Victims and Prisoners Bill

Debate between Nickie Aiken and Kevin Brennan

Consideration of Lords amendments
Friday 24th May 2024 Commons Chamber

[Kevin Brennan (Cardiff West) (Lab)]

This is the last time that I intend to speak from the Dispatch Box in any Parliament. Actually, I have one more statutory instrument to do, so that may not be quite true.

Madam Deputy Speaker, thank you very much for calling me to speak. I thank you for your service to this House in many different capacities over the entirety of my parliamentary career. I hope it does not cause offence in any other quarters if I say that you are my favourite Deputy Speaker, and I am sure that others share that opinion. That is in no way casting aspersions on the quality of your colleagues, but we have known each other and been friends for many years. I wish you good fortune in whatever you do after you leave this place.

I extend equal thanks to the right hon. Member for Charnwood (Edward Argar) for the way he conducts himself as a Government Minister. The way that he deals with colleagues from across the House—with shadow Ministers, Back Benchers and others—is exemplary. He is a class act in that regard, and a model of what many of us should aspire to. I have been a Minister, and I know what a difficult job it is, and what a difference it makes to have a Minister in a Department who takes Parliament, and what Members of Parliament say, seriously; does their best to accommodate opinions and measures suggested by other Members of Parliament; and does not think that the Government have a monopoly on wisdom, or on measures when they bring a Bill to this House. The Minister is prepared to engage in debate and consider amendments, and I thank him for the way in which he conducts himself in this place.

As she is in her place, I will mention the hon. Member for Cities of London and Westminster (Nickie Aiken). Some Members may be aware that many years ago she was a pupil at Radyr Comprehensive School when I was a teacher there, so I did not think that she would leave the House before me.

[Nickie Aiken (Cities of London and Westminster) (Con)]

Or be a Conservative!

[Kevin Brennan]

Indeed. I was obviously a lousy teacher, as she ended up a Conservative Member of Parliament, but I wish her well in the future as she leaves this place. I also send my well wishes to the Chair of the Justice Committee, the hon. and learned Member for Bromley and Chislehurst (Sir Robert Neill), who is a friend from across the House, and who conducts himself in a manner that we can all aspire to.

Supporting UK Artists and Culture

Debate between Nickie Aiken and Kevin Brennan

Tuesday 22nd November 2022 Westminster Hall

[Nickie Aiken]

I thank the right hon. Member for her very salient point. Given the funding, or lack of it, from Arts Council England, the future of the ENO is dependent on two factors. The key driver is to move out from its current location at the London Coliseum. The debate on cuts to funding could be a standalone issue, so I will not stray into its complexities right now. I will take that up when I discuss ENO funding with Arts Council England this week.

Right now, what I hear is that one of the major issues the ENO faces is not necessarily a prospective move, but the tightening of timescales and a lack of due consultation. My hon. Friend the Member for Bromley and Chislehurst (Sir Robert Neill) mentioned the lack of consultation with the ENO. In fact, Arts Council England expects 20 weeks, between now and April, to be enough for the ENO to start making decisions about its future.

Although I appreciate that a funding decision must be made, moving the ENO in its entirety is a big misstep. As we have heard, it will take five years at least. Is Manchester the right place? I personally want consideration to be given to the model used by the Royal Shakespeare Company, which has a base in the Barbican centre and in Stratford-upon-Avon. That works well: it keeps the London offer, but goes out into the provinces. I cannot see why Arts Council England should not work with the ENO to discuss that type of move, which would keep the London Coliseum alive while perhaps not moving the ENO up north. We have a brilliant Opera North organisation. What about the west country? What about Bristol, Exeter or Plymouth? Those areas need levelling up. Why cannot Arts Council England work with Stuart Murphy and his team to give proper consideration to that?

[Kevin Brennan]

Will the hon. Lady give way?

[Kevin Brennan]

I was just pointing out that the Welsh National Opera does Bristol.

[Nickie Aiken]

I thank the hon. Gentleman for pointing that out—maybe Exeter and Plymouth, then.

Let me move on to another very important point: the economic drivers that culture brings to areas such as central London. Central London is the powerhouse of the economy and that is because of the hospitality, leisure and culture sectors working together. For every £1 spent in theatres, £5 is spent in the wider local economy. That is tens of thousands—if not hundreds of thousands—of jobs. That is not just in London, but across every major city that has theatres. We have the pantomime season coming up now—oh yes we have! I used to go to the pantomime in Cardiff with my grandparents every year; the local economy really does depend on families going to the theatre and having a meal before or afterwards.

In the very short time I have left, I pay tribute to my hon. Friend the Member for Gosport for securing this debate but also for her outstanding work as a Minister. During covid, the arts and culture sector was on its knees; there were worries. I had calls every day during lockdown from really major players in the culture sector who were worried about whether they would ever open their doors again. I pay tribute to my hon. Friend for working with me to secure the £1.5 billion culture recovery fund. I know that she played a huge part in that; it made a difference not just to my arts and culture sector in central London, but across the country.

I end by saying that we face a very difficult economic time, but we cannot lose sight of the contribution that artists, the arts and culture play in our country—from not just an economic, but a health and wellbeing point of view. I hope we can keep securing all that and that we can save the ENO.