City of Culture 2021: Swansea Bid

Jo Stevens Excerpts

Tuesday 5th December 2017 Westminster Hall

[Chris Davies]

I thank the hon. Gentleman for that intervention; I am sure the Minister hears the cross-border, cross-country support for Swansea’s bid. I am sure that will weigh heavily on his decision.

[Jo Stevens (Cardiff Central) (Lab)]

I make a confession: although I represent Cardiff Central, I am actually a Jack—I was born in Swansea. I congratulate the hon. Gentleman on bringing the debate and join him in hoping that Swansea is successful on Thursday. Not only would that bring benefits to Swansea, but a lot of the people travelling to Swansea to see the city of culture will travel through Cardiff.

[Chris Davies]

We are honoured by the hon. Lady’s making such a confession in this Chamber. She should be truly praised for it.

We have heard of the history and the geography of Swansea, but what of the culture? Some examples of cultural initiatives run by Swansea include hosting the British Science Festival; the International Dylan Thomas Prize; an artist-led regeneration of the high street; a range of arts and literature festivals; and the work of theatre companies at large. One of Swansea’s most famous sons is, of course, Dylan Thomas, who was born in the city and who based much of his early work on his experience growing up there. Do Not Go Gentle is a new fringe festival in the Uplands area of the city, where Dylan Thomas was born and lived for many years.

The Swansea Grand Theatre is the largest in the region, hosting many west end productions. Several independent theatre companies are also based there. In the summer, outdoor Shakespearean performances are a regular feature at Oystermouth castle—I know the hon. Member for Swansea East (Carolyn Harris) is a regular attender of those—and Singleton Park is the venue for a number of parties and concerts, from dance music to the outdoor BBC Proms in the Park.

In addition, Swansea hosts an international jazz festival every summer and an international arts festival in the autumn, where international orchestras and soloists perform in unusual venues, such as empty department stores, as well as Brangwyn Hall—a concert venue in Swansea praised for its acoustics for recitals, orchestral pieces and chamber music alike, not to mention its collection of the Brangwyn paintings. As a young man, prior to becoming a Member of Parliament, I sang there as a chorister. I am sure Opposition Members are terribly sorry they missed that, but I am sure the recordings are available at supermarkets near them.

Standing near Victoria Park on the coast road is the Patti Pavilion, which is used as a venue to stage live music and events and is named after the great Victorian opera singer, Dame Adelina Patti, who built her home at Craig-y-Nos in the upper Swansea valley, at the bottom of my Brecon and Radnorshire constituency. There are also many independent galleries and artist studios, such as the recently expanded Glynn Vivian Art Gallery—a regional partner to the Tate—as well as a large number of live music venues.

The Liberty stadium is home to Wales’s only premier league football club—it is lucky for the hon. Member for Cardiff Central that she made that confession earlier.

[Jo Stevens]

I would not place too much emphasis on that, bearing in mind that Swansea City are currently bottom of the premier league and Cardiff City are second in the championship.

[Chris Davies]

Just as we are only partway through the Brexit negotiations, we are only partway through the football season, so let us see what happens.

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[Geraint Davies (Swansea West) (Lab/Co-op)]

It is a great pleasure to follow my friends, my hon. Friends the Members for Gower (Tonia Antoniazzi) and for Swansea East (Carolyn Harris), and of course the hon. Member for Brecon and Radnorshire (Chris Davies). I am so glad we have come together as a team across Wales, having agreed at a reception that I convened to collectively put in this bid. Everyone in the room is so strongly in support of a successful bid for Wales and in particular for Swansea and the Swansea bay city region.

We have heard today a glowing history of where Swansea has come from, including its industrial history in relation to copper—it was known as Copperopolis—and coal, and the problems that we faced during the blitz. We were brought through industrial turmoil and change to where we are today, confronting a new era of challenges with Brexit and regional poverty and deprivation in the context of Europe. Of course, Swansea has a very rich history of culture, which has been echoed in the speeches today, in particular by my hon. Friend the Member for Swansea East, and a rich natural beauty.

My own family have been in Swansea for five generations, and during that time we have seen a continuance of unity, creativity and resilience, alongside change. It is a changing community, but we still have a lasting identity. As has been said, we are the only Welsh city that has been put forward for the title, and we feel a great responsibility in holding the mantle for Wales: the language, the songs, the poetry and the nationhood. We feel proud to be coming forward.

Many of the famous stars of Swansea have been mentioned. In the context of the Swansea bay city region overall, we think of people such as Anthony Hopkins, Michael Sheen, Catherine Zeta-Jones and Katherine Jenkins, and of course Dylan Thomas is our most famous son, an international brand name that is known across the world. Indeed, Swansea itself is a global brand name thanks to our footballing success. There is a connectivity between the poetry and culture and the international branding. UK city of culture is also a very strong brand and would be another very important way of bringing vital inward investment to communities that are in many senses struggling.

