Westminster Hall is an alternative Chamber for MPs to hold debates, named after the adjoining Westminster Hall.
Each debate is chaired by an MP from the Panel of Chairs, rather than the Speaker or Deputy Speaker. A Government Minister will give the final speech, and no votes may be called on the debate topic.
This information is provided by Parallel Parliament and does not comprise part of the offical record
I beg to move,
That this House has considered artistic remuneration for online content.
It is a pleasure to serve under your chairmanship this morning, Mr Gray. I thank my hon. Friends the Members for Somerton and Frome (David Warburton) and for Folkestone and Hythe (Damian Collins) for helping me to secure this important debate.
Everyone is aware that the creative industries are one of this country’s greatest assets. The Government’s own analysis shows that the gross value added of the creative industries in 2014 was in excess of £84 billion, which accounts for around 5.2% of the UK economy. Essentially, they have been a source of growth in recent years, increasing by 6% since 1997, compared with 4.6% for the UK economy as a whole. However, we would be doing the industry a disservice to consider its value in purely economic terms, because its impact is far wider.
Our creative industries are our voice to the world. Very little, if anything, contributes more to the UK brand around the world than our artists, writers and directors.
Hear, hear.
Quite right.
Just a few weeks ago, the trade body, UK Music, published a report on the value of music tourism to the UK, which showed that direct and indirect spending in 2014 from music tourism was £3.7 billion. Some 38% of live music audiences are music tourists: music lovers from outside the UK. They come because they love our world-class artists and our fantastic venues and festivals. It might be easy to take our creative industries for granted and to assume that the country that gave the world Shakespeare, the Beatles, Harry Potter and Banksy will also be at the forefront of the global culture landscape, but that would be a massive mistake. Indeed, we in this House have a duty to ensure that our cultural sector has the tools to grow, including a copyright regime that is fit for purpose in a digital online market.
Members may have read about the recent public disagreement between songwriters and artists and YouTube over royalties paid by the service. In the last few weeks, 186 major artists in the US and over 1,000 in the UK and Europe have signed public statements of dissatisfaction addressed to the US Congress and to Jean-Claude Juncker. Signatories range from Sir Paul McCartney and ABBA to Ne-Yo, Idina Menzel and deadmau5, and even includes the former French first lady, Carla Bruni, who is also a recording artist—although I do not have too many of her tracks on my iPhone.
Last month, I met members of PRS for Music and songwriters and composers whose music and songs are enjoyed around the world. I heard from them the dissatisfaction that millions of streams can result in just a few hundred pounds in royalties or, in some cases, no royalties at all. Most dramatically, I spoke to one songwriter who was entitled to 25% of the revenue from a song he wrote, but who had seen a mere £5.39 from almost 3.2 million plays of that song on YouTube by listeners who actively sought out that track. Meanwhile, the same songwriter saw several times that amount—a princely £87.79—from the 180 occasions on which the song was played in stadiums in the UK, despite those listeners being passive and hearing what others chose to play for them. That seems to be a pretty upside-down arrangement.
To show how far behind the law the balance is, Geoff Taylor of the British Phonographic Industry recently said that British artists saw more revenue in 2015 from the 2.1 million vinyl LP sales than from the 27 billion music video streams on YouTube and similar platforms. It is not difficult to understand the despair of a writer or artist who sees their life’s work online with little hope of any financial reward now or in the future. This is particularly a problem for less high-profile producers, writers and creative people, who are less likely to have additional income streams from endorsements or touring.
High-profile artists are often very concerned about this problem and its impact on other members of the creative community and their teams. A big artist will often get little sympathy and, as we have seen recently, there may even be a backlash from the media and consumers for speaking out about the problem if they are perceived to be well off. Fair or unfair, this reaction just makes it harder to expose the problem and to support fair remuneration for those in the industry who are less famous.
The basis of the music industry’s concerns is the so called “safe harbour” laws, which in the US, EU and UK give user upload streaming services the same protection from copyright as host providers, such as personal cloud locker services. This is despite the fact that they operate entirely differently and, more importantly, impact the market in different ways. Take, for example, a comparison between Spotify and the user upload site Dailymotion. Both sites allow users to search for and listen to Adele’s track “Hello”, one of the fastest-selling tracks of all time. Spotify is licensed to stream that track and thus pays the artist, songwriter, producers, musicians, publishers and labels that are so crucial to creation of the content, but Dailymotion does not. Due to ambiguity in the safe harbour framework, user upload services can claim to be mere hosts of their user’s content and, as such, are not required to share with the creators the wealth they generate for themselves. That does not seem fair.
