Arts and Creative Industries Debate

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Arts and Creative Industries

John Leech Excerpts
Wednesday 19th June 2013

(11 years, 5 months ago)

Commons Chamber
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John Leech Portrait Mr John Leech (Manchester, Withington) (LD)
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I am grateful for the opportunity to take part in this debate. The arts and creative industries are one of the UK’s biggest success stories, outperforming most of our more traditional sectors of the economy and exporting talent across the globe. They are one of the main reasons why the UK is a prime destination of choice for so many foreign travellers. Unfortunately, we do not often get the opportunity to talk about its successes or to debate some of the potential challenges ahead, which is why I welcome this opportunity.

There is little doubt that the subject of this Opposition day debate was chosen in the light of questions being raised about the future of some of our finest museums in the north—in Manchester, Bradford and York—but the unequivocal response from the Minister that the museums are not going to close, and the tough negotiations by the Secretary of State, which have resulted in a much better settlement for our museums, have rather ruined the Opposition’s opportunity to criticise the Government. This has resulted in a fairly benign motion, which the Government could quite easily have agreed to, and I certainly agree with the comments of the Chair of my Select Committee, my hon. Friend the Member for Maldon (Mr Whittingdale).

The arts and creative industries are vital to communities and the economy throughout the country, and we must nurture the next generation of talent if we are to continue to grow. The need to do that was highlighted in the report of Ian Livingstone and Alex Hope, whom the Minister commissioned in 2010 to review the skills needs of the UK’s video games and visual effects industries and to make practical recommendations as to how they can be met.

The UK had slipped from third to sixth in the global development ranking, and there was a clear recognition that more needed to be done, so I am a little disappointed that the Government did not simply accept the motion, but political rules tend to dictate that Oppositions always oppose Governments—we have had a fair bit of that over the past three years—and Governments always reject anything put forward by Oppositions. I suppose it could be argued that the Opposition’s motion questions the leadership of the Department, but I want to put on record my support for the ministerial team in recognising the importance of the creative industries and for the Secretary of State’s determined negotiations with the Treasury to put in place funding that will secure the future of our museums.

Baroness Keeley Portrait Barbara Keeley
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The hon. Gentleman has been a supporter of the Museum of Science Industry in the past, although judging by the tone of his speech, that might be changing. Will he comment on the point made by my hon. Friend the Member for York Central (Hugh Bayley) about the structural deficit that is building up because of the cuts, which will reach 20% even with just the 5% cut now? Is he concerned that even if there is only a 5% cut, our museum—MOSI—will still have a fight on its hands to maintain the extensive number of buildings?

John Leech Portrait Mr Leech
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If the hon. Lady gives me a little more time, I will talk about that.

The Department has protected the future of our museums at a time when it would have been far easier for the Government to have cut deeper into the DCMS budget, so I will certainly be supporting the amendment.

Concerns had been raised that museums in Manchester, York and Bradford were under threat of closure. Ian Blatchford, head of the Science Museum Group, warned about the possible need to close one or more of the museums in the north if the spending review resulted in a 10% cut in the budget, or at least to start charging to make up the predicted increase in the deficit from £2 million to £6 million. That resulted in huge campaigns to protect our museums, including the Save MOSI campaign led by the Manchester Evening News, which received over 30,000 signatures in the first 24 hours.

It is always difficult to gauge how real a threat of closure there actually was, but the Department could not have been clearer in showing its commitment to our national museums in the north, and in fighting its corner in budget negotiations. We must recognise, however, that there is still a lot of work to do to ensure that museums are put on a secure financial footing for the long term.

What I am certain about is that we must not go down the road of charging for entry. The previous Government should be applauded for ending charging at state-funded museums in 2001. In Manchester that resulted in an increase in patronage from 288,000 in the last 12 months of charging to over 833,000 last year. MOSI is Manchester’s No. 1 attraction, but it is more than that: it is a science and industry museum located at the heart of the industrial revolution, and it is a destination for learning. Most children across Greater Manchester will visit the museum at some point in their school career.

Overall, there were 5 million visitors to the group’s four museums in the last 12 months. Even with the “doomsday” scenario mooted by Ian Blatchford, that means the SMG would need to generate only £1.20 extra from visitors coming through the doors to wipe out the £6 million deficit.

Charging an entry fee is not the answer. We know what charging does to visitor numbers. Currently eight of the top 10 UK visitor attractions are free DCMS-sponsored national museums, and there are about 18 million annual visits to museums and galleries that used to charge an entrance fee. It would also have an impact on foreign tourism. According to VisitBritain, Britain’s major museums and galleries earn the country £1 billion a year in revenue from overseas tourists. A recent report on Britain’s culture and heritage showed that museums and galleries are a key motivator for many international visitors to Britain, with free world-class national museums and art galleries a particular draw. Given the importance of the tourism industry to the UK economy, charging must be ruled out.

The Culture, Media and Sport Committee intends to carry out an inquiry on the future and funding of the national museums. The two Front-Bench teams could do worse than to follow the example set by the Committee, as the hon. Members for Shipley (Philip Davies) and for Bradford South (Mr Sutcliffe) and I all supported having an inquiry into how we could secure the future of our museums. We took a proper cross-party approach. Rather than playing party politics, the Committee will take a proper look at ways in which additional sources of income can be found, at a time when state funding will, obviously, remain under pressure for years to come.

The Opposition motion also rightly recognises the importance of the creative industries to the economy; they make up in excess of 7% of the economy and continue to show strong growth at a time when many sectors have stagnated or retracted. One great example is the UK games development sector, which is the largest in Europe. However, there has been disagreement recently on whether or not high-tech creative companies, such as those in the games industry, should be included in the measurement of the creative industries.