Bayeux Tapestry Exhibition

Kieran Mullan Excerpts

Wednesday 25th February 2026 Commons Chamber

[Dr Kieran Mullan (Bexhill and Battle) (Con)]

I congratulate the hon. Member for Hastings and Rye (Helena Dollimore) on securing the debate. For those—perhaps our constituents—who do not know the etiquette of the House, an Adjournment debate is typically a debate for a single Member, so it is gracious of her to make time for me to speak briefly in this debate on something that we have worked on together. I want to thank her for the work that she has done to date.

When we talk about the Bayeux tapestry, we are talking about history that is deeply interwoven in the culture and history of my constituency of Bexhill and Battle. William landed in Pevensey, which is in the west of the constituency. People can visit the ruins of Pevensey castle there, and we have a museum in Pevensey that exhibits the important local history from that perspective. Almost pinpointing the middle of my constituency is Battle abbey, which is perhaps the biggest tourist attraction in my constituency and is visited by thousands of people every year. It was built by William as penance for the bloodshed and violence that local people had experienced as part of the battle of Hastings. As the hon. Member indicated, there is some dispute about whether the battle took place there. As the Member for Bexhill and Battle, I will plant my flag firmly on the argument that it took place where Battle abbey is built. Every year there is a re-enactment of the battle, which is increasingly popular. It had one of its best ever years last year, and it is a major tourist attraction.

Both the ruins of Pevensey castle and Battle abbey are important English Heritage sites. I thank them for meeting me recently to talk about the opportunities that the Bayeux tapestry presents and for all the work they do all year round on those sites and other important historical sites in my constituency.

The hon. Member for Hastings and Rye did an excellent job of going into the detail of all the different things that we want to gain from the exhibit visiting the UK, so I will just re-emphasise a couple of really important points. Of course, the exhibition will benefit many different places, but we should expect the greatest attention and effort to be put into 1066 country to ensure its success.

First, we must ensure that the benefits of the visit are felt outside London. As the hon. Lady said, the visit is being organised by the British Museum, so while it is important that London gets its share of the tourism spend that will come with the tapestry’s visit, that spend is vitally needed in our constituencies. The British Museum and other organisations must set up a clear programme to ensure that visits to the tapestry secure visits to our constituencies, and vice versa, so that people who would normally have just visited the historical sites in 1066 country will be encouraged to visit the exhibition of the tapestry.

Secondly, how often do schoolchildren get to feel that their local history is as important as this? The tapestry is a major exhibit and its visit is a major historical event, so it is really important that local schoolchildren get to visit the tapestry, and that the exhibition is made affordable and accessible to them. There will be opportunities for schoolchildren from across the country to visit the exhibition, but let us ensure that the programme is really supportive of our local schoolchildren.

To finish, I will mention a fantastic community project, the La Mora tapestry project, that demonstrates that our history is an ongoing part of our local culture, not something newly discovered. Christina Greene and her team are replicating elements of the tapestry that relate to the La Mora, the ship in which William sailed. For some time now, residents in my constituency have been able to visit Battle library and take time to carefully stitch parts of the replica tapestry, under the watchful eye of Christina, who ensures they are using the right techniques. They have done an amazing job researching wools, so the wools that they use are the same or as close as we can get to the wools that were originally used. Even more incredibly, she noticed, as I am sure other historians will have done, the absence of the female voice in the historical documents, including the tapestry, which tells a very male-centric story. William’s wife, the queen, is thought to be a major player and to have helped to commission the boat, so new bits of the story are being added to the tapestry that focus on her role, which is great for the schoolgirls who come to take part in the sewing of the tapestry.

The tapestry is already part of our history locally, and we make day-to-day use of it culturally and historically. Let us ensure that the Bayeux tapestry’s visit helps to weave some new stories, projects and ideas. It is great opportunity to do that. I really want the Government to work with the British Museum, which is co-operating and with which we are having more productive discussions, but the efforts of the Minister to keep that all on track would be greatly appreciated.