When a business model is based on making available to consumers creative content created by others, surely we as lawmakers must ask whether this is right. In fact, the very premise of copyright is to ensure that creators are paid when their work is exploited by others.
It may be easy to argue that the current framework is good for consumers. How can it not be, when music can be enjoyed more easily than ever before? However, I would add a note of caution to such assumptions and suggest that the user experience may not be as positive as it might first seem. When faced with piracy, it was universally agreed that creative content has an intrinsic value that must be protected if the future generation of creators are to be nourished for society’s economic and cultural benefit. These principles remain true today and we must not replace one market failure with another.
Equally, there are impacts on the licensed streaming services to which many users pay a monthly subscription. These services are forced to compete on an unequal playing field with user-upload services that pay little or nothing to creators. They are forced to offer their own ad-funded services, which are often run at a loss or subsidised by income from the subscription service. The net result is less competition in the market for subscription pricing and ultimately consumers could lose out.
In March, the all-party parliamentary group on music, which I chair, hosted a dinner to discuss the growing music streaming market. The dinner was well attended by services such as Apple Music and Spotify, as well as representatives of the music industry. It was clear from the dinner that streaming presents many opportunities for the industry and that it is embracing them. However, there are challenges in ensuring the music industry captures this value, such as whether advertising revenue and ad-funded models are sustainable and the growth of ad-blocking and stream-ripping technologies that can have an impact on the amount of remuneration the industry receives in return. The legal position of safe harbours and how they interact with the market perhaps presents an even more fundamental problem, and this will continue unless action is taken.
The Creative Industries Council launched its strategy this week, with many recommendations to the Government and industry alike. The council is seeking legal clarity concerning the liability of platforms that actively host and market content. Specifically, it argues that to maintain an intellectual property framework fit for the digital age, such platforms should not benefit from safe harbours. The Government have indicated that they would support a clarification too. I would be grateful if my hon. Friend the Minister said what plans the Government have to respond formally to that recommendation and what further steps they are taking to achieve that.
It is absolutely an issue that needs to be addressed. I have myself searched online and found that the results I get are from piracy sites. Something has to be done. There is a responsibility in this respect not just for Government, but for the search engines themselves. Perhaps afterwards I can help the hon. Gentleman spend his £5.60 as we discuss what should come out of this debate.
We are in a unique place to address these issues and ensure that we are world leaders in striking the right balance between the promotion of technology and creative innovation. With the recent vote to leave the EU, the UK Government will have full control over policies related to digital streaming and artist remuneration. Will the Minister undertake to investigate whether provisions can be put in place so that once we eventually leave the EU, our UK industries can fully achieve the value in their rights?
That is encouraging. Will the Minister investigate, for example, the possibility of introducing a sunrise clause into the Digital Economy Bill? That could ensure that active hosts of content do not benefit from safe harbour when legal systems have been transferred and the European Communities Act 1972 is repealed.
It will not surprise hon. Members to hear me say that the music industry has undergone tremendous change and readjustment in its business models over the past couple of decades. The latest Intellectual Property Office and Kantar Media online copyright infringement tracker, published yesterday, concludes that the top three sources of music are YouTube, with 52%, Spotify, with 30%, and the iTunes App Store, with 20%. Use of Spotify has increased by 5% since last year’s tracker, while iTunes has fallen by 6%. The consumer trend is clearly moving away from music ownership. Copyright still reflects ownership for the creators of content and the infrastructure that supports it. We must ensure that those ownership rights are respected.
Westminster Hall is an alternative Chamber for MPs to hold debates, named after the adjoining Westminster Hall.
Each debate is chaired by an MP from the Panel of Chairs, rather than the Speaker or Deputy Speaker. A Government Minister will give the final speech, and no votes may be called on the debate topic.
This information is provided by Parallel Parliament and does not comprise part of the offical record
I am grateful for the chance to reply to my hon. Friend the Member for Selby and Ainsty (Nigel Adams) and to take account of the contributions made by many other hon. Members. May I begin by saying what a pleasure it is to serve under your chairmanship, Mr Howarth? It is an impactful point that in 1968 as I was being born, you were thrashing out tunes in a club. I think that that links us in some strange way.
