Fairtrade Certification
Debate between Rupa Huq and Chris Bryant(2 weeks, 3 days ago)
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Dr Rupa Huq (Ealing Central and Acton) (Lab)
It is a pleasure to serve with you in the Chair, Mrs Hobhouse.
Picture the scene: Downing Street in December and jolly Christmas trees sparkling away. No, it is not “Love Actually”, but the moment—exactly 24 hours ago, I think —that my hon. Friend the Member for Glasgow North (Martin Rhodes), other officers of the all-party parliamentary group and I handed in the petition of 22,000 constituents. Such was the volume of names, the petition was in a blue cardboard box, carrying the logo that my hon. Friend described, with the distinctive swirly light-green and blue with a dot connoting a person. It was the Fairtrade logo, which people trust. It is like a kitemark.
When we buy stuff with the Fairtrade logo—bananas or whatever it is—we know what it means. As people have described, there is a minimum price guarantee for the farmer, and there is the Fairtrade premium—the financial bonus for community projects. Certification is a two-way bargain. On their side, the person being supplied has to provide transparent contracts. There are lots of things that these smallholders—they are often tiny farmers—find difficult, like getting finance up front, before the harvest season. Under the Fairtrade scheme, they can get money up front.
The scheme is about people, sustainability and community first, before naked transactional profit. Smallholding farmers can club together and get a lot more access to international markets than they would be able to get on their own. The scheme increases their bargaining capacity. It is also democratic and run on co-operative—I am a member of the Co-operative party—principles. The premium could go to football pitches, tuition fees or classrooms; that is decided by the community.
I do not know whether I am the only one in the room old enough to remember the 1980s and the advert with the man from Del Monte. Do you remember him, Mrs Hobhouse? He was a little bit neocolonialist in his hat and linen suit, and he swooped into a paradise-like community. Well, it was not all paradise, was it? He was on a plantation somewhere or other—it was an unnamed location—stroking his beard and inspecting fruit produce. It was some far-off location—somewhere in sunny climes. He was this western impresario and the community were all there, with their great expectations. In the end, the cliffhanger was resolved with a thumb up—“The man from Del Monte, he say yes!”, as one of the urchin children said. I like to think that in this day and age, it would be a certified, kitemark-able, Fairtrade business and the little urchin would be going to a school provided by this system and enjoying kicking a ball about on a pitch built with these community funds. That is what we would like to think, but it is an uneven playing field, as people have described.
The Minister is wearing a jolly waistcoat himself for this debate. It is very festive—I like it.
The Minister of State, Department for Business and Trade (Chris Bryant)
It is British.
Oral Answers to Questions
Debate between Rupa Huq and Chris Bryant(10 months ago)
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Chris Bryant
As the Secretary of State referred to, I had that conversation yesterday, and I think a lot of people in the European Union and Commission are keen to reset their relationship with the UK, in particular in this regard. I will not name the European Minister, but when I sat down opposite him and asked, “What’s the most important thing I can do for you?”, he replied, “Get me tickets for Oasis.” I think it is very important that people are able to see our great musicians touring across the whole of Europe.
Dr Rupa Huq (Ealing Central and Acton) (Lab)
Chris Bryant
I think Kate Bush was running up that hill, too. Look, the truth of the matter is, as I have said many times, that we will not progress in this area unless we are absolutely certain that we will secure more licensing of content by British creatives, rather than less. That is absolutely key to what would be success for us. I hope that people will take us at face value on that.
Live Events Ticketing: Resale and Pricing Practices
Debate between Rupa Huq and Chris Bryant(11 months, 2 weeks ago)
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Dr Rupa Huq (Ealing Central and Acton) (Lab)
The statement is hugely welcomed by me, after the disappointment of my private Member’s Bill on this subject falling off, and by my constituent Alison Martin, the mum of Coldplay’s Chris, who fed into my Bill. Will my hon. Friend the Minister assure me that he will resist the argument about over-regulation of our lives and market forces that we hear “Time After Time” from Conservative Members? We just heard it again. When I was trying to get sign-ups for my Bill, many Conservative Members did not want to know. This is a consumer protection measure—a cap for all our constituents—to stop those bots from hoovering up tickets and hiking up prices. Will the Minister also reiterate that we are not against all dynamic pricing? The price of tickets can go down as well as up, and we do not mind that.
