross said, it is unfortunate that we have not yet managed to persuade the Government of the case. I have to say that it is almost too late for 2021, but we must try, and we will. That is the purpose of today.

The sector is not churlish; it very much welcomes the Prime Minister’s road map out of lockdown, that it has “no earlier than” dates, and the news that many festivals may be able to go ahead in some capacity later this year. However, we must understand that this is surrounded by caveats, and the problem is the planning cycle. There will be no more than a week’s notice of step 4 being brought in. If all factors line up and 21 June is possible, festivals may not get the go-ahead until 14 June. The Government’s event research programme—which I welcome very much—including the pilots, will need to be successfully completed by 21 June to enable step 4. Yet this does not start until 12 April. Clearly, that has a significant impact on whether some festivals can proceed with planning for July and August this year, given the timeline without an insurance solution and the average go/no-go cut-off point being the end of this month. That is why I say it is almost too late.

The insurance we are talking about does not exist in the commercial market, which is unlikely to mobilise this until at least 2022, so there is a market failure, or a market gap. Even if festivals sell out well ahead of time, many organisers cannot draw down the revenue from the ticketing companies, as it remains ring-fenced to be paid out, rightly, post event or refunded to customers if necessary. It remains an enormous risk for any independent festival to proceed with costs up to 14 June, without insurance and many just will not take it. Major festivals such as Reading and Leeds have said that they will go ahead this year—Glastonbury, of course, has not—but it is important to say that they are not the barometer for the entire festival industry.

Members of the DCMS Committee wrote to the Treasury on 6 January. We reminded the Government that they have backed insurance for the film and television industry to the tune of some £500 million. It is now time to do this for other creative industries. That could take a number of forms: one requires no up-front contribution from the Government and utilises the existing Pool Re structure, developed in response to unpredictable and devastating acts of terrorism. That would leave the Treasury with a maximum liability, we think, of £1.5 billion and could be adapted to cover a range of sectors, including hospitality, sports and leisure, as well as festivals and live performances and events. The point is that none of this need ever be needed. As the hon. Member for Caithness, Sutherland and Easter Ross said on opening the debate, all the Government need to do is back their own road map. In his reply on 8 February, my hon. Friend the Economic Secretary to the Treasury said:

“My officials are working with DCMS officials to understand what a viable roadmap would be for the reopening of the events sector and therefore the right point to consider potential support options which could unlock a reopening of the sector, including insurance-based solutions.”

That sounded positive, but it was obviously over a month ago. Please will the Minister update us on that today?

The key question put by UK Music ahead of today’s debate is: do the Government believe that festivals should start planning for post-21 June without insurance in place? It made Government-backed insurance a key plank of its excellent “Let the Music Play: Save Our Summer 2021” report, which made it clear that it was welcome that the Government delivered on so many points in the report—an indicative date and extending financial support, to name but two. But without insurance, UK Music feels—and we agree—that the benefits to the sector are restricted.

The live sector desperately needs to return to work. The Minister is a great champion of that sector and she knows this. The Government have stated that they will do “whatever it takes” to support the economy and jobs and boy, have we done that. Seventy per cent. of musicians have seen their work fall by at least 75%; grassroots music venues, such as the Railway Inn in my constituency, have lost an average 75%—two thirds—of their income. Arenas are in the same position and technical companies have lost on average 95% of their income. This is devastation across the sector. The longer the live music sector is shut, the greater the damage and the more difficult the recovery. Therefore, quickly clearing this insurance barrier is key to guaranteeing recovery. UK Music has calculated that a £680 million Government-backed insurance scheme for music could underwrite £2 billion in activity.

The Government have stated that they are not intervening because insurance is not “the only barrier” to events taking place and has pointed to other interventions they have made, such as the job retention scheme, the self-employed scheme and the cultural recovery fund—all excellent schemes. The music sector is very grateful for those and other interventions, but they do not negate the need for insurance, and their utility in supporting reopening is less than it would be without an insurance solution.

It is unclear what the Government mean by “the only barrier”. If reopening goes ahead on 21 June, the only reason for live music events not to go ahead would be this inability to get the insurance—we keep coming back to that. If public health in defence of delaying reopening is the other barrier referred to, the industry is—let’s face it—in a Catch-22, because it is the possibility of that intervention that is distorting the commercial music market and raising the need for Government intervention in the first place.

In conclusion, this matters for all the reasons that I have touched on this morning, but it matters right now when events, short of insurance, short of certainty and short of cashflow, are selling tickets to young people desperate for something to look forward to.