I thank my hon. Friend for proposing this important debate. He is extremely knowledgeable about the music industry, and he is a vigorous supporter of that industry in the House. I echo his and many other hon. Friends’ comments about the horrific attacks we saw in Paris a week ago on Friday, particularly the attack on the Bataclan. Everyone has acknowledged and understood that that summed up why the events of that day were an attack on our way of life, because the opportunity to gather and listen to music is one of the manifestations of a free society. That is yet another reason why that day filled us with such horror.
I was lucky enough to meet the French digital Minister the day before the attacks, and the meeting reminded me of the strong links that exist between the UK and France across all our creative industries: not only music but film, video games and many others. I want to forge and strengthen such links, and even more so in the light of what happened on that horrific Friday, which will live in our minds forever.
My hon. Friend made a number of important recommendations, and I will pick those up as soon as possible. As this is the day of the spending review, I want to acknowledge the very good settlement that the Chancellor has given to the arts, because that supports investment in music. In the lonely hour I spent before the Chancellor got to his feet, I did not anticipate how good the settlement would be. As I make my remarks, I will make clear some of the support that the Government are giving to the music industry in general.
My hon. Friend made specific points about engagement with the US embassy, the ability to add tour dates should there be any delay, the possibility for the US authorities to use public buildings in the UK to make access to visa services easier for musicians, and the role of the Creative Industries Council. We also had important contributions from other hon. Members, including the hon. Member for Ealing Central and Acton (Dr Huq), who talked about her experiences in China. Her experiences in a left-wing environment reminded me of my early engagement with music, because I was a west Londoner too, and I well remember going to see the Redskins perform at the Hammersmith Odeon. The message,
“Neither Washington Nor Moscow”—
the title of their best-selling album—
“but international socialism”
never quite got through, but I was pleased to see that the shadow Chancellor, who brandished Mao’s “Little Red Book” when he responded to the spending review today, has clearly taken that message on board.
I want to pick up on a point in the speech of the hon. Member for Ealing Central and Acton about how airlines treat musicians. I hope that the message goes out from this debate at least to our own domestic airlines about some of the representations I have received from musicians. I hope they will treat musicians fairly when they travel abroad and that, for example, musicians who want to carry their violin or trumpet case on board will be allowed to take those instruments on board as carry-on baggage. I will obviously not suggest that for a double bass or a set of drums, but I hope some common sense can be used.
The hon. Member for East Kilbride, Strathaven and Lesmahagow (Dr Cameron) mentioned the upfront and hidden costs that can have an impact on musicians, such as visa delays, which not only cause frustration, but can increase the cost of a tour. The hon. Member for Cardiff West (Kevin Brennan) is a well-known supporter of the music industry, and also plays in the legendary band, MP4. He talked about the US-UK relationship and rightly praised the work of Jo Dipple and UK Music, which is fantastic across the piece on music policy, as well as the Musicians Union.
I was humbled by the speech of the hon. Member for Edinburgh West (Michelle Thomson) considering she is a highly qualified musician. I was interested to hear about her experiences, and I think that she will speak with some authority on music issues in the House. I congratulate the hon. Member for Glasgow North (Patrick Grady) on tabling the early-day motion calling attention to the issue that has now been highlighted by my hon. Friend the Member for Selby and Ainsty.
Many hon. Members have talked in great detail about the strong link between America and the UK. That relationship is unequivocally a good thing. From Acker Bilk to Adele is not a great leap alphabetically but, from 1962 to November 2015, they bookend almost 100 British singers and groups who have reached No.1 in the Billboard charts, including the Beatles, the Rolling Stones, Rod Stewart, Elton John, Queen, David Bowie, Bananarama, Kim Wilde, Def Leppard, Leona Lewis, Coldplay, Taio Cruz and a host of others. I could take the rest of my time just listing British musicians who have had an impact on the American charts.
Rightly, many hon. Members wanted to use this opportunity to praise the whole UK music industry. It is a salient and telling fact that five of the top 10 global recording artists last year were British, and one in seven albums sold worldwide was by a British artist. In fact, a British artist, Mary-Jess Leaverland, won the Chinese equivalent of “The X Factor” last year. Sam Smith has had No.1s from Canada to New Zealand, as has Ed Sheeran. Music is one of the things that makes our country great.
It is important to say—and hon. Members pointed this out—that we are talking not just about artists, but about sound engineers, producers, promoters, roadies and many others. Those speaking in the debate have been well informed by UK Music. Some people gloomily forecast that the writing is on the wall for live music and the music industry, but I disagree. I see the vital contribution of the live music scene not only to the worldwide scene, but to the UK’s economy. All around the world, people of all ages arrange their diaries around music festivals, which in many cases provide life support to their local communities. We will continue to support and promote the environment for UK music.
