London Fashion Week: Cultural Contribution

Debate between Rosie Wrighting and Jim Shannon

Tuesday 16th September 2025 Westminster Hall

[Rosie Wrighting]

Yes, absolutely. I join the hon. Member in congratulating Lynne Franks on her incredible career. The hon. Member is right, and later I will go into more detail on how important it is that we invest in the next generation of creatives across the country, not just in our capital.

[Jim Shannon (Strangford) (DUP)]

I commend the hon. Lady for bringing this debate forward. Although I am not extremely up to date on fashion—I am probably not a “Dedicated Follower Of Fashion”, as the song goes; my wife knows that for definite—I can certainly appreciate the opportunities that it brings for young people across the UK. A young lady from Northern Ireland whose name is Hope Macaulay has founded her own brand, Hope Macaulay knitwear. She showed her graduate collection at London’s Graduate Fashion Week and in London Fashion Week as well. Does the hon. Lady agree that, along with offering culture, London Fashion Week can offer young aspiring designers real opportunities to get their products on show to support and boost their careers? That is what it does for some of the people in Northern Ireland. I believe it does the same for people across this great United Kingdom—for people in Great Britain as well.

[Rosie Wrighting]

I absolutely agree. Stories of the careers of graduates who have gone on to be influential designers come from all across the UK. We need to ensure that young people potentially watching this debate now are seeing fashion as a future career and feel as though there are steps they can take and there is a vibrant career ahead of them, so I thank the hon. Member for that intervention.

I grew up with my fair share of challenges, but the thought of a career in fashion gave me drive and determination that shaped the rest of my life. The belief that creativity can be a path forward is something that London Fashion Week represents to me and to thousands of young people across the country, who see their opportunity to be a part of something bigger than themselves.

The talent at London Fashion Week is unmatched and embodies the best of Britain—our creativity, diversity and resilience, which comes from every corner of the UK. Take the story of Lee McQueen, the son of a taxi driver and a teaching assistant who became one of the most influential designers the world has ever seen. Lee’s path into fashion was not paved with privilege; he fought his way in. The story goes that he turned up, portfolio in hand, and quite literally knocked on the door of Central Saint Martins, asking for a place on its MA course. At first he was turned away, but his work spoke for itself and he was eventually given a chance.

That image—of a young designer knocking on a door and refusing to be invisible—captures something vital about London Fashion Week and the British fashion industry. It is a space where raw talent, determination and creativity can break through. Lee McQueen—Alexander McQueen—created collections that were provocative, political and deeply emotional, blending his working-class roots with British history and culture.

Fashion was accessible to me when I was growing up in Kettering and it was accessible to Lee when he banged on that door. But it worries me that there are potentially young people today who cannot force their way into fashion in quite the way that Lee did.