Cultural Objects (Protection from Seizure) Bill

Julie Marson Excerpts

Report stage
Friday 28th January 2022 Commons Chamber

[Julie Marson (Hertford and Stortford) (Con)]

I congratulate my right hon. Friend the Member for Central Devon (Mel Stride) on bringing forward the Bill. It is not just a London issue; many hon. Members who represent constituencies with historical links are appreciative of what we have in this country. For Hertford and Stortford—this is a link with covid—during the reign of Elizabeth I, this Parliament sat in Hertford castle. It moved there to escape the plague, so there is a link there, and we also have the amazing Great Bed of Ware, which resides in the Victoria and Albert Museum. It is one of its prime objects. Our cultural heritage is important to all of us, and all the people, and the constituencies that we represent.

I had no idea that my right hon. Friend was a Blue Badge guide. It is something I have always intended to do. I was honoured in 2018 to be one of the volunteers lighting candles in the moat of the Tower of London to commemorate the end of the first world war, and many of my fellow volunteers were Blue Badge guides, and it was very inspirational. I commend him on doing that; perhaps one day in the future I will join him.

I commend the importance of cultural objects, museums and galleries in this country. There are about 2,500 museums in the UK, and the UK’s tourist industry is worth about £75 billion. As my hon. Friend the Member for East Surrey (Claire Coutinho) said, it makes a hugely important financial and economic contribution to our economy. The ability to put on exhibitions with new material from overseas is an important way for museums and galleries not only to survive—we have seen how important that is over the past couple of years—but to thrive and continue to attract a wide range of audiences, including tourists, and from all across the country, too. The purpose is to educate, to inform and to widen people’s knowledge of history and culture.

[Anthony Browne]

My hon. Friend raised the importance of tourism to the economy, which is right. As she said, it is about £75 billion, and the measures in the Bill will clearly help promote tourism. As fellow members of the Treasury Committee, she and I have been looking at the economic progress over the past two years since the pandemic, and clearly the economy has done a lot better than most people predicted at the beginning. We have had progressive easing of travel restrictions—now there are virtually none. Does she agree that that, along with the measures in the Bill, will help promote tourism in the UK and help it bounce back from a difficult time?

[Julie Marson]

I absolutely agree with my hon. Friend. It is amazing how we are coming out of this pandemic with a lot of support from the Government to the cultural sector, but as we come out of this pandemic, galleries and museums will effectively be competing for business with all sorts of other attractions. The certainty offered by the Bill will enable museums across the world to lend to each other with confidence, and that can only help with the important task of getting our cultural sector back up and running and making that economic contribution to the country that it always has made, and we hope it will continue to grow.

I remember—vaguely—one of the first major cultural exhibitions, which was the Tutankhamun exhibition in 1972. It began the phenomenon of great big blockbuster exhibitions, and from then they have gone from strength to strength. I think there were 1.6 million visitors to that exhibition. There were pictures of people queueing around the corner of the British Museum. That was what sparked this whole thing, and it is a vital part of the business model of museums and galleries. Exhibitions attract tourists and visitors, increase the cultural importance of institutions, attract sales in gift shops and so on—an important part of the business model—and they attract sponsors.

The impact of large exhibitions cannot be underestimated, and their contribution goes beyond money: they are extremely important to inclusivity in the cultural sector. Many people in this country cannot afford to go abroad to see important artefacts, so to bring them to this country could and should be seen as part of the Government’s levelling-up agenda, by enabling everybody to see them. Many museums and galleries are free; sometimes people have to pay for the exhibitions, but it is about the accessibility to things that people, particularly young people, could not otherwise see.

We have seen some fascinating exhibitions focusing on LGBT history and culture, and they are not exclusive. We had an amazing David Bowie exhibition a few years ago, which was hugely popular—I think one of the most popular in the past 20 years. Exhibitions are not exclusive; they are very inclusive. If people want to see indigenous Australian art or African art, those are important things that can be achieved only with the security this Bill helps to provide.

[Chris Clarkson (Heywood and Middleton) (Con)]

My hon. Friend makes an excellent point about this being part of the levelling-up agenda. Does she also agree that it is a pretty powerful symbol of global Britain?

--- Later in debate ---

[Julie Marson]

Thank you, Mr Speaker. I will say briefly to my hon. Friend that I agree, and move quickly on. In fact I will close here, because I am aware that others want to speak, but I emphasise that in so many different areas—financial, cultural and practical—this Bill goes a long way towards helping to secure all those benefits with more certainty than in the past.