As I have money on my mind, I want to note that between 2012 and 2016, the Government have invested £460 million in a range of music and cultural education programmes. We are introducing tax relief for orchestras, which comes in next April. We recognise that music tourism generated more than £3 billion of spending, and 500,000 people came here just because of our music. I also mention, as it is very relevant to the debate, the music export scheme that we started a couple of years ago, which has helped so many musicians to go abroad. We do not just export our music; we welcome music from around the world. My hon. Friend the Member for Selby and Ainsty will know that the Taiwanese king of pop, Jay Chou, was so taken with the UK that he got married in Selby Abbey earlier this year, promoting a rush of Taiwanese tourists.
The hon. Member for Newcastle upon Tyne Central (Chi Onwurah) asked what the Government are doing about the issue. I will need to check the records but I am certain that when the hon. Member for Bristol East (Kerry McCarthy) raised this issue in the House, I wrote to the American ambassador. She is quite right. We have to be careful as this is a visa system operated by another sovereign country but it is right for Ministers and, indeed, other Members of this House, to raise representations and make suggestions. I am not the only one who can do this: other Members can as well. Everyone who has come across the new US ambassador—I do not know whether we can call him new now—will know that he is a passionate supporter of the music industry, and I am sure that he would hear and take on board hon. Members’ concerns.
Does the Minister agree that the restoration of a dedicated person within the embassy would make a big difference? I have been involved with making phone calls to people I know who work at the embassy over the weekend—these problems often happen then. It would be such a big help if there was a dedicated line for people to call—
I will stop my hon. Friend there because he will get a chance to respond in a couple of minutes. On that point, I will make that representation to the ambassador. It is an interesting point that the Arts Council has a dedicated official who helps artists coming into this country and works closely with the Home Office. I want to ask him about the point about adding tour dates and, potentially, to make the offer of public buildings. I certainly think that we could make representations about an office in Edinburgh. It is not my job, by any stretch of the imagination, to tell the US embassy or Government how to run their affairs, but I could make that suggestion.
Finally, on the Creative Industries Council, we have a sector advisory group for the creative industries, which brings together UK Trade & Investment, the British Council and others. I will ensure that that is on the agenda of the sector advisory group at its next meeting, which is co-chaired by me and the head of BBC Worldwide, Tim Davie. Now it is time for me to “lay me down” my notes, and I will sit down and allow my hon. Friend to respond.
I will be very brief. I am actually quite heartened by what I have heard this afternoon. I am particularly encouraged by the words of colleagues from both sides of the House. This is clearly a huge issue that is stifling creative talents from the UK and affecting their ability to expand their careers abroad. I do not think we have heard any dissenting voices this afternoon, and I am particularly encouraged that the Labour party seems to be on board. The hon. Member for Newcastle upon Tyne Central (Chi Onwurah) had three very good stabs at my constituency name but, if she does not mind me saying, it is Selby and Ainsty, and I think the ambassador is Ambassador Barzun.
I just want to correct something on the record. I do not think that I wrote to the American ambassador, and I do not want to mislead the House. I think we took it up with officials. This issue came across my desk about three years ago. I just wanted to make that clear so that Hansard do not report me misleading hon. Members—[Interruption.]
Absolutely. It would be very encouraging if the Minister was able to write to the ambassador now. It is good news that the Minister and the Government take this issue seriously. These people’s careers have a lot to offer our country. We must remember that many musicians are on relatively low wages of £20,000 or less, and the cost is simply prohibitive for them to be able to get to the United States to perform their work. I am encouraged by what the Minister said regarding the possibility of liaising with the embassy regarding public buildings so that people do not have to travel to Belfast and London. I conclude my remarks by thanking everyone else for contributing. Hopefully, in the next few months, we will have an update to report.
Question put and agreed to.
Resolved,
That this House has considered UK musicians performing overseas.
(9 years, 11 months ago)
Commons ChamberI agree with my hon. Friend. DEFRA put up £10 million at the beginning of this Parliament, which DCMS matched, to help smaller rural and community broadband providers to provide broadband in areas that were not part of the national programme. DEFRA is and will continue to be an effective partner in our broadband roll-out programme, which is developing all the time. I do not want to give the impression that we are doing that on the back of an envelope, because we have a clear programme. It is right for my hon. Friend to highlight the difficulties faced by him, his constituents, and indeed the Prime Minister, but it is also worth stating —perhaps I can turn to the glass-half-full element of the debate—that we are making significant progress.
