(2 years, 5 months ago)
Commons ChamberI thank my right hon. Friend the Member for Haltemprice and Howden (Mr Davis) for moving the motion. I deeply regret it, but I understand why he has had to do so.
I heard what the hon. Member for Ochil and South Perthshire (John Nicolson) said today, and I am glad to see him in the Chamber. I do not think his argument that he was not aware of the right course of action or of the appropriate response to journalistic inquiries, which is to state that any such correspondence is confidential, is a reason for not passing the motion. I sincerely hoped he would make an apology. I think there is consensus across the House about the right course of action. Had he taken that opportunity, the matter could potentially have been brought to an end today.
The procedure for raising breaches of privilege is a long-standing and important convention that ensures the privileges and rights of this House are protected.
I think there is a misunderstanding. I quite clearly said that I was apologising to Mr Speaker. I was unaware of this convention, and I wished to cause him no hurt. I apologised, and I am repeating that now.
I am afraid that the way in which the hon. Gentleman phrased it, and the way in which he has not appreciated—
(4 years, 3 months ago)
Commons ChamberThe Government proposed to the EU that musicians and their technical staff be added to the list of permitted activities for short-term business visitors in the “entry and temporary stay” chapter of the trade and co-operation agreement. That would have allowed musicians and their staff to travel and perform in the EU more easily without needing work permits. The proposals were developed following consultation with the EU’s creative industries, but were rejected by the EU.
It is not about our parochial laws. During the negotiations, the EU tabled text regarding paid activities that can be conducted without a visa. Those proposals would not have addressed our arts sector’s concerns; they did not deal with work permits at all and would not have allowed support staff to tour with artists. The only way we are going to get movement on this issue is to get the EU to agree to our very reasonable proposals. I urge everyone, whether they are politicians or from the cultural sector, to work with us to persuade our counterparts of our common-sense approach.
Brexit chaos is not just impacting bands and orchestras in the music industry. Given prohibitive new Brexit visa costs, they will need to begin hiring crew and equipment from European suppliers. What hope does the Minister offer those who face losing work because of Brexit?
We are, through DCMS, providing support to the sector. We want to get these issues resolved, but in the meantime we want to do all we can to support businesses and artists, whether they have been impacted because of travel restrictions or the pandemic. That is why DCMS has set up a new forum to work with the sector, to listen to its needs and to act on them, and obviously the Scottish Government are part of that.