Creative Industries

Rachel Hopkins Excerpts

Monday 27th January 2025 Commons Chamber

[Rachel Hopkins (Luton South and South Bedfordshire) (Lab)]

I am glad to contribute to the debate, and while I may not have any books with film options, or be a former rockstar, I have family and friends who work in the creative industries, be it in film, music or magazines. Our creative industries are one of the most valuable growth sectors in the UK, generating £125 billion for the economy in 2023 and accounting for one in seven jobs across the country. Perhaps most importantly, the creative industries embedded in our towns and cities have intrinsic cultural value. They provide shared social experiences that contribute to a sense of place, build on local heritage and contribute to our health and wellbeing.

Luton has a rich history of artistic innovation, creativity and design. For over 200 years, we were the primary place in the UK for the production of ladies’ hats. The industry peaked in the 1930s, when we produced over 70 million hats annually. Of course, that is why our beloved Luton Town FC are known as the Hatters. Artistry has been at the heart of our town’s economy across three centuries, and we hold on to that with pride today. We are a place of making—historically, hats and cars; now, computer systems, games, films and music.

We are lucky enough to have several independent music venues in Luton, including the Hat Factory arts centre, the Bear Club, and the Castle, one of Luton’s oldest and most beloved pubs, which is supporting Independent Venue Week this week. It is putting on six nights of live music and supporting the independent arts, alongside the 200 other venues taking part across the country. We cannot overestimate the value of our grassroots music venues and the platform they give to new and emerging artists, offering them their first opportunities to perform and develop their craft and providing the essential pipeline for tomorrow’s megastars and household names. Indeed, when Luton hosted Radio 1’s Big Weekend in May 2024, one of our town’s very own, Myles Smith, featured on BBC Music’s Introducing stage, and he has since performed on Jools Holland’s show. He broke the United States on tour and won the rising star Brit award, and this year he has been nominated for three Brit awards. That success highlights the value of exposure for independent artists.

I was somewhat surprised by the comments from the Opposition Front-Bench spokesperson earlier about supporting arts and culture. I accept the points made by others about the culture recovery fund, but our creative industries were held back under the Tories. Arts funding fell by almost 50% per person in real terms, and local government revenue funding for culture and related services decreased by 48% in England, alongside rising costs and demand pressures on statutory services. Those funding cuts have enacted enormous damage to the pipeline of talent in the industry, to the provision of local arts and to the availability of work in the performing arts. In 2012, university grants delivering courses such as music, drama and other arts subjects were cut by 50%, which was particularly detrimental for disabled, black, Asian and minority ethnic students and students from low socioeconomic backgrounds. That created an additional obstacle for students who already faced multiple barriers to studying subjects such as music in higher education.

If we really want to break down barriers to opportunity, we must ensure that there is adequate access to a dedicated arts and music curriculum for students at every point in their education, and I very much welcome the Minister’s earlier comments on that issue. Such access is fundamental not only to support talent to thrive, but to ensure that children develop. Studies have found that children exposed to music tuition display better cognitive performance in their reading and comprehension skills.

I thank Luton Music Service and all the volunteer parents for the great work they do with children and young people in my constituency. I would also like to say how much I enjoyed the Christmas performances by the show choir, the senior guitars, the junior strings, the funk band and the rock band, among the many other groups that performed that weekend, who displayed immense talent.

I am glad that this Labour Government have recognised the value of our creative industries and that we are working to reverse the damage done under the previous Conservative Government. I welcome the £60 million package of support announced this month to drive growth, including the £40 million investment for start-up video game studios, British music and film exports, and creative businesses outside London. I also welcome the launch of the Soft Power Council, which brings together experts from across culture, sport, the creative industries and geopolitics to showcase the best of Britain around the world.

Our creative industries have been underfunded and undervalued for too long, but I am confident that as we prioritise the arts and creative industries within our industrial strategy, the UK will have a firm standing on the world stage, boosting economic growth, unlocking opportunities and leading as industry innovators.