Free Television Licences

Lord Grade of Yarmouth Excerpts

Monday 15th July 2019 Lords Chamber

[Lord Ashton of Hyde]

I do not agree that the BBC is pared to the bone. The BBC is a £5 billion organisation; it gets £3.7 billion from the taxpayer, so I do not agree that it is a pared-down organisation.

[Lord Grade of Yarmouth (Con)]

My Lords, I declare an interest as a former chairman of the BBC and, once upon a time, an executive there—in the good old days. However we got to where we are today on the issue of pensioners, we are where we are. Does my noble friend agree with me in praising the diligence with which the BBC has set about trying to solve the problem of meeting the expectation of help for pensioners while at the same time not impoverishing everyone else’s viewing by making swingeing cuts in programme budgets? The BBC has behaved impeccably and been meticulous in trying to respond to the problem.

[Lord Ashton of Hyde]

My noble friend makes the point that we are where we are. This was debated by Parliament and agreed. I know that some people, some noble Lords included, did not agree with the decision to pass responsibility to the BBC in the Digital Economy Act; nevertheless, that was done and the BBC is living up to the responsibility it was given. Dealing with the change in the structure of fees is a very difficult job, and television is changing dramatically, so I sympathise with the BBC; it has a difficult job to do. Nevertheless, we gave it a lot of warning—this was agreed in 2015—and that is why we are disappointed with what it has decided.

Data Protection Bill [HL]

Lord Grade of Yarmouth Excerpts

Monday 14th May 2018 Lords Chamber

[Lord Grade of Yarmouth (Con)]

My Lords, I regret that I cannot support the amendment in the name of the noble Baroness, Lady Hollins. This has been a passionate debate so far and there is, no doubt, more to come. However, there has been a definite lack of balance. There has been no mention of the good that the press has done over the many decades that I have been a newspaper reader. We can go back to Harry Evans and thalidomide; to MPs’ expenses in the Telegraph; we can talk about phone hacking itself, which was exposed by newspapers; the noble Viscount has just brought the Paradise papers to the attention of the House.

Addressing myself to the amendment, I have spent a lifetime on both sides of the media fence, as editor-in-chief of ITV and Channel 4; as a Daily Mirror sports journalist 150 years ago, when Charlton Athletic used to win; and, too often, as the subject of media scrutiny and—putting it at its most charitable—the victim of some very painful criticism. I have several reasons for opposing the amendment. First, if there is a principle underlying the proposed new inquiry into the press et cetera, how can regional newspapers be exempt? Is it a principle or is it not? If there is a problem, pleading poverty should not excuse you.

Secondly, lumping the press and broadcasting with social media on the issue of misuse of data is to misunderstand entirely the nature of the problem we face. Newspapers and broadcasters are governed very strictly in their handling of data, not only by regulators but by the Information Commissioner’s Office, with a carefully crafted exemption for public interest data searches. The ICO is a statutory body with draconian powers which it is not afraid to exercise. We know that Facebook and its ilk are displaying scant regard for data privacy. I am sure that noble Lords all agree that the Cambridge Analytica issue is the tip of the iceberg. Traditional media offer no evidence to justify this lumping together in the amendment.

Thirdly, I suspect that lying behind the amendment is yet another attempt to exercise some statutory controls or levers over our free media. Any inquiry, not least that envisaged by this amendment, is bound to produce recommendations, with the risk to free speech of some statutory device, overt or covert, buried in them.

Creative Industries: Skills Shortage

Lord Grade of Yarmouth Excerpts

Wednesday 2nd May 2018 Lords Chamber

[Lord Ashton of Hyde]

My Lords, no one is suggesting that STEM subjects are the only ones that matter. Indeed, I completely take the noble Baroness’s point that the arts are very important, especially for the creative industries. We expect a broad and balanced curriculum to be provided for schools. I am informed by the Department for Education that there is no evidence that a greater emphasis on STEM subjects has had a direct impact on the take-up of the arts in schools. Between 2010 and 2017, the proportion of pupils in state-funded schools taking at least one arts subject remained broadly stable and the percentage of time spent by secondary school teachers on teaching music, art, design and drama has also not changed significantly. However—to give the noble Baroness some comfort—the Secretary of State recently met the Secretary of State for Education to discuss this, and another junior Minister in my department met another junior Minister in the Department for Education on 27 April. Joined-up government is going on, and we are well aware of the sector’s views on this subject.

[Lord Grade of Yarmouth (Con)]

My Lords, I am delighted to hear the support for the creative industries and the contribution they make to growth in the UK. The other considerable achievement of the creative industries is in social mobility. I cannot think of any greater engine for social mobility than them. The key to that is some of the world-leading establishments, such as RADA, the BRIT School in Croydon and the National Film and Television School. I would welcome hearing from the Minister that the Government recognise the importance of those and other institutions in feeding the creative industries and avoiding the skills shortage that may loom in 20 years’ time.

[Lord Ashton of Hyde]

It is important to make the point that the creative industries are a tremendous success story. We are not talking about a rescue package, if you like, in the sector deal. They are growing at twice the rate of the rest of the economy. As far as my noble friend’s points are concerned, of course we understand, as I said, the importance of the arts. That is why, for example, the Department for Education announced £96 million of funding to give talented pupils the opportunity to attend top music, drama and dance schools. That takes government funding for music and creative arts programmes to almost £500 million. In fact, it is the second-highest amount of funding for a sector by the Department for Education after PE.