Arts

Lord Bishop of St Albans Excerpts

Thursday 1st February 2024 Lords Chamber

[The Lord Bishop of St Albans]

My Lords, I too am grateful to the noble Lord, Lord Bragg, for securing this debate, and I am particularly glad we are debating the contribution of the arts not just to finance and the economy but to society. The arts are fundamental to human flourishing, to expanding our imaginations, to deepening our sympathies and to touching all aspects of our lives that, so often, the merely financial fails to engage with.

Of course, the arts do make a significant contribution to the wealth of this nation, and we are fortunate to be home to some of the world’s leading orchestras, musicians, playwrights, theatres, artists and galleries. In my own diocese in Hertfordshire there is a rapid expansion of studios that are attracting filmmakers from around the world, which is important. But the danger is that we do not give enough time and attention to thinking, “Where are these musicians and artists going to come from, and where are they first going to get the experience of the arts? Where are the ordinary people, in their homes and families, engaging with the sheer delight of creativity?” That is why I find it deeply sad that many young people do not have the access to artistic expression or musical education in their communities, homes, or, sadly sometimes, even in their schools.

As I go around the communities in Bedfordshire and Hertfordshire, I note that, in many villages, the only place with any communal singing left is the church; what was once a bigger part of communal life is dwindling. But the music and arts are not just for professionals: they should be accessible to all, and this really matters. I have spoken before in this Chamber about how many of the UK’s composers, including Vaughan Williams, Elgar, Howells, Taverner and Rutter began their musical careers because they were caught up in local music making in their churches. Without this opportunity, many of them might never have touched the artistic part of their lives and developed their skills.

A significant number of contemporary musicians also started out in local—sometimes church—choirs, such as Ed Sheeran, Annie Lennox and Chris Martin of Coldplay. The Royal School of Church Music is just one example of an organisation that is working at grass roots across our country to bring the joy of music making to so many others that would not otherwise experience it, for example through its Voice for Life course. In my own diocese, the St Albans chorister outreach project has worked with over 80 primary schools and given thousands of primary school-age children the opportunity to participate in and enjoy singing. The National Schools Singing Programme, run by the Roman Catholic Church, has already expanded into 27 of Britain’s 32 Catholic dioceses, reaching more than 17,000 children in 175 schools.

None of this is funded by the state, but, in some limited cases, all that is needed to get it going is some limited seed-corn funding. Yet, in the face of financial pressures, those very modest amounts of money have been renewed, which has enabled people to get going; it has given them a life experience of the joy of music and art and set them off in a career that has been such a blessing to many people. So my question to the Minister is: will His Majesty’s Government take a fresh look to ensure that we do not just fund flagship arts projects but have modest amounts of money to release the arts among a much wider group of people in our nation?