As my hon. Friend is aware, phase 1 of our rural broadband programme involved a £500 million fund from the Government matched by local authorities and Openreach, to enable up to 90% of premises nationwide to get superfast broadband speeds of at least 24 megabits a second. That programme has already gone out to more than 1.2 million homes. We expect soon to announce the milestone of 1.5 million homes, and we are on course to reach 4 million homes under that programme in good speed. Indeed, in many areas the project is ahead of schedule. As my hon. Friend is aware, in his area about £35 million went into phase 1 of the Hereford and Gloucestershire Fastershire project, covering some 113,000 premises. Latest figures suggest that the programme has already reached 35,000 homes. That figure will be higher by now. The vast majority of those 110,000 premises will be reached this year, although some will be reached in the year after.
My hon. Friend will also be aware of phase 2. We secured an additional fund of £250 million, which was again matched by Openreach and local authorities. In the Fastershire area of Herefordshire and Gloucestershire, that amounts to almost £20 million to target a further 33,000 premises; so, just under 150,000 premises all told in phase 1 and 2, reaching coverage of approximately 93% of all premises in Herefordshire and Gloucestershire.
One important point to make is that, when we have these debates, my hon. Friends and other hon. Members will, understandably, point to where things are not going as well as anticipated and where the problems are in order to highlight those problems. As I say to them again and again, however, we are on the same page. These funds have not come from nowhere. They have not been magicked out of the air in the past week. We recognised, in the very first weeks after the election, that rural coverage for broadband was a big problem. We were not prepared to accept the previous Government’s commitment to provide speeds of 2 megabits under a rural broadband programme. We recognised immediately that by the time the programme rolled out people would be demanding faster speeds. We set a target of 24 megabits, which is more than adequate. Most people nowadays would expect, if they think about how they use broadband—accessing iPlayer, or indeed receiving payments from the rural payments agency—speeds of about 7 megabits or 8 megabits to be more than adequate. We have recognised absolutely the need to provide broadband for rural areas. The programme is, despite some of the critiques that have been levelled at it, going extremely well. We will see even more of a step change this year than there was last year.
The other element of the equation is phase 3—I am still dealing here with fibre broadband, but as my hon. Friend pointed out that is very relevant for mobile broadband coverage—where we have set aside £10 million to test out different technologies. Critics of Openreach will be delighted to know that a number of smaller providers have secured those funds to test out new technologies to reach the very hardest-to-reach premises. When we talk about hard-to-reach premises, we are talking about perhaps a house at the end of a long track, where it would cost £20,000 to £25,000 to provide a superfast broadband connection. In terms of value for money, one could argue whether that is an effective use of taxpayers’ money. If we can find new technologies that would bring down that cost substantially, it is incumbent on us to examine them. Those programmes are under way. We will evaluate them and come up with a sum that we think is adequate to get to our often-stated target of reaching 100%. We have not been specific about when or how much money, but that is our ambition.
Is the Minister able to enlighten us on possible time scales for the evaluation of those new technologies, which are so important for constituents not just in Herefordshire but north Yorkshire?
We are evaluating them at the moment. I hope, certainly by March, that we shall have an indicative assessment of how effective those programmes have been. My hon. Friend took part in the Westminster Hall debate that we held shortly before this debate and compared the area he represents to Herefordshire in terms of rurality. It is also comparable to Herefordshire in being one of the first counties out of the blocks in relation to rural broadband. I am pleased to say that he is doing extremely well, because, in effect, £28 million has been spent in north Yorkshire to bring broadband to his constituents and others, covering 130,000 premises. That programme has ended, as far as I am aware, and we have in fact covered more premises than we targeted—about 141,000 premises have been covered. Another important point to make is that not only is the programme, when it is on the ground and up and running, often going faster than we expect, we often end up covering more premises than we originally targeted. As my hon. Friend the Member for North Herefordshire hinted, there is a difference between desktop research and actually having boots on the ground. I am delighted as well that in north Yorkshire more than £8.5 million is going in to cover a further 20,000 premises.
My hon. Friend knows that even when that programme is complete, given the rurality of his area we will have covered about 92% of the county. We therefore need to find a cost-effective way to reach the last 8%. They are not forgotten; and no premise will be left behind.
