Leaving the EU: Tourism and the Creative Industries

Kevin Brennan Excerpts

Tuesday 17th April 2018 Westminster Hall

[Kevin Brennan (Cardiff West) (Lab)]

I apologise to the Minister and the House, but because the SNP spokesperson spoke for 11 minutes that leaves only 16 minutes before the Division, two of which must be devoted to the person who secured the debate, so it looks as though we will have to come back after the vote.

I congratulate the hon. Member for Edinburgh West (Christine Jardine) on securing today’s debate. She rightly pointed out the huge workforce challenges that Brexit presents to the creative industries and tourism and she made important points about musicians and the need for a single EU work permit. I also congratulate the right hon. Member for Wantage (Mr Vaizey) who in his characteristically self-deprecatory, tongue-in-cheek speech made some serious points about the importance of the creative industries. Quite rightly, he spoke about the film tax relief in which he played a big part, as well as the importance of protecting the single digital market post-Brexit. I look forward to hearing what the Minister has to say about that.

I also congratulate my hon. Friend—I shall call him that—the Member for Perth and North Perthshire (Pete Wishart). He described tourism and the creative industries as sitting awkwardly together. I rarely disagree with him, but I do on that point because much tourism is driven by culture and our creative industries, including the music industry, which he knows well, theatre and television. In my constituency of Cardiff West, the production of programmes such as “Doctor Who” and “Sherlock” has drawn tourism into the area. I recently visited Belfast and saw the “Game of Thrones” studios, and although I cannot tell Members anything about the studios because I had to sign a non-disclosure agreement, I can say that they have brought many visitors into Northern Ireland.

The hon. Member for Perth and North Perthshire also rightly pointed out that the creative industries are the fastest growing sector of our economy, and he made a startling revelation. I have always wondered what makes him cry, and we now know it is Brexit that makes him weep when he is alone at home. He made a substantial case for our creative industries and rightly mentioned UK Music, ably led by its chief executive Michael Dugher, and the Musicians Union, under Horace Trubridge’s new leadership. He was rudely interrupted—or intervened on—by my hon. Friend the Member for Bristol East (Kerry McCarthy), who continued her vendetta against Coldplay. I think she should remember that many people are employed in our creative industries as a result of Coldplay’s success and be careful not to tarnish one of our strongest performing bands, lest she cause unemployment in those industries.

The hon. Member for Banff and Buchan (David Duguid), who, as he pointed out, has recently been super-subbing in MP4 on television, told us about his constituency, with its golf and its beautiful coastline and how it is the home of the white billed diver. His description made it sound like the garden of Eden, but if “Whisky Galore” was filmed there, it might also have been the place where they invented original sin. I congratulate him on a very good speech and on making the point about VAT—although, as was pointed out to him, that is actually within the gift of the Government, whether or not we are a member of the European Union.

My hon. Friend the Member for Islwyn (Chris Evans) mentioned the Blackwood Miners’ Institute—I was there with him at the Manic Street Preachers homecoming gig a few years ago—and made some very important points about freedom of movement and about arts and the creative industries. It is important not to make a distinction between the subsidised arts and the creative industries. One of the strengths of what has happened in recent years is that those two things have been brought together into one viewpoint. The film industry receives tax credits, as the right hon. Member for Wantage pointed out, and yes, some of our theatres receive subsidies via the Arts Council, but they are all part of the same ecology that produces our fantastic creative industries and makes us a world leader in music, theatre, film and so on. The right hon. Gentleman also made the very important point about ensuring that the Creative Industries Council has workforce representation on it, which I have been campaigning for from the Front Bench for some time. The Government said that once they had published their creative industries strategy they would encourage the Creative Industries Council to have that representation, and I hope to hear from the Minister what he now intends to do about that.

I will respond to the debate more broadly by saying that the creative industries obviously face a real challenge from Brexit, as does the tourism industry. Like many in this room, I voted remain—unlike you, Mr Bone.

[Mr Peter Bone (in the Chair)]

Order. The hon. Gentleman knows that when I sit in this Chair, I have no views about anything other than about keeping him in order.

[Kevin Brennan]

And if you believe that, Mr Bone, you are an impartial Chair at all times. I completely accept that.

I also voted against triggering article 50, partly because of the huge challenges it presents to our creative industries. Just recently I met with a major broadcaster which, because of the loss of the status of licensing across the European Union single market, is moving 700 jobs out of the UK, to Amsterdam, Luxembourg or Dublin. It has already decided to do that because it needs to be sure that if it is licensed in one country it is licensed right across the European Union.

Since 2007, according to the Government’s own figures in an answer from the Minister, the creative industries sector has received something in the realm of £190 million in European Union funding from the European regional development fund alone, most of which has been spent in the nations and regions of the UK, including about £60 million in Yorkshire. That is much more redistributive spending on the creative industries and the arts sector that we often find from other sources of funding. Local authorities have suffered huge disproportionate cuts in the arts and in tourism. In tourism, the biggest cuts have been in local authorities, with more than 50% of cuts in tourism employees since 2009 being in local authorities. That is a huge issue.

My critique of the Government is that their recently announced sector deal for the creative industries is insufficient. They claim that it amounted to a £150-million package, but only £25 million or so is not money that has previously been announced. That is not the scale of ambition required. Also, announcements have been made recently about continuing with funding in relation to the music and dance scheme, the dance and drama awards, cultural programmes and so on, but none of that money is genuinely new either—it is just a continuation of what is already happening. The Government need to step up with greater ambition, along the lines of the Bazalgette report that was released last year. They need to do more on the workforce, on free movement, on skills and on freelancers. Lots of people working in the creative industries are freelancers; how about getting hold of the Bill that has been introduced by my hon. Friend the Member for Batley and Spen (Tracy Brabin) to give freelancers shared parental leave? That is a great campaign. The Government have said that they are reviewing that, and I urge the Minister to think more about it and talk with his colleagues, in order to make it a reality. The Government could do more by having a cultural capital fund, as the Labour party promised in our manifesto. They could do lots more on all those sorts of issues.

On tourism, I will obviously say that Cardiff is the most beautiful part of the country and encourage right hon. and hon. Members to visit but, on a serious note, I have been travelling around the country to different tourist locations to talk to the industry about Brexit and the issues faced. The industry was unanimous in that devaluation is not the way forward as a policy on tourism. Britain will not become the most successful tourism sector it can be simply by relying on devaluing the pound and going for a cheap offer. We must ensure we have quality, and that includes investment in skills, in our cultural heritage and in the workforce.

It is also about time to look again at the idea of social tourism, which was so interestingly and ably promoted by an all-party parliamentary group back in 2011. Its report, called “Giving Britain a break: inquiry into the social and economic benefits of social tourism”, was about ensuring that we use up the spare capacity in our domestic tourism industry to help those families who most need a break. It would be good to see the Government introduce a social element in to their tourism policy, to ensure that families really benefit and our tourism industry benefits from being able to use up its spare capacity.

I do not want to take up much more time, because time is pressing. If we are going down this road to Brexit, a road that many of us in this particular debate do not seem to have supported, we must ensure that the Government show a great deal more ambition in relation to our creative industry and tourism sectors.