Terrorism (Protection of Premises) Bill

Lord Parkinson of Whitley Bay Excerpts

2nd reading
Tuesday 7th January 2025 Lords Chamber

[Lord Parkinson of Whitley Bay (Con)]

My Lords, it is a pleasure to follow the noble Lord, Lord Hogan-Howe, who made some very wise points based on his considerable experience in this area. I, too, very much support this Bill. Like other noble Lords, I remember all too well the night of the Manchester Arena attack during the 2017 general election, as well as the generous and defiant response of the people of Manchester, as the right reverend Prelate rightly reminded us in his contribution. We all remember today with admiration Martyn Hett and his mother, Figen Murray. As the briefing note from Survivors Against Terror puts it, Martyn was living his best life—as were the other 21 victims who lost their lives that evening and the more than 1,000 people injured in that appalling attack.

It will not surprise noble Lords to know that I associate myself with everything that my noble friend Lady May of Maidenhead said, or that I take the opportunity to pay tribute to the diligent and dedicated way in which she reacted to evil acts such as this, and how she and others worked with the brilliant men and women of our law enforcement and intelligence agencies to prevent others like it.

While the Prevent and Pursue elements of the Contest strategy, to which the noble Lord, Lord Hogan-Howe, alluded, receive considerable attention sometimes, it has always seemed to me that the Prepare and Protect elements receive comparatively less, especially when one considers that these are the elements in which so many more of us can play our part. We need a whole-society response to countering the ever-present and evolving threat of terrorism. The owners and operators of cultural and heritage venues want to play their part in that solemn task, and they take their responsibility very seriously. My purpose in speaking in this debate today is to reflect some of the points they have raised with me and other members of the shadow Culture, Media and Sport team regarding how they can do that most effectively. In particular, I am grateful to those who took the time to join my right honourable friend Stuart Andrew, the shadow Secretary of State, and our colleagues for a round-table discussion about the Bill last month, as well as the cultural and security professionals I had the pleasure of speaking to at the International Arts and Antiquities Security Forum in County Durham in October.

It is clear from talking to those people that there is nervousness about the Security Industry Authority’s ability and capacity to act as the new regulator in this area. The role envisaged by the Bill, as noble Lords have noted, is quite a departure for that organisation, which already has a mixed reputation in the sector. Is the Minister satisfied that the authority has the resources and expertise—and indeed the confidence of the sectors it will be regulating—it will need to succeed? Has it begun its engagement with the people who are on the front line in each of the varying sectors it will be regulating? This Bill has been long in gestation, as noble Lords have reminded us; the authority does not need to wait for Royal Assent to begin engaging with the people who have the practical knowledge about how it can best be implemented.

In the absence of that sort of engagement, as my noble friend Lady May said, these organisations will be bombarded with consultants. Indeed, a number of those whom we spoke to in our round-table discussion said that they are already being contacted by what one described as “snake oil salesmen” purporting to advise them on how to implement a Bill that has not yet become law. Of course, many of those organisations have dedicated professionals who have worked out detailed and well-considered plans to maintain the safety and security of those who visit them. Those plans are, by necessity, sensitive and confidential documents, and many are wary of sharing them externally, even with a new regulator, potentially opening them up to new vulnerability. Therefore, it is vital that the new regime that this Bill brings about enjoys the confidence and support of those with whom it will work.

A number of speakers mentioned the tiers that the Bill sets out. A capacity of 800 or more tips a venue into the enhanced tier, so a moderately sized theatre such as the Lyric or the Noël Coward becomes in the same category as Wembley Stadium or the Glastonbury festival. I welcome the exemption that the Government have introduced for churches and other places of worship, but there may be a case for more granular tiering, or perhaps a super-enhanced tier for the very largest venues and events.

The seasonality of venues is also worth considering. A venue which is extremely busy for only one day, or one part of a year, such as a live music festival or an annual sporting event, would stay in the enhanced tier for 365 days of the year. There is also the complexity of multi-event venues. For instance, a conference or exhibition hall, such as the ExCel centre, which has been mentioned already, might stage a number of different events, of different sizes, all at the same time. Are these to be considered separately or counted cumulatively?

The Bill defines the premise operator as the freeholder or leaseholder, and the event organiser as the entity overseeing the delivery of an event. As the Society of London Theatre and UK Theatre have pointed out, a number of theatres operate within multipurpose venues, such as university complexes—Northern Stage in Newcastle is one example. The Society of London Theatre and its members can provide useful insights into these operational differences and how they might be overcome; how can we make sure that the SIA takes account of this practical, first-hand advice?

A number of speakers raised concerns about physical thresholds—the grey areas or “zone Ex” as people leave venues. Where do the boundaries of a venue’s responsibility begin and end? The Bill seeks to enhance security measures in what it refers to, but does not define, as “the immediate vicinity”. The vicinity of an event space, including transport routes and the public realm, is, by definition, beyond a venue’s perimeter and control. As LIVE, the body representing the live music industry, has set out in the briefing noble Lords will have received, event organisers and security personnel have no jurisdiction over crime and disorder in the public realm; only the police do. That needs to be reflected in the Bill. In particular, LIVE argues that the SIA should not be allowed to serve a notice requiring action outside the premises or outwith the control of the person who is being served the notice.

UK Theatre also raised the concern that external measures, such as bollards, should not get in the way of the essential operations of our cultural venues. The public space around a theatre can be essential for its operation. The changing of sets, where equipment for one show is dismantled and another installed, is critical, particularly for plays in repertory or an opera, where a number of productions are staged simultaneously.

As the noble Lord, Lord Anderson of Ipswich, set out, we need to ensure consistency with existing legislation, such as the Licensing Act 2003, and data protection laws. Many venues have seen the burden of complying with subject access requests relating to the use of closed circuit television rise exponentially. If they are being encouraged to make greater use of CCTV, which can provide protection to the people who come to their venues, or indeed facial recognition technology, as we have just heard, what support will they be given to comply with data protection regulation and the potential burden there?

Many venues operate as franchises. On whom do the new duties fall? Will these be on the parent company or on the franchisees? Who ought to pick up the bill for compliance? All this speaks to a need for sector-specific guidance but, as the sectors understand it, that is not currently planned. Is that the case? If so, will the Minister urge the SIA to reconsider that? I echo the very reasonable request of the noble Lord, Lord Carlile of Berriew, that the guidance that it is minded to prepare should be made available before Committee.

Finally, we must be mindful of the burden on the venues and organisations that will play their part in this important new law. Many are run not for profit while others are very small businesses in which profit margins are extremely tight: 43% of grass-roots music venues in the UK made a loss in 2023, to give just one example. They are reliant on a mixture of their own full-time staff, contactors and volunteers. They are squeezed already by the additional burdens of the new and higher national insurance bills that the Budget brought. For this Bill to work and to make the difference that we all want it to, the duties that it places on businesses and venues need to be practicable, effective and proportionate. I hope that these are aims we can keep in mind as we scrutinise the Bill further.