I have covered the Government’s position on rolling out rural fibre broadband. As my hon. Friend the Member for North Herefordshire said in his excellent and comprehensive speech, which covered very fairly the Government’s approach to broadband, fibre broadband is essential for mobile coverage, which is why I have spent so much time talking about it. However, we are also focusing on mobile coverage—an issue that has become more and more pressing over the past couple of years.
I can remember getting my first mobile phone. It was actually politics that brought me into the world of mobile phones. When I was selected as the candidate for Bristol, East, I realised I would need a mobile phone to carry out my duties effectively. I do not know whether it was the mobile coverage or my own abilities that saw me turn a 5,000 Labour majority into a 17,000 Labour majority in Bristol, East in the 1997 election, but I remember getting a mobile phone and thinking it was the most extraordinary piece of technology I had ever come across.
The 18 years since have passed in a blur—it is hard to think it is almost two decades since I first dipped my toe in the political waters—and now being without one’s mobile phone is almost like being without one’s left or right arm. Smartphones and tablets—my hon. Friend talked about the tablet Bill Gates introduced 15 years ago—now have the sort of computing power one would have found in a large warehouse computer 40 years ago—somewhere such as the UK Atomic Energy Authority in Harwell in my constituency.
Mobile phones are essential pieces of equipment, and there is no reason why people living in rural areas should not have the same decent service that people get in city areas. However, it is worth inserting a caveat. We must remember that mobile phone companies are private companies. Government Members—and there are only Government Members here today, so we can have a private conversation in which free-market thinking prevails and without anyone taking us on—should applaud this private investment rolling out national networks. It is a highly competitive environment providing low costs for consumers. Indeed, the Government and the taxpayer benefit from the spectrum payments made by mobile phone companies.
A lot of obstacles are put in the way of mobile phone companies rolling out their networks: they have to pay high rents to landlords, they have to get planning permission, and the equipment is expensive. My hon. Friend referred to some of those issues. In particular, he mentioned the electronic communications code, which governs the ability of mobile operators to put up and access masts, and we are keen to press ahead with changes to the code as soon as possible—before the Dissolution of Parliament, I hope.
I would always advise hon. Friends in rural constituencies to work with mobile operators, as my hon. Friend indicated he has done. Sometimes an operator wanting to put up a mast will meet with objection from the local community, and sometimes the landlord will demand a very high rent. I know of one project in the mobile infrastructure project, to which I shall turn in a moment, that was stopped because the community itself objected to a mast, and of another that was stopped because the landlord asked for a sky-high rent. A lot of my hon. Friends can work with their local landowners to ensure, where coverage is bad, that sites could be provided at low cost to the operators, although I am obviously not asking them to give away the value of their land as they are commercial people, just as the operators are.
I shall deal shortly with Fownhope, but as I said earlier, the issue of coverage for mobile phones has become more and more pressing as mobile phones become more and more essential. There is no secret at all here: the Prime Minister was recently moved to comment on the poverty of his mobile phone connection when he was visiting some of the more rural parts of this great country of ours. Hitherto, mobile phone coverage has always been assessed in relation to its coverage of premises, and I am pleased to say that, following the successful 4G auction, all the operators are effectively committed to providing coverage to premises of 98%. Even better news is that while the licence stipulates that such coverage should be completed by the end of 2017, because of the competitive nature of our mobile phone companies, they will all have covered 98% of premises with 4G by the end of 2015—some two years ahead of schedule. In fact, it is safe to say that we have one of the fastest roll-outs of 4G anywhere in the world, and certainly one of the fastest take-ups of 4G.
Premises, of course, are not the same as geography. When my hon. Friend refers to the green, orange and red dots, he means that people are driving around his constituency or indeed walking around it and seeing dropped calls or no coverage at all. That is why, following his meeting with the Secretary of State, the latter was keen to press the mobile phone companies to improve their coverage. In my humble opinion as his junior Minister, I believe my right hon. Friend has secured a landmark deal, which will secure 90% geographic coverage of the UK by the end of 2017. My understanding is that that will get rid of two thirds of not spots, which are what we are talking about when we discuss mobile phone coverage and no operator signal is present.
The Minister is generous in giving way. This is an incredibly timely debate. Will the Minister remark in his summing up on the fact that 30 years ago last week we had the first ever mobile phone call on a commercial network in the UK? Would it not be nice to think that 30 years on, we would have that 90% or perhaps even more coverage in the UK, given that the technology was rolled out three decades ago?
