Lord Howarth of Newport
Main Page: Lord Howarth of Newport (Labour - Life peer)My Lords, since we are starting Part 6, which I suppose is a form of light relief from earlier parts of the Bill, I want to thank the Minister. All those participating in Part 6 will have noticed that the Minister has been a prolific correspondent. In case full details are not provided on all the amendments we have put forward, those outside the House should know that letters were passed on 25 February to the noble Lord, Lord Stevenson of Balmacara, on the orphan works aspects of Clause 69 and on Clause 67; to myself on 11 February, and on 4 March on Clause 68; and, most recently, on 5 March there was a letter on extended collective licensing. I thank the Minister for the clarification that a lot of that has produced.
Like other noble Lords, I much appreciate what the noble Lord, Lord Clement-Jones, has just said. However, should we not also thank the Minister for his willingness to meet with noble Lords on a number of occasions? It has been extremely helpful to enable us to understand the Government’s thinking and for him to be able to understand some of ours.
I very much welcome what the noble Lord, Lord Howarth, said. I quite agree. It is refreshing to be able to have that communication. It is not always a game of ping-pong or tennis. One can resolve some of these issues as we go along. In particular, this probing amendment is designed to elicit further information from the Minister. I thought we had a very good assurance from him that the IPO would publish an annual report which would be laid before Parliament, and that this could include a progress report on work towards a digital hub for licensing purposes.
When the Government’s response to the informal consultation on the role of the Intellectual Property Office came out very recently, it was very good to see that precisely that is enshrined in the document. Essentially, the Government are confirming that they will do that and that it will take place, particularly in terms of progress on licensing.
I would like to push the boat out a little further. In Committee we had a very useful discussion about metadata, its treatment and its protection. It is, of course, an issue of great importance to many creators, and we discussed that informally as well when we met the Minister. Work is ongoing in a working group, but as yet there is no indication of what its work might produce, technologically or legally. This new amendment is really designed to get a further assurance from the Minister that there will be regular progress reports on this aspect and that the proposals for action by the working group will be acted on. I beg to move.
My Lords, I add my support to my noble friends who have already spoken and congratulate the Minister on all that he has done to engage with us and our concerns in relation to this part of the Bill.
When I have spoken on this Bill previously, I have said that it has much to commend it, and I am still of that view—very much so. Close scrutiny through Grand Committee has given the Government the opportunity to improve the Bill further and indeed in many cases they have. I am particularly interested in Clauses 67 to 69, which have a direct impact on the cultural fabric of and economic opportunity for the UK. In particular, the creative industries have shown incredible concern about the manner in which these proposals were formed and the perception that there is a will within Government and the Intellectual Property Office to unpick the intellectual property framework that underpins many creators and rights holders, in favour of US technology companies and others who want to use more copyright content for free. Of course, the Minister has gone a long way to seek to allay those fears.
However, commercial companies and organisations in our creative industries quite rightly expect a financial return from investing in creating original content and then archiving and preserving it for others to pay a licence. They lead the way in it and in many sectors such as audiovisual there is healthy competition, sensible pricing and industry-driven innovation to adapt to the digital age. Therefore, it is wholly wrong, in our view, for legislation to reduce these commercial incentives in favour of the radical and in many cases I believe ill-advised recommendations from Professor Hargreaves that inform the copyright measures in this Bill.
One of the reasons for putting my name to this particular amendment is that we have to think about competition not just in terms of cross-border and close to home but further afield. For example—I may refer to this later when we are looking in more detail at extended collective licensing—China has just announced that it would implement ECL in its copyright law. It is said that the details will be in regulations yet to be published. The UK Government will not be in a position to demand appropriate safeguards for licensing of UK copyrights by ECL in China if we ourselves do not have them in our own legislation as the Nordic countries do. Nor will UK rights holders or their representative bodies be in a strong position to safeguard UK rights abused by ECLs in foreign countries if the UK’s own statute lacks the necessary safeguards.
I support this amendment. A regular update so that we know about progress in terms of the Intellectual Property Office is really important. I feel that the Minister is on our wavelength and understands our issues, and we would be grateful for some positive comments from him with regard to this amendment.
My Lords, I, too, welcome the Minister’s commitment that an annual report should be published by the Intellectual Property Office. It may not reach the top of the bestseller lists, but it is right in principle that the public should have the opportunity to be informed about what the current issues are and what developments in policy are or may be. That is very proper. Of course, Parliament in particular should have that information. I hope that we would find the opportunity to debate the annual report each year that it comes out.