We cannot have events that do not have a licence in place, as sometimes happens. I found one the other day that had not even contacted the safety advisory group of the respective local authority and was selling tickets—often at £100-plus a go—on the promise of hope alone. That will do the vast majority of this well-run and professional industry no favours whatsoever, but in many ways it is a symptom of the situation that we are in.

I appreciate that the insurance situation is difficult. It is not the only issue in play here and we do not pretend that it is, but it is the key that can unlock the door.

--- Later in debate ---

[Caroline Dinenage]

What I am saying is that the decision is with the Treasury right now. We are working very closely with the Treasury to provide the evidence it needs to make a financial decision on this, and it is a big financial decision. My hon. Friend the Member for Winchester hit the nail on the head when he said it is a leap of faith. It is obviously a big financial decision that the Treasury has to make. I am trying to articulate the background within which that decision will be made. But it is absolutely still on the table, and it is absolutely still a decision being looked at right now. In DCMS we are really keen to gather all the evidence that is needed to make that case.

[Steve Brine]

I want to stiffen the argument that the Minister is making to the Treasury. It is about the supply chain, which the hon. Member for Cardiff West (Kevin Brennan) touched on. It is not simply the case that they are going to have another rotten year; for many in the supply chain, two years of this will end their business, and then they will fall into other support schemes. The calculation that the Department can make to Her Majesty’s Treasury, therefore, is of a reduction in other areas if it saves here. I think that there is very much an argument about investing to save that the Department can make to Treasury colleagues.

[Caroline Dinenage]

I understand exactly what my hon. Friend is saying. Another Member—I cannot remember who it was—said that this is, by definition, quite a precarious industry anyway. My eldest son was due to go to the Boardmasters festival down in Newquay the year before, which was tragically cancelled because of the weather. The festival organisers have had to put up with two years of cancellations already before 2021, so Members can see what a huge pressure has been put on them.

However, hon. Members will recognise that the bar for considering Government intervention is set extremely high, as of course it has to be, especially in light of the considerable extension to so many financial packages that have already been helping our sectors—the furlough scheme, the business rate relief, the VAT cuts and local business support. The key thing that will give us much more certainty as we move forward is our world-class vaccination roll-out, along with all the steps we have been taking to beat the virus. This, along with reopening when we are confident that it is safe to do so, will reduce the chance of cancellation and interruptions due to covid-19, creating a much more predictable and secure opening context for all sorts of events to take place. Hopefully that will de-risk the sector as well.

In that context, we are continuing to engage with organisations to work through all the barriers to staging events, and indemnity insurance is of course one of those. It is part of our wider drive to reopen our crucial sectors as quickly as it is safe to do so. We are also working with other Departments. The Opposition spokeswoman, the hon. Member for Wirral South (Alison McGovern), asked me about that. We do meet regularly with other Departments. I met with representatives from a number of Departments last week, and we worked very closely with them to talk about the public health context and ensure that we are in a good position. In an ideal world, the insurance sector itself would step up to the plate and support this vital part of our economy, but in the absence of that, any decision on a sponsor package rests with the Treasury.

The Government recognise the challenges that have been faced by organisations and individuals alike and have ensured that support is available. The hon. Member for Cardiff West trailed this, but I will now talk about some of the specific things that have taken place across the wider economy. A number of Members have spoken about freelancers, and we know that so many of our live events depend upon an army of really talented freelancers, who do a whole range of really skilled jobs. Our sectors rely on freelance work more than any other, and I am keenly aware of the financial needs that many have found themselves in. That is why I was really pleased that in his Budget speech the Chancellor extended the self-employed income support scheme, which means an additional 600,000 people can access support on top of those who have already received it. In addition, Arts Council England has so far awarded £51 million to individuals needing support. Those things are important as well, as we try to work our way back.

The Chancellor also announced that the 100% business rates holiday for retail, hospitality and leisure in England has been extended by an additional three months. He has also extended the 5% VAT reduction until 30 September, before then tapering it for the rest of the financial year. It is worth saying that the VAT cut alone is forecast by the Office for Budget Responsibility to be worth around £4.7 billion for hospitality and tourism and visitor attractions. A new recovery loan scheme will also be launched to replace the existing Government guarantee schemes that close at the end of March, which have supported £73 billion of lending to date. This will help businesses of all sizes, including in our vital DCMS sectors and numerous live events, to take the next stage of recovery.

A total of £700 million of extra funding to support our world-leading arts, culture and sporting institutions was announced in the Budget, all serving to protect what makes the UK a world-leading destination. The levelling-up fund—45 new town deals and city growth deals in Scotland and Wales—shows how the Government are investing right across our Union.