I hear what my hon. Friend says. It is important to note that when the first mobile phone call was made, it was done with a device that was the size of a small brick. Now we have devices that can slip easily into one’s inside pocket and, as I say, they have astonishing computing power. We should be alive to what my hon. Friend says. For example, some people who might have a faux retro nod to the past are keen to go on eBay and buy some old phones such as Nokia ones. They do so for two reasons: one is battery life, but the other is voice coverage. The more sophisticated some phones get, the worse their aerials become. The iPhone that we all have to look cool with and do our e-mails on has a pretty poor aerial, and sometimes the voice coverage we get from our smartphones is not as good as that from a phone that might have been in our pockets 10 years ago.
I hasten to say that I do not want people to take what I just said and run away with it, as I am not recommending that people walk around with a smartphone and a retro phone to cover all the bases, but it is worth noting that sometimes poor coverage, whether it be in using a smartphone or making a call inside an armour-plated Daimler, can be affected by factors other than the proximity of a mobile phone mast.
I echo what the Minister says, because the best phone I ever had for making phone calls—after all, that is why we bought the things in the first place—was a P3 Nokia phone. I am not sure whether the Minister is old enough to remember the P3.
We certainly do not still supply them, but I concur with everything the Minister has said.
Of course we all fondly remember the old P3 Nokia, and there may well be a market for new retro phones that simply provide good voice coverage.
It is interesting to note the way in which the etiquette of using a mobile phone has changed. Not only am I old enough to remember buying my first mobile phone, but I remember when a previous Conservative Chancellor thought that it was a good idea to levy a tax on mobile phones. As a new technology, they were seen as a scourge, particularly when one was trying to have a quiet dinner in a lovely restaurant and someone was talking on a phone. Now, of course, the etiquette problems are different. There may be a lack of communication between a husband and wife when one of them is using a tablet, or people may be reading e-mails during a meeting when others are trying to have a discussion. Personally, I have moved on from making voice calls. I tend only to text or e-mail, and it is very rare for me to make a call. Perhaps there will not be a market for the retro phone after all.
(9 years, 11 months ago)
Westminster HallWestminster Hall is an alternative Chamber for MPs to hold debates, named after the adjoining Westminster Hall.
Each debate is chaired by an MP from the Panel of Chairs, rather than the Speaker or Deputy Speaker. A Government Minister will give the final speech, and no votes may be called on the debate topic.
This information is provided by Parallel Parliament and does not comprise part of the offical record
My hon. Friend is quite right. I am pleased to say that some of the smaller players have participated in our latest fund, which is designed to ascertain the cost of getting broadband to the last 5%—the most expensive and difficult-to-reach premises. Of the eight contracts awarded, I think that almost all have gone to smaller players, which continue to play an important role in rural areas—for example, Gigaclear provides a first-class service to many of the villages in my constituency.
I draw attention to my entry in the Register of Members’ Financial Interests. In many ways, North Yorkshire is a bit like Herefordshire in its rurality. We have had great success: in some villages, take-up of superfast broadband has been 50%, and in one village it is at least 70%. Does the Minister agree that, for those people who are out of the way, in the 10% without coverage—
I am extremely grateful to the Minister for yet another chance. I have been asked by the Clerk to clarify my entry in the Register of Members’ Financial Interests; I am a director of two telecoms companies.
Returning to the point about the 10% of people who do not have broadband access, or who have access of less than 1 MB, does the Minister agree that rapid deployment is needed of alternative solutions, such as fibre to the remote node and wireless solutions, so that the people in that 10% can enjoy the benefits of superfast, as many of my constituents are already doing?
I agree with my hon. Friend, which is why we put together the £10 million fund. As I said, a number of private providers are trialling such technology. The trials are under way, and we will evaluate them shortly, which will influence phase 3 of our rural broadband programme. It is no secret that our ambition is to deliver superfast broadband to 100% of premises in the UK.
(10 years, 11 months ago)
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I am grateful, but perhaps we had better stop there, Mrs Main, and get to the substance of the debate, or people will start to turn against us.
North Yorkshire is one of the largest rural broadband projects in the country. It was the first to get under way under our rural broadband programme. We have put almost £18 million into the project, together with more than £8 million of European funding—if I am allowed to say that in public—and £9 million from BT, making a total investment of more than £35 million. The project is now on track to be completed by October this year, which is ahead of schedule. We also recognise the need to do more, and partly in response to the relentless e-mails, letters and conversations, we allocated a further £3 million to North Yorkshire, because that leveraged an additional £5 million of funding from the local council and in European money, allowing coverage to be extended further.