I congratulate the noble Lord, Lord Clement Jones, and his co-signatories on the terms in which they have they expressed this amendment and the particular examples that they have given of the kind of material that should be covered in the annual report. The report would need to review the state of copyright licensing in the United Kingdom. I hope that in fulfilling that requirement it would provide a discussion about how the Intellectual Property Office seeks to balance its absolutely right and necessary defence of the interests of intellectual property holders with wider interests that the public may have in the early and extensive benefit that can be received from the dissemination of this new information, knowledge and material. That is important.
I am also pleased that the expectation would be that the annual report should review cross-border co-ordination between our own jurisdiction and jurisdictions in other countries. For example, we would certainly want to know how the Intellectual Property Office and BIS are looking to mesh the complementary policies that we develop in this country with the policies that are being developed in the European Union and other countries that may be ahead of us in some respects.
For example, we know that the European Union orphan works directive is very limited and strictly curtailed in what it would allow. Only cultural sector bodies and educational establishments, not companies, could benefit from its provisions. Public/private partnerships, for example, would be prevented. That represents what is at the moment too limited and cautious an approach on the part of the European Union.
Mass digitisation projects are only going to be able to be carried out by our great cultural institutions in partnership with the private sector, and that ought to be contemplated as policy-making develops both in this country and in Brussels. The attempt to continue to draw absolute distinctions between commercial and non-commercial purposes will prove to be too restrictive of the ability of great institutions that are publicly funded in this country, such as libraries, universities and museums, which ought to be able to work freely in partnership with the private sector but which may be constrained by legislation as it has so far appeared to develop.
The noble Lord, Lord Clement-Jones, also mentioned the question of metadata. That is highlighted in the amendment. It is excellent that, at last, we have a working group looking at the problems that arise with metadata and digital photography. The working group is trying to find out why this stripping happens, why creators do not get paid and, above all, what solutions might be found, presumably by way of new technology but perhaps in other ways, to ensure that intellectual property is not stolen from photographers. The fact that it is already illegal to strip metadata under Section 107 sadly does not prevent it happening. There is a legitimate and very important issue there and I hope that progress on that will be covered in the report, as the noble Lord said.
I also hope that the report will inform us as to how the Intellectual Property Office seeks to gather views and reconcile different interests and points of view. I have very much sympathy with it in the very difficult and sensitive task that it has to carry out.
Let me give an instance. I saw in the British Journal of Photography recently a story headed:
“News agencies go on the offensive, call for judicial review of copyright changes”.
I was surprised to learn that:
“The world’s largest news agencies have delivered a Letter Before Claim to the UK’s business secretary Vince Cable in what is described as the first step in the process of initiating a Judicial Review - a formal legal challenge to governmental planned legislation”.
The article goes on to suggest that the Government are proceeding quite improperly. It challenges the Government’s plans to introduce their proposed changes through what they were pleased to call “Henry VIII clauses”—secondary legislation which is not subject to the full scrutiny of Parliament.
That is not very complimentary to your Lordships. We are engaged in quite serious and intensive scrutiny of this legislation. We certainly will be when we have the regulations in due course. What was completely bizarre was then to read a quotation in the name of Mr Paul Ellis of the Stop43 organisation:
“The technology, academic and cultural heritage sectors want to be able to use other people’s copyright property without having to ask or pay for it, and view copyright law as an obstacle. Under their intense propaganda and lobbying onslaught several governments have fallen for this line and are trying to introduce laws that weaken copyright, such as the Enterprise and Regulatory Reform Bill now going through Parliament”.
He then goes on to denounce,
“these lobbying-driven legislative attempts to confiscate our property”.
It seems a bit of a case of the pot calling the kettle black. The serious point is that the IPO is very vigorously lobbied from a multiplicity of sources and by a multiplicity of powerful commercial interests; the noble Baroness, Lady Buscombe, referred to some of them. It has always to be the duty of the IPO, the Government and us in Parliament to ensure that workable policies are arrived at that represent an appropriate balance between the range of competing, relevant and, indeed, legitimate interests that are all intensely concerned about what we do.
I hope that the annual report will include some account of how the IPO weathers these storms and what its philosophy is in terms of receiving and listening to representations and establishing working groups which allow people to have the opportunity to contribute their thinking and remind policy-makers of their legitimate interests but, at the same time, do not cause the policy to be unduly tipped and biased in favour of those who shout loudest. That would always be wrong. I have every confidence that that will not be allowed to happen. However, it may be helpful to those who have this arduous and difficult responsibility of developing the technical details of policy in the copyright field that we have a better understanding of what it is that they have to cope with. I support this amendment.
My Lords, I will make a few brief remarks in closing this short debate. First, I associate myself with the warm expressions of thanks and support to the Minister not only for his very assiduous work in responding to the questions and queries that were raised at earlier stages of the Bill but for the meetings that he has had. I am not quite sure how he has managed to keep going—he is looking a bit shell-shocked, although that may not just have been today. We are all very grateful to him for what he has done. Indeed, it has brought a different sensibility to the whole way in which we have been able to engage with this and I am very grateful for that. I am sorry that the choir has lost his very nice tuneful voice as a result, but I hope he will get back into it after this intensive work is over.