Chris Bryant
I commend my hon. Friend on her private Member’s Bill. I told her that we were going to be acting fairly soon so her Bill might not be necessary. She did not believe me, and she ploughed on, but we are intent on acting.
My hon. Friend is quite right about dynamic pricing. I have been involved in a small arts festival in Treorchy in my constituency where we offer early-bird tickets. That is a form of dynamic pricing that I think works for everybody, and we certainly do not want to prohibit that.
My hon. Friend is quite right: much as I like my opposite number, the hon. Member for Meriden and Solihull East (Saqib Bhatti), I find it quite easy to resist him. When I think of the previous Government, I keep thinking of this line from Pink:
“What about all the plans that ended in disaster?”
Copyright and Artificial Intelligence
Debate between Rupa Huq and Chris Bryant(1 year ago)
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Chris Bryant
Madam Deputy Speaker, I will look at you to make sure that I do not go over time, but I would point out that “Wicked” is far too long a movie.
I make it clear that I do not think there is a complete separation between AI and the creative industries. AI is a creative industry in many regards. There is an important collaboration between the two, and even Sir Paul McCartney has said that he has used AI to help him write some of his most recent work.
The hon. Lady says this was all settled under the previous Government, but nothing in this territory was settled under the previous Government. It was simply left hanging in the air, which is why we are trying to take action. She asks whether there are any successful examples of opt-outs. No, there are not. Precisely the point I am trying to make is that, at the moment, it is remarkably difficult for individuals and organisations—whether a record label, an individual artist or photographer, or whoever—to protect their rights. That is what needs to change.
There has been some licensing. Some newspapers have licensed content with OpenAI. Sony Music has written to all the different AI operators to say that all the work that it protects is copyrighted and not to be used. But I am not sure that such piecemeal processes are enough to build the control we want for rights holders, while enabling AI to develop fruitfully in the UK.
Dr Rupa Huq (Ealing Central and Acton) (Lab)
I welcome this consultation and my hon. Friend’s recognition that neither we nor this stuff exists in a bubble. What does he make of the NO FAKES—Nurture Originals, Foster Art, and Keep Entertainment Safe—Bill, currently in the US House of Representatives, which protects personality and likeness of human writers and artists against misappropriation?
The Minister says he is in meetings mode. Does he know what is happening with the consultation on live event ticketing? It would be great to meet him to discuss my private Member’s Bill—the anti-Oasis-style scam, rip-off ticketing Bill—which is being squashed by Friday filibustering.
Chris Bryant
I think my hon. Friend, who is on the Culture, Media and Sport Committee, took advantage of the change in the Chair to get away with asking a question that has absolutely nothing to do with this consultation. On live ticketing, I am absolutely certain that the Government will have something to say soon—the word “soon” means precisely what I choose it to mean.
On publicity rights, my hon. Friend is quite right that that is a significant question that we will ask during the consultation. There is an argument for bringing in legislation in the UK. California, as I said, has a digital replicas law and Tennessee has the ELVIS Act, which stands for eliminating limits on the voice’s intrinsic sovereignty. I think that was an attempt to cram that into the word “Elvis”. She is right that the US Copyright Office is arguing for a federal digital replica law, and we might want to go down that route as well. I urge my hon. Friend and, perhaps, the Select Committee to consider that matter. They might like to provide some advice in response to the consultation as well.
Oral Answers to Questions
Debate between Rupa Huq and Chris Bryant(1 year, 1 month ago)
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Dr Rupa Huq (Ealing Central and Acton) (Lab)