Creative Industries

John Milne Excerpts

Monday 27th January 2025 Commons Chamber

[Max Wilkinson]

Of course. The Minister will not be surprised to hear that I will be moving on to that in a moment.

If, against the will of the creative industry, the Government are to proceed with an opt-out approach—I hope they do not—it seems logical that such an approach must come with strong safeguards, which may come in the form of automatic attribution, in order to identify the creative inspiration for any work that has been crawled and reproduced. However, more importantly, we need suitable levels of compensation to be automatically awarded. In short, if the big tech companies want default access to our creators’ work, they must expect the default to be that they pay for it. Tech firms will argue that an opt-in approach, or one that places the burden on them, would place us out of step with other nations, and I accept that that might be the case. However, let us look at it from another perspective. Is the suggestion that we might give our creative industry more respect really such a terrible idea? I do not think so. Given the widespread threat to the UK’s creative industries from this and other economic circumstances, I would suggest not.

Having touched on AI, I will now address a few other subjects more briefly. First, I turn to the unfashionable topic of Brexit. The previous Conservative Government’s disastrous Brexit deal excluded artistic provisions, and the effect of that is reflected in a shocking statistic: between 2017 and 2023, we suffered a 23% drop in the number of British artists touring the EU. The Liberal Democrats backed free and simple short-term travel arrangements for UK artists to perform in the European Union.

Secondly, I turn to education. It is well known that changes to policy in the past decade or so have diminished arts education in state schools, with more than 40% of schools now no longer entering students for GCSE music or drama, and almost 90% not offering GCSE dance. Universities are also scaling back their arts offerings. The Liberal Democrats would restore arts subjects to the core of the curriculum, ensuring that every child has the opportunity to study music, dance, drama and the visual arts.

Finally, I turn to local government. Local councils are historically the single biggest funders of culture in their areas, but their spending powers have been much reduced. There is a risk that as part of the devolution process, and as local government reorganisation happens, additional pressure will be placed on social care and children’s services. Although those things need attention, we must not allow the arts to be forced further to the fringes of public spending debates.

[John Milne (Horsham) (LD)]

On the funding of local arts and theatres, my constituency has a wonderful local theatre called The Capitol, which is owned and managed by the district council. However, our council is likely to be merged with some debt-laden neighbouring councils, with some of the responsibilities my hon. Friend has outlined, and that poses a severe threat to the theatre’s long-term survival. Does he agree that the Government need to look at inventive ways to reverse the decline in local funding? One option would be to emulate France’s patronage law, which provides for 60% tax relief on donations to art organisations.

[Max Wilkinson]

That sounds like a good idea. I think there are some really logical ways we could do this by ringfencing some assets for local value—attaching them to car parks, which are already producing revenue in local areas. There are creative ways that different local areas could do that. However, it is a concern, and I do not think that discussion on this matter has been had as part of the discussion on devolution and local government reorganisation.