Department for Digital, Culture, Media and Sport

Robert Neill Excerpts

Wednesday 10th March 2021 Commons Chamber

[Sir Robert Neill (Bromley and Chislehurst) (Con) [V]]

It is a pleasure to speak in this debate. The work of DCMS is wide-ranging, and I am conscious of the considerable support that it has given by way of covid recovery funding—both its first tranche and the money announced in the Budget—to a wide range of sectors. I refer the House to my entry in the Register of Members’ Financial Interests.

I want to start by talking about the theatre and performing arts sector—not for the first time, and I make no apology for that. Not only do they contribute so much to our economy, but they also, of course, enrich our lives and entertain as well as broaden and inform. The work that has been done is significant, and I pay particular tribute to the money—some £435,500—that was made available to the Churchill theatre in my constituency, which has been valuable in keeping that much-loved and long-established institution going.

I am also conscious of the need for small-scale grants, and I pay tribute as well to Bromley Little theatre, which has just received a grant from the Theatres Trust to improve its ventilation so that it is able to open, in due course, in covid-compliant fashion. It is a community theatre run by volunteers, and it is amazing the way its members have kept online content, recorded in a socially distant fashion, up on its website to keep its enthusiastic audiences engaged with live theatre and the magic and value that that brings us. They deserve not only our thanks and praise but our practical support.

But of course there are still issues that need to be addressed. I have a significant number of constituents who work in the performing arts and related sectors, be they actors in the west end, sound technicians, set designers or theatre producers. As the Minister knows, many of them are freelancers—they are overwhelmingly self-employed—and, frankly, many have fallen through gaps in the support that is available.

I will cite just one example—a constituent of mine who has been a successful freelance theatre production manager for 30 years. Because his salary was over £50,000 on a self-employed basis, he has not been getting any support, whereas if he were salaried, he would be in a very different and more advantageous position. He does not have the option of being salaried; that is not the nature of the work that people in the creative sector do. I am not convinced that the Treasury understands that. The consequence is that this dedicated and successful professional has earned some £4,000 in the last year. It is not possible to expect people to carry on with their overheads in that situation, so I hope that we will look again at the way that this is dealt with.

I hope, too, that we can look at greater transparency in the way in which grants are awarded. They are very welcome, but I have an example of a business in my constituency that was rejected on diversity and cultural significance grounds by a panel, but no reasoning was given for the panel’s decision, and there is no means of appeal. One then comes across other businesses of exactly the same kind that have been successful. If we are going to continue with the support—and I very much welcome the fact that we are—it is all the more important that there is proper transparency.

Finally, I am using my internet connection to speak from Chislehurst, but the reality is that many parts of my constituency have a remarkably poor internet connection. Only 4.7% of my constituency has gigabit availability—the London average is 21%—but it is within 10 miles of London. Rolling out broadband has to be made a reality right across the country, including the suburbs.