Lord Shipley
Main Page: Lord Shipley (Liberal Democrat - Life peer)
Lord Shipley (LD)
My Lords, I thank my noble friend Lady Bonham-Carter for initiating this debate today and I congratulate those who made their maiden speeches. They have all demonstrated a wealth of knowledge and a deep understanding of broadcasting across the United Kingdom. I declare that I am chair of Audio Visual Arts North East, which holds an international biennial audio-visual arts festival across the region.
We have heard today that the big picture is very impressive. Whatever measure we use, be it contribution to GVA, revenue raising, jobs created, export of programming or the success of BBC Worldwide, they all say the same thing—that a good job is being done, that quality is high and that our broadcast media justify the enormous degree of confidence that the general public has in them. It is all very evident.
I am not one of those who challenges the BBC licence fee, and for two reasons: the BBC gives excellent value for money, as we have heard, and almost everyone in the UK uses the BBC at some time or other during the year—some 96%. I cannot think of a better system which would preserve the BBC’s independence and guarantee the quality and reach of its programming.
A few weeks ago I took part in the 50th anniversary celebrations of the opening of the National Theatre on the South Bank. It was wonderful to be able to join in—even more so as I did it from my armchair in my sitting room, courtesy of the BBC. It was an occasion of national importance which used the power of television to bring it to a wider audience. Perhaps it was the camera angles, maybe it was the number of cameras, but viewers could feel that they were present, rather than just looking in on someone else’s event.
Over the summer I attended other cultural events. I attended the Proms a number of times this year—three in the Albert Hall and all the others in my sitting room—courtesy of the BBC, be it BBC4, BBC2, BBC1 or Radio 3. A couple of weeks ago I went to the cinema to see “Philomena”, a quite excellent film, and the credits on the film informed me that BBC Films had had an involvement in its financing. I went in August twice to the Edinburgh Festival and saw and heard many things—but I saw and heard more on BBC radio and television than I could in Edinburgh. My point is that the broadcast media can fill schedules with content from such a festival; the festival gains from the air time; and the broader public, who are unable to attend, can be part of it. That is what the BBC does so very well.
Returning to the National Theatre, while I was watching the 50th anniversary celebration I began to wonder why it was that I could be linked to it but not be linked from my home television to all the National Theatre’s stage productions. I understand that there are good commercial reasons why that should not be the case and that delay might be necessary. I attend the theatre a great deal but I have been to the National Theatre in London only a few times. I have attended many more National Theatre productions at the Theatre Royal Newcastle because that is where I live. That means, of course, that I miss most National Theatre productions.
I accept that I am limited by geography from attending, just as most people across the UK are. Obviously I am limited by time and cost as well, which is why I have been much encouraged by the success of National Theatre Live cinema broadcasts. These performances, not only by the National Theatre, are still limited in number and occasion. For example, although I would have liked to have seen the Royal Shakespeare Company’s production of “Richard II” recently at the cinema, I have not been able to, but at least the RSC has other productions planned for 2014. The advantage of this system is that cinema seats are filled, audiences are created and audiences share the experience of the production even if they are not where the stage is. There is a process under way now which can only grow in scale and so make national productions of high quality more accessible to people the length and breadth of the UK.
That is right for publicly-funded national producing theatres but what about other publicly-funded producing theatres? There have been some examples of broadcasting in cinemas, which is encouraging, but living in Newcastle upon Tyne I often look at the programming in other parts of the country and wish I could see them. The impracticalities of doing so are obvious, but what is to stop the Arts Council working with the BBC to commission many performances from producing theatres outside London and Stratford for broadcast, either live in cinemas or on television, at a later date once live performances are over?
There is a next logical step in all of this. If the Arts Council and the BBC were to do this, it would help investment regionally; it would reduce a little the serious imbalance that exists in Arts Council funding between London and the rest of the country; and it would also bring quality productions to a much wider audience.
I am glad that by 2016 the BBC will have increased its network services programming spending outside of London to 50%. That is certainly progress and I pay tribute to Peter Salmon and his colleagues in BBC North for the work they are doing to broaden the reach of BBC commissioning and programming.
I recognise the work of other broadcasters. It is good that Channel 4 commissions all its content from the independent sector and now has a growth fund to develop that further. I hope a priority can be given in that to parts of the UK which are outside London. It is good, too, that ITV has 35% of its programming from outside the M25, and the higher it can get that through investment outside London the better it will be for the economic growth and vitality of the areas it invests in.
For that is what broadcasting is. It is a key part of our economy—130,000 jobs, £12 billion in revenue and 3% of our GVA. The trouble is that the GVA created by broadcasting is markedly different by UK nation or region. Let us take as an example BBC expenditure in 2011-12. According to the latest figures provided by the House of Lords Library, London has expenditure of £3 billion out of a total UK spending of £4.3 billion. We should note that Scotland, Wales and Northern Ireland have £425 million, and all of England outside London only £656 million. English regions are, in truth, the poor relations in comparison to London. For example, the whole of the north—including Yorkshire, the north-east and the north-west—has expenditure of only £203 million. If we add to this the fact that Arts Council England spends most of its money in London, whichever way one looks at the figures, the truth is that there is an enormous imbalance in spending between London and the rest of England, be it Arts Council direct funding, the lottery, DCMS or private sponsorship. London’s gravitational pull is understandable as a national provider but it needs positive interventions to enable others areas, which may be more dependent on local government funding, to succeed as well.
The imbalance is recognised by the Arts Council, which has committed itself to spending more in the regions and has asked to be judged on outcomes in two years’ time. I welcome that commitment but I hope, too, that it might be possible for the BBC and the Arts Council to have a standard policy of commissioning more programmes from outside London, either to stream live or to broadcast productions and performances at a later date, as I have suggested.
I hope the Minister will take these suggestions on board and look at ways in which greater balance across the UK can be achieved in broadcasting investment in order that our cultural richness can be widely shared.