Oral Answers to Questions

Debate between Julia Lopez and Baroness Keeley

Thursday 23rd May 2024 Commons Chamber

[Barbara Keeley (Worsley and Eccles South) (Lab)]

The Guardian reports that, as a result of the Conservative Government’s Brexit deal, the costs of touring in the EU are now so high that 74% fewer UK bands are now touring there. The UK touring scene is all the more valuable for musicians and bands now, but opportunities to perform here are being lost, as music venues and festivals are forced to close due to rocketing operational costs. Does the Secretary of State see just how the Government have failed the music industry? Is it not time for a Labour Government, who will support our excellent musicians, our venues and our festivals?

[Julia Lopez]

I appreciate the hon. Member raising the concerns of the music industry because we, too, very much want to support it. When I first joined the Department, the industry was very vocal about some of the challenges of touring, and we methodically worked through those challenges to make sure that some of them were eased. We have also supported grassroots venues. However, I often wonder whether, when Labour Members raise these points in the Chamber, they do not have an ulterior motive. I am keen to see whether they will put in their own local manifestos their desire to rejoin the European Union.

Oral Answers to Questions

Debate between Julia Lopez and Baroness Keeley

Thursday 27th April 2023 Commons Chamber

[Mr Speaker]

I call the shadow Minister.

[Barbara Keeley (Worsley and Eccles South) (Lab)]

Despite the Minister’s comments, the truth is that the Home Office failed to issue visas on time to five Ukrainian musicians from the Khmelnitsky orchestra, which was due to perform in the UK. That was despite promoting the concerts on a UK Government website as an example of British-Ukrainian relations. The difficulties have cost that orchestra tens of thousands of pounds. It is important to the war effort in Ukraine that such classical music ensembles can perform here, and this incident has done damage to the UK’s international cultural reputation. Can the Minister tell us what action she can take, working with the Home Office, to avoid such damaging incidents happening again with Ukrainian musicians. A number of orchestras are preparing to tour, and we do not want to leave them high and dry like the Khmelnitsky orchestra.

[Julia Lopez]

I do not think that anybody in this House should be in any doubt about the Government’s wide-ranging support for Ukraine and its people, across the cultural sphere, into defence, and through other huge forms of co-operation. Obviously, what happened with that orchestra is regrettable, but once the musicians had produced all the information that was required, their visas were fast-tracked and they were able to perform in the UK. If there are ongoing issues with the Home Office that we need to resolve, we shall engage carefully with our colleagues, but I think the hon. Lady’s characterisation of the situation is grossly unfair.

[Barbara Keeley]

Besides making it hard for touring musicians to enter the UK, the funding cuts affecting classical music and opera are leading to Britain not being attractive to musicians for training or performing. Last Sunday, Sir Simon Rattle denounced the funding decisions of the BBC and Arts Council England, saying:

“When the two largest supporters of classical music in this country cut away at the flesh of our culture…it means that the direction of travel has become deeply alarming.”

All these problems, from visas to funding cuts, now pose a fundamental threat to the future role of our world-leading classical musicians. What future do Ministers see for classical music in this country?

[Julia Lopez]

I thank the hon. Lady for raising Sir Simon Rattle’s comments—obviously, he is a tremendously valued performer in this country. But again, she paints an absurdly bleak picture of classical music in this country. It is tremendously valued by this Government and by the people we represent. Obviously, there is an issue with the approach to the BBC Singers and BBC English orchestras, and we are very glad that the BBC has paused its decision on that matter. This Government have put forward a tax relief for the orchestras, which has been extended. Arts Council England is run by somebody who used to run Classic FM. It has given huge amounts of money to orchestras. We are now funding 23 orchestral organisations, up from 19 last year. We are putting forward a music education plan. We have a whole range of interventions to support classical music in this country, so I fundamentally disagree with the way the hon. Lady tries to characterise the Government’s tremendous support for orchestras.

Oral Answers to Questions

Debate between Julia Lopez and Baroness Keeley

Thursday 24th March 2022 Commons Chamber

[Julia Lopez]

That is not the message that I have heard, but I will be meeting UK Music representatives on Monday; if they share the concerns that the hon. Lady has just expressed, I will be happy to discuss those with them. The Secretary of State and I continue to do a lot of work with ministerial counterparts in other countries and across the Government on this issue. We are alive to the sector’s concerns.

[Barbara Keeley (Worsley and Eccles South) (Lab)]

In an astonishing admission, Lord Frost, the Government’s former Brexit negotiator, recently said of musicians touring to the EU:

“There is a whole set of problems here that is making life difficult on both sides”.

Big problems include the road haulage limits, which mean that UK-based vehicles cannot make more than two laden stops in the EU, which adds a £30,000 cost to each tour. Cabotage limits can add up to £16,000 a day. Those are substantial burdens, and most tours of UK orchestras are to Europe: such tours represent 12% of their earned income. Lord Frost now believes that the Government should change and move to a more pragmatic position to ease touring. Does the Minister agree?

[Julia Lopez]

I thank the hon. Lady for her interest in this issue. The Department for Digital, Culture, Media and Sport is not responsible for the overall negotiating position, but as I say we have been in close discussions with other Departments. We have made progress on some of the specific issues raised with us, such as splitter vans, and we have also provided a lot of support to the wider events sector. We have made sure that carnets will not be required and we have been doing a whole bunch of other stuff.

As I said, I am meeting UK Music representatives on Monday to discuss the remaining outstanding issues, but we have also had a number of conversations with EU member states. In the vast majority of those, people no longer require permits or visas to carry out this kind of work.