As for what we have achieved so far, the current contract will get 670 cabinets enabled for superfast broadband, which will deliver 168,000 premises as passed. Mindful of the point made by my hon. Friend the Member for York Outer about distinguishing between access to fibre and getting superfast speeds, I can say that that means 150,000 premises achieving speeds greater than 25 megabits. It is important to stress that we distinguish between those who have access to cabinets that have been enabled for superfast broadband and those who actually receive the speeds, because we recognise that some premises are too far from the cabinets to get the designated speeds.
More than half the cabinets have been deployed so far, which is 350, or 52% of the total; 95,000 premises have been passed, or 57% of the total; and 86,000 of those premises receive speeds of 25 megabits or more. By the end of next week, we expect 370 cabinets to have been enabled, so the project is going well. It is important to stress that this has been helped not only by the assiduous nature of the MPs’ holding the Government to account, but by NYnet on the ground and a proactive council, which have been vital. Some people have criticised the way in which we have gone about working with local councils, rather than having a national tender, for example, but having councils that are partners with BT has made a huge difference, because it joins up with things such as planning to ensure that broadband is rolled out all the more speedily.
Despite criticism of the programme, the results are now beginning to speak for themselves. For example, in Rutland more than 9,000 premises have been passed, and we expect that project to conclude by the summer; 95 more communities in Norfolk are now accessing fibre broadband, thanks to the programme; and in Suffolk, 90 miles of fibre cable have been laid, and 10,000 homes and businesses are getting broadband three months ahead of schedule, with a further 2,500 premises in 16 communities getting it in the autumn.
Many authorities are going further than our original target of 90%: Cambridgeshire is going for 98%; Lancashire 97%; Rutland 94%; and Wales, which has passed 100,000 premises and is now six months ahead of schedule, 96%. By the end of 2013, with 43 out of 44 projects signed, half of them already had live coverage. Superfast Cornwall has seen more than 194,000 premises passed by fibre and is aiming for 95% of fibre coverage. Northern Ireland has more than 90% of fibre coverage.
I take this opportunity to pay tribute to BT and its engineers. Over the Christmas period, all of us have seen, or experienced, the horrendous weather that led to trouble with power lines and so on. The flooding still afflicts a great many areas of the country. Throughout that entire period, however, BT engineers were working to meet their milestones. I have been told stories of engineers working with water up to their shoulders as they were preparing to lay fibre, or working in holes where the pumps had to be kept on permanently to keep the water from flooding them, so that the milestones could be met. BT gets a lot of criticism for the programme, but most of it is unwarranted. It is worth our pausing to pay tribute to the work of the BT engineers, in particular over this Christmas period.
On the core points made by my hon. Friends, I would characterise the tone of their remarks as, “It’s going well, but could do better.” We could do better in two or three areas, the first of which might be the allocation of the next £250 million. It is worth making the point that, having allocated a little more than £500 million to reach 90% superfast broadband, the Chancellor has allocated a further £250 million to reach 95%. We want to get that money allocated as soon as possible.
I was not in a hole up to my shoulders in water, but I can assure my hon. Friends that my officials and I and BT were all looking at the issue over the Christmas and new year period. We hope to make an announcement shortly, but I know that they appreciate that we have to get it right and ensure that the money is allocated properly and fairly. I can be certain, however, that good partners like North Yorkshire will, I hope, receive appropriate funding to carry on their good work.
Furthermore, it is important to acknowledge, as I have already done, that there is a difference between a fibre-enabled cabinet and people getting superfast access. I reassure my hon. Friends that we make the distinction. They also mentioned the concern about BT first saying that a cabinet is commercially viable, but then saying that it is not and that it should be part of the rural roll-out. Detailed planning is undertaken, but circumstances on the ground can change, so there needs to be a degree of flexibility and give and take. I can, however, again assure my hon. Friends that when BT finds that a cabinet is not commercially viable and seeks to put it into the rural programme, we do have detailed discussions. Likewise, sometimes there are parts of the rural programme that become commercially viable.
As for clawing money back from BT when take-up is higher, I assure my hon. Friends that where the take-up of broadband exceeds the target set under the contract, we do claw money back. That money is put back into the programme to extend coverage further.
Finally, I assure my hon. Friends that we are also looking at the £10 million that the Chancellor has allocated to us to take superfast broadband from 95% to 100%. That is money for test-bed experiments. It is important to stress that, in particular in rural areas, prices rise exponentially for that very last 5%.