Having said that, has the mood really changed? We have just heard that there are still quite big guns out there, and the reference from my noble friend Lord Howarth to the judicial review—I have benefited from the courtesy of being shown a copy of the 36-page document that went in—certainly suggests that there are still some people with axes to grind out there and serious points, too, which need to be considered and reflected. Although we are making progress and, I think, beginning to arrive at a common position on a number of issues raised in this part of the Bill, there are still some hurdles ahead which we have got to think about. For instance, I got two letters and several e-mails today from people again expressing concern about what is happening here. They are not sighted and perhaps not up to speed with what is going on but they certainly feel very strongly about it.
As other noble Lords have said, there are other things going on here. We are doing a lot of the work in this Bill but, in parallel, the outcome of the Hargreaves report and the various pieces of secondary legislation that will be going through, which radically change the way in which we deal with copyright and performance rights, need to be accommodated and brought alongside some of the movements that are here. A lot of what we have been saying in the discussions and debates on this Bill has been contingent on a satisfactory outcome for those things, and I do not want to prejudge where we are going to get to on parody, exceptions for educational use and desirable things like copying for archives. These are all important parts of the ecology that this Bill touches on but does not completely encapsulate. We must therefore be careful not to overcall what we are achieving here.
A third example on that list would perhaps be the one raised by the noble Baroness, Lady Buscombe, which is that we are not alone here; lots of other people are working on their copyright registrations and legislation and moving forward. That will always affect how we do things. We will not make the progress that we want to make in terms of this industry, and the work that goes into this type of activity in the UK will be for nothing, if we are outsmarted and outgunned by those who either have a much more advanced concept of copyright and licensing or none at all. These are important points.
My Lords, first, I appreciate the warm comments that have been made by my noble friends Lord Clement-Jones, Lord Jenkin, and Lady Buscombe, and also by the noble Lord, Lord Howarth. I agree that it is highly desirable from the Government’s perspective to understand and resolve issues outside the Chamber. I very much hope that will continue; I am sure it will. I thank the noble Lord, Lord Stevenson, for the collegiate approach that he takes to these issues. It is much appreciated on this side.
I want to focus, as other noble Lords have done, on the report—or perhaps I should say the response to the informal consultation, a copy of which I have here —which I have read with interest. It is refreshing to read that views were in general very positive on having a report. I noted that the Motion Picture Association thought that the report should be developed in full and open dialogue with the copyright sector. That is all in the right spirit. Certainly, the Government believe that the proposed annual report will increase the transparency of IPO activities and they welcome the support from the respondents. Again, that should be a very good thing to highlight given some of the comments that have been made today.
The noble Lord, Lord Howarth, asked about issues that might be covered within the report. I confirm that I will want to look very carefully at all his points to see what we can say about them in the report, so I thank him for his input on that.
The noble Lord spoke also about the judicial review. I am afraid that all I can say at the moment from the Government perspective is that we have received a pre-action letter concerning copyright measures in the Bill to which we have responded. Therefore, it would not be appropriate to comment further at this time.
The noble Lord, Lord Stevenson, stated that he did not want to prejudge the debate on copyright exceptions. As I hope he will be aware, I am keen that Parliament should have the necessary time for debate on the statutory instruments—I think that I made that clear in Grand Committee.
The Minister very kindly answered a Written Question on whether an individual impact assessment would accompany each of the regulations introducing new exceptions. While I normally follow the noble Viscount with ease and find his presentations pellucid, I did not find the answer to his question without ambiguity. While I recognise that the impacts of some of the regulations may overlap, I think that it is extremely important that, when Parliament is considering this very important secondary legislation, we should have in each and every case the best impact assessment that the Government are able to provide. Will he assure us that that will be the case?
I thank the noble Lord for that point. I shall look again at what I said and what we produced. If we can improve on it, we most certainly will. I shall get back to the noble Lord on that point.
The Government are keenly aware of and sensitive to the concerns of creators in relation to metadata. They believe that an industry-led approach is most likely to identify the key issues and the most effective solutions. They warmly welcome the establishment of a metadata working group which brings together key players from across the industry, including the Association of Photographers, Stop43, the BBC, the British Association of Picture Libraries and Agencies, Getty Images and News Corporation. We will consider carefully any recommendations aimed at government and, if they are proportionate and effective, will certainly support them. I also commit to keeping Parliament informed on progress.
The Intellectual Property Office will also be working with the Technology Strategy Board to consider other options to tackle the issues around the misuse of digital images as well as search and stripping of metadata. I hope that in the light of what I have said in my brief comments my noble friend can withdraw his amendment.