Domestic Ivory Market

Debate between Pauline Latham and Danny Kinahan

Monday 6th February 2017 Westminster Hall

[Danny Kinahan]

I could not have made a better point. We have to educate everyone in the world, and particularly the Chinese, as many have said today. It is also about showing the Africans the benefit and hoping that tourism, wildlife and everything else helps their countries into the future.

The antiques trade here is worth some £13 billion. I do not want to counter the argument for an ivory ban, but I shall give some facts and figures to make us think more about what a total ban would do. One document I was reading said that up to 2025 tourism will be worth £257 billion to the UK—10% of our GDP—and will be responsible for 3.8 million jobs. Tourists visit some 5,000 to 6,000 venues in the UK that have small and sometimes large antique ivory pieces.

We have to be very careful how we tackle the antiques trade. One or two hon. Members have criticised the existing cut-off date of 1947. The convention on international trade in endangered species guidelines are accepted in the trade, including by the people who know best about dates and times. It is better to go down that route than to try and work on carbon dating. Changing the date to 1900 may seem logical, but that takes out the two of the greatest periods in art—art nouveau and art deco.

[Pauline Latham]

When I talked about changing the date to 1900, I was not talking about banning every transaction. All the genuine art deco pieces would be included, provided that they have been verified by somebody independent. That is not the problem. I just want a very clear date that everybody understands.

[Danny Kinahan]

Having a very clear date is absolutely right. I point out only that a date of 1900 means that we miss out on two of our greatest art movements, so we should keep that in mind. Coming from the other side, I want to see an ivory ban, but I want to see the trade being protected in the right way.

[Danny Kinahan]

My answer is no—I have never been involved in the carbon dating side of things. I have been involved in working out the provenance and the date so that we have the complete history of where something came from, and the value, but I have never been involved in carbon dating and have no idea how much it costs.

We have watched ISIS destroying Palmyra and the Taliban destroy the two fantastic Buddha statues in Bamiyan. If we had a blanket ban, we would be a little bit on the same page, in that we would be trying to get rid of some of the most beautiful items. If ivory were banned, it would not be looked after because it would be worthless. I have seen that happen with a most beautiful Edwardian shotgun stick. It was made illegal—it was banned—and was left in the local police station. It had to be cut into pieces, even though it was one of the most beautiful pieces I have seen—it had a little gold top and a lion’s head and everything on it. Are we really trying to go down that route?

[Pauline Latham]

May I challenge what the hon. Gentleman is saying? He suggests we would lose all those pieces, but we will not lose anything. They will still exist, and if they can be verified, they can be traded. I am not saying, “Ban all trade.” I am talking about a near-complete ban, so that all the new stuff—all the trinkets—are not traded. We have to have a near-complete ban.

[Danny Kinahan]

I agree entirely. It is not about a total ban, but a near-complete ban. I am not criticising the hon. Lady for what she said. I just make the point that we need to look after such stunningly beautiful items. If there is a ban, in time more of the items will not be looked after, and eventually there will be none. Similarly, if we do not look after elephants and tigers, there will be none. At the moment, the situation is leaning towards the animals being lost, so we have to find the right balance.

Let me run through some things that have ivory in them. We all know about antique pianos and musical instruments—often, the pieces on violins that people turn to fit and change strings are often ivory, and 95% of our brass and wind instruments contain ivory. Even the bagpipes I was looking at the other day had ivory fittings. Some 80% of all chess sets contain ivory. One of our greatest exhibits is probably the Lewis chessmen, which are made out of mammoth tusk. Those would be banned. We have to work a way through. What we must stop happening is people copying them and then trying to sell them today.

Portrait miniatures from the 18th and 19th centuries were painted on a thin sliver of ivory, and we particularly need to look after those. People carried those portraits with them when they were travelling the world. They are little bits of history—whether we are talking about Nelson, the Duke of Wellington or Robbie Burns. Those little gems of painting would not be looked after, so we have to make sure that we do. On the other hand, there is the Chinese and oriental trade, with some stunning antique pieces, yet at the same time, we have the problem of those being copied and of other things being made today. That is what we have to stop. We have people here in the trade and in our museums who can advise us. I hope the Minister will set up a committee that can give certificates, set the rules, and advise and be dynamic in how we operate the near-ban.

No. 4 in the book, “A History of the World in 100 Objects” is the swimming reindeer, from 11,000 BC. It is made of ivory, as are No. 11, King Den’s sandal label from 2,980 BC, and No. 61, the Lewis chessmen, which I have mentioned. They are very much part of our history.