Stoke-on-Trent City of Culture 2021

Louise Haigh Excerpts

Tuesday 21st March 2017 Westminster Hall

[Louise Haigh (Sheffield, Heeley) (Lab)]

It is a pleasure to serve under your chairmanship, Mr Hollobone. I am afraid that the shadow Minister for culture, my hon. Friend the Member for Cardiff West (Kevin Brennan), is otherwise detained, so you are stuck with me, his far-less cultured colleague, responding from the Front Bench today. I add my congratulations to my hon. Friend the Member for Stoke-on-Trent North (Ruth Smeeth) and to my other hon. Friends on their contributions. Stoke could hardly ask for better advocates for the city or for its bid. With the breadth of support, ranging from Charles Darwin to “Neighbours” via the circus industry, it is hard to see how the bid can fail.

In January 2009, the then Secretary of State for Culture, Media and Sport—my right hon. Friend the Member for Leigh (Andy Burnham)—announced that the Labour Government would commission a working group to report on the feasibility of establishing a UK capital of culture competition. The aim was to build on the success of Glasgow and Liverpool as European capitals of culture in 1990 and 2008 respectively. In both cases, those post-industrial cities demonstrated huge talent and initiative, which helped to regenerate communities and solidified a lasting legacy. To this day, both cities retain an excellent reputation for the arts, enhanced by that year in the spotlight.

The Labour Government—working with Phil Redmond, who first proposed the competition and went on to chair the working group—created a UK city of culture programme that recognises, in the words of my right hon. Friend, that

“culture and creativity should be viewed as part of the answer to tough economic times and not as a distraction or a luxury”.

We are certainly still experiencing tough, if not tougher, economic times, and the Government have been too slow to recognise the role of arts and culture in economic regeneration, so I am pleased to see that the UK city of culture programme continues to thrive and to demonstrate that creativity and culture are central to the economic and social successes of our communities.

At the heart of the UK city of culture venture is, to paraphrase the working group’s report, the desire for culture to act as a catalyst for social, economic and civic agendas. Rather than imposing a prescriptive checklist, the programme gives a platform to local identities and promotes existing talent and initiative for all the world to see. As my right hon. Friend the Member for Exeter (Mr Bradshaw) said in 2009:

“excellence and innovation in the arts does not begin and end inside the M25”.

Given all that, it is obvious why so many UK cities are keen to bid for the 2021 title. As convincing as my hon. Friends have been, I hope they understand that I cannot back a particular bid from the Front Bench. However, it is clear that Stoke-on-Trent is an excellent candidate for city of culture, not least because that programme is built on recognition of the economic importance of the arts. That connection is particularly clear in Stoke, where ceramics are unquestionably both an art and industry that remain at the heart of that community. Stoke’s bottle ovens are testament to the intersections between technology, science, art and aesthetics. We must learn to harness that force to regenerate our economy.

As we have heard, there is so much more to Stoke than the potteries. Museums, theatres, breweries and businesses all contribute to the city’s cultural identity and pride, and to the cultural renaissance that my hon. Friend the Member for Stoke-on-Trent North spoke so passionately about. Regardless of the outcome of the next round of bids, Stoke is an excellent example of a creative community, and its bid alone will show those who rarely look beyond the M25 exactly what they are missing. The city of culture programme has been extremely successful and I hope that that will continue with whichever city wins next.

When Derry/Londonderry was the first UK city of culture, it was plain for all to see how that city had changed. On the day that we have heard the news of the death of Martin McGuinness, it is appropriate to acknowledge how his home city changed from being the crucible of the troubles a few decades previously to being a venue for the peace process to flourish and for subsequent regeneration. The title drew attention to a side of the city that was already thriving, but was previously seldom seen.

Likewise, Hull—the current title holder—is enjoying widespread media coverage and public engagement. The regeneration has already begun, as my hon. Friend the Member for Kingston upon Hull East (Karl Turner) made clear. The online media outlet, Insider Media Ltd, reports that the restaurant industry in Hull is already benefiting from the city’s cultural status. With events ranging from Comic Con to film screenings, the hard work and commitment of the people of Hull to their city and their culture is getting the praise and attention it deserves. It is also fitting to pay tribute to the work of Councillor Stephen Brady, Labour leader of Hull Council, for championing culture as an agent of change for economic regeneration.

Stoke, or any other bidding city, does not need a title to be a city of culture. Culture is already central to Stoke. However, the city of culture programme’s importance is in increasing national attention and giving credit to work that is already going on. I hope that the competition continues to thrive; that the next city to win the title enjoys the same success as its predecessors; and that the Government continue to support this excellent initiative of the last Labour Government.

[Mr Philip Hollobone (in the Chair)]

If the Minister would be kind enough to conclude his remarks at 5.27 pm—perhaps his Parliamentary Private Secretary could prod him with 30 seconds to go—that would allow Ruth Smeeth a couple of minutes to sum up the debate.