Jonathan Reynolds
Main Page: Jonathan Reynolds (Labour (Co-op) - Stalybridge and Hyde)(11 years, 4 months ago)
Commons ChamberRead Full debate Read Hansard Text
Jonathan Reynolds (Stalybridge and Hyde) (Lab/Co-op)
I would like to talk about the key ways in which our cultural institutions and the creative industries that feed off them are crucial to our economy, our standing abroad and the education of our children. I believe that nowhere provides a better example of the importance of these industries than Greater Manchester, in which my constituency lies.
The late Brian Redhead, editor of the Manchester Evening News and presenter on the “Today” programme, once said:
“Manchester…is the capital, in every sense, of the North of England, where the modern world was born. The people know their geography is without equal. Their history is their response to it”.
Greater Manchester’s history and its future are both inseparable from its culture. The same city that hosted the largest ever art exhibition anywhere in the world in 1857 is still the thriving cultural capital of northern England today—although I appreciate our neighbours to the west may dispute that at times.
More than 20,000 people are employed in cultural businesses in Greater Manchester, the city region containing the nation’s largest concentration, outside London, of jobs in the media and creative industries. Art and creativity are woven into our economic fortunes as much as they form our city’s culture.
The value of the arts, however, is more than just a crude measure of gross domestic product. Let me provide the example of the Cornerhouse, a contemporary arts centre and independent cinema in central Manchester, which is run by my constituent, Dave Moutrey. Alongside its contemporary visual art exhibitions and the 30 titles it screens each month by independent, international and avant-garde film and documentary makers, it is also a hub for budding creative talent. Through a programme known as “micro-commissions”, the Cornerhouse has helped 60 budding creatives to launch their artistic careers over the last three years, with small commissions for work that get them an audience and allow them to make their first step in the industry. It is institutions such as Cornerhouse that are important both economically and culturally—not just to our city, but to our country as a whole.
Andrew Gwynne
As part of a £25 million investment in the arts, the Cornerhouse is going to be located with the Library theatre on a new site at First street in the city centre. Is that not a real testament to Manchester’s investment in the arts and in particular to how much Manchester values the Cornerhouse?
Jonathan Reynolds
Absolutely. I am as delighted as my hon. Friend and, indeed, everyone in Greater Manchester is at this exciting development, which will ensure that this site, building and institution go from strength to strength.
Culture can attract people to an area—I know that, because as a shy, young 18- year-old, the crucial factor that led me to choose to study in Manchester over anywhere else was probably my deep love of the Stone Roses, and Manchester is also home, of course, to The Smiths, Oasis, Joy Division and New Order. I could go on, but I fear I would lose some of the more venerable Members of the House!
Kelvin Hopkins (Luton North) (Lab)
Would not my hon. Friend like to mention the Hallé orchestra as well?
Jonathan Reynolds
Absolutely, but I do not have time to mention all of Manchester’s cultural attractions and would probably get into substantial difficulty if I tried to fit them in.
According to research by YouGov, young people from other countries are substantially more likely to be interested in work and business opportunities in the UK if they have been exposed to British art or cultural activities in some way. Our culture reaches investors and overseas markets that our diplomats and trade envoys cannot, boosting trade and encouraging foreign investment.
There is an even greater example of Greater Manchester’s cultural wealth, which until yesterday seemed to be at risk of closure. I refer, of course, to our beloved Museum of Science and Industry—MOSI—and I echo the previous remarks about it. It is a huge, universally recognised success. With between 600,000 and 800,000 visitors each year and more than 100,000 school visitors, its popularity reflects its quality. Anyone who has never been there is losing out. It is a museum for anyone who is interested in our nation’s history—anyone fascinated by stories of the extraordinary people whose remarkable feats built the Britain we know today and forged a revolution that would shape the world. It is a place of learning, inspiration and pride in our city’s —and our nation’s—industrial revolutionary past.
My favourite section of the museum, the Cottonopolis exhibition, tells the story of the cotton industry. It contains many original pieces of equipment from the mills, but MOSI is not just about the past, as it is also about inspiration for the future. It inspires people to remember a time of invention and technological breakthrough and the tremendous social change that followed it—and, indeed, our response to it. Every recess, I take my daughter to MOSI, and I can see a spark of inspiration in her eyes. She loves it, and so do I, and the idea of closing it down is simply unconscionable. The soul of our city is wrapped up in that museum, so it is no surprise that 40,000 people have already signed a petition organised by the Manchester Evening News to save it from closure. I absolutely welcome what the Minister said yesterday, but for me there is still some uncertainty about those remarks. Will he specifically address the situation of the northern museums and assure us all that they are safe from closure?
Our cultural institutions are invaluable educational resources and powerful economic multipliers. We must not overlook the value of museums like MOSI in the difference they make to the education of our children and the inspiration they give to greatness. We must protect the cultural hubs in our regions—the museums, the galleries, the music venues—because they are the breeding grounds of the cultural icons who become global adverts for our country, its economy and the opportunities within it. They spark the imagination of our children, foster the talents of our creative people and capture the attention of the whole world. We must not allow those opportunities to wither on the vine.