UK Democracy: Impact of Digital Platforms

Liam Conlon Excerpts

Thursday 3rd April 2025 Commons Chamber

[Sorcha Eastwood (Lagan Valley) (Alliance)]

I beg to move,

That this House has considered the impact of digital platforms on UK democracy.

I am grateful to the Backbench Business Committee for the opportunity to host this debate today, and I thank the sponsors and Members here present for supporting it. I begin by paying tribute to Jo Cox and Sir David Amess, two public servants murdered in the name of hatred—the very hatred and radicalisation that digital platforms fuel. We are failing a whole generation. We are failing young women facing unprecedented levels of abuse and harassment. We are failing young men being radicalised and exploited in plain sight. We are failing democracy itself, as misinformation and intimidation silence voices and distort political participation.

Today’s digital age presents a new, unparalleled threat to our democracy. Social media is not without its benefits. It allows us to connect with constituents and promote causes; indeed, I am sure that all of us would be looked upon very unfavourably if we did not engage in the online space in some shape or form. It has become one of the few ways that young people engage with politics, and it has played a pivotal role in promoting grassroots activism and greater transparency. However, we now face a national emergency of misinformation and digital violence. Families, teachers and even young people themselves are crying out for an overhaul.

Just this past month, we have seen stark reminders of the harm that digital platforms enable. The release of “Adolescence” has rightly ignited a national conversation about online misogyny and radicalisation, exposing the toxic digital culture infiltrating our homes and classrooms. We only have to look at cases like the murder of Brianna Ghey to see the horrifying real-world impact. The reality is that young men radicalised online do not just stay there; they go out into the world and sometimes commit the most heinous acts of violence.

The rising tide of online hate and radicalisation does not exist in isolation. Misogyny, incel ideology and far-right extremism, among others, are not just thriving in online spaces; they are being actively cultivated by algorithms that are designed to maximise engagement and profit. That is a really important point, which I will come back to later.

Esther Ghey, Brianna’s mum, has called social media “an absolute cesspit”, and I am sure that we all agree. She has called for an under-16s ban, and she is right to do so. I want to make it clear that this crisis is not confined to one country, one background or even one ideology. The names change, but the pattern remains the same. Parents are terrified and teachers powerless, and children are being exploited right under our noses. All we have to do is look at the case of Alexander McCartney, a prolific paedophile who sat in his bedroom in County Armagh and abused thousands of children across the world. It is the UK’s largest ever catfishing case, involving a man who used social media to blackmail, torment and sexually exploit children across the world. When I participated in a discussion last year on the safer phones Bill, all the big social media companies were present. After they had boasted about how they self-regulated, I asked them whether they were familiar with the Alexander McCartney case.

[Liam Conlon (Beckenham and Penge) (Lab)]

I congratulate the hon. Member on securing this debate, and on all the campaign work that she is doing. Does she agree that although there are some fantastic examples of social media being used positively to enhance democracy and political participation, this is often reliant on benevolent and honest owners, and that our democratic safeguards should not rest on the presumption of good will or honesty from technology giants?

[Sorcha Eastwood]

Absolutely, and that is a really timely point. We should not outsource our children’s safety to social media companies. Indeed, we heard in a previous statement about the impact of content moderation and how it may or not form part of discussions on trade agreements as we move forward.

When I sat in a room with all the social media companies, only one had heard of the Alex McCartney case. That tells us everything that we need to know about how seriously big tech takes child safety.

It should not take a TV show like “Adolescence” to make the Government wake up to what has been warping our society for years. The actions that they have taken so far have been inadequate. Meeting the creators of “Adolescence” was indeed welcome, but it is simply not enough. Commissioning more reviews, talking about cultural change, and tinkering at the edges will not fix the problem. We must speak to the platforms in the only language they understand: profit and loss. We know what drives this issue: algorithms, content recommendation systems and the financial interests of the big tech companies actively steer vulnerable young people towards ever more extreme content. This is not a side effect; it is their business model.

Fundamentally, this debate is about power: who holds it, who wields it, and in whose name are they acting? Right now, big tech billionaires and online extremists are working hand in hand, shaping our children and democracy, and warping our society. This Government have been too slow, too weak and too captured by vested interests to stop them. Figures like Andrew Tate have built empires by manipulating young men into their worlds of violent misogyny, lies and conspiracy. Tate has ingratiated himself with Donald Trump and Elon Musk, but does he care about men? Not a bit—he exploits them. This is not just an individual person behaving irresponsibly; it is a co-ordinated machine trying to drown out critical voices, spread misinformation and undermine public debate.

Let us be honest: agitators and bullies like the Tate brothers have always existed. What has changed are the tools and the platforms that they have at their disposal, which give them access to young people in particular. Let us be clear: their reach is not accidental. Andrew Tate is amplified, promoted and monetised by the same platforms that claim to be unable to regulate online harm. This is not just about free speech; it is about radicalisation and control. Powerful malign actors—some overseas, and some home grown—are exploiting our young people and our political system for profit. Social media platforms are not neutral: they push extremist content deliberately, algorithmically and at scale.