My hon. Friend the Member for Gower mentioned our world-class coastline. In fact, Gower was the first area to be named an area of outstanding natural beauty in Britain, and it remains as she described.

Swansea is a community of communities, interlinked and interwoven, working together for the common good. That is one reason that Swansea’s theme for the bid is “Every Wave has a Voice”. The proposition is basically that we are all individuals, but working collectively we have a louder voice, and we will pull together, in harmony, for the good of all, particularly in difficult times.

We have a lot going for us. The Glynn Vivian Art Gallery has just been refurbished. The Taliesin Arts Centre puts on stuff. There is also the Grand Theatre. Of course, we have the Liberty stadium, which hosts great sporting events but is also a music venue. With the university, both the Bay campus in Aberavon and the Singleton Park campus, there is an opportunity to host cultural events. With our venues and communications, we have the means to be a first-class city of culture. We have the National Waterfront Museum, which is also a great place to host art.

[Jo Stevens]

My hon. Friend mentioned music. UK Music’s most recent figures show that music tourism results in a direct spend in the whole of Wales of £95 million a year. Much of that will be spent in Swansea. Does he agree that our passion for music in Wales and in Swansea is an integral part of the city of culture bid?

[Geraint Davies]

Yes. I am very pleased to hear that intervention. Music is at the heart of all Welsh people, across Wales, and in Swansea it is a vital part of our identity. I mentioned the Liberty stadium, where there have been various big concerts. Music is a vital part of our attraction for tourists. Again, we need to invest in the cultural infrastructure to amplify the voices of the local people and give them opportunities in culture and the arts.

The Minister will know from his own experience and office how important tourism and culture are to exports and, as my hon. Friend the Member for Cardiff Central (Jo Stevens) has just said, how important music is. The music industry relies more these days on audiences rather than direct sales of records, as they used to be called, or even downloads. I am referring to live music, amplified, and we certainly want to be given opportunities to host that.

The Welsh language has of course been raised. We are very proud of our Welsh language, and the Government are supportive of it. Again, we would want to use the city of culture title as a way of amplifying and sharing more widely the diversity of the languages within the UK. We are moving forward into slightly unknown territory because of globalisation, and people are also looking back at their own identity. This is an important moment for Welsh history, and we hope that we can take this crown.

In Swansea, we face real challenges in relation to poverty. People living within a mile of one another might have a difference in average life expectancy of seven years. The Swansea bay city region of west Wales is regarded as one of the poorest parts of Europe. That is why we are beneficiaries of convergence funding, which we will no longer attract. It has been mentioned that in the case of Hull, something like £1 billion was generated through the magnet of tourism attractions and activity. We have a lot to offer, whether it is the football, the Ospreys, the music, the language or just the general friendliness and warmth of the people of Swansea. There is a community of restaurants and there are opportunities to go around the more than 100-year-old city centre market, whose fresh products go through our restaurants. That provides a new offering to visitors.

My hon. Friend the Member for Swansea East mentioned the lagoon. We have great support locally for our lagoon. Basically, the project involves green electricity from tidal energy, and we continue to press the Government on that. Again, we hope that, if successful—it was given the thumbs-up by the Hendry review—it would itself be a tourist attraction that would help us rise to the challenge of being the UK city of culture.

We have hopes for the electrification of the railways, alongside a Swansea bay city metro, which together would reduce the journey time from Cardiff to Swansea from an hour to half an hour, making the opportunities for visitors much greater. Of course, if we were the city of culture, there would be mutual benefit. The business case for electrification and the Swansea metro has been cast into doubt by the Government. They have been asking about the journey times and the level of demand: “What is the business case?” We are now saying that if we combine the half-hour reduction in journey time with the city deal that is coming forward and the extra investment for new jobs, and if on top of that we had the city of culture title, there would be an overwhelming case for electrification. The reduced journey time would multiply through, as my hon. Friend the Member for Aberavon (Stephen Kinnock) said, and give extra bonuses to an area that has been hit by difficult times.

We can look at the changes in social security. That might involve universal credit or a trimming down of public expenditure. It might be the bedroom tax. All these things have a disproportionate impact on Swansea bay and Swansea. The community wants the tools to succeed, and it is very much a cultural city, which would look to take full advantage of what could be a £1 billion investment.

We hope to attract more and more international visitors as well. The expansion of the university has enabled many more international friendships to emerge. We hope to use the university investment alongside the cultural investment to attract more tourism income, which would have a halo effect right across Wales and the UK.

I will not go on much longer, Mr Wilson; I know that other hon. Members are keen to speak. I will just say that the voices that we hear from Swansea are rich in terms of diversity—there are various communities and people have different nationalities, of course—and art, music and industry. The keenness to combine the cultural contribution and the economic contribution to provide a stronger, fairer future for Swansea is embedded in the proposition that “Every Wave has a Voice”. As the city of culture, we would help to ensure that those voices were heard.

Finally, as has been mentioned, Londonderry in Northern Ireland had great success as a city of culture; in Scotland, Glasgow is the European city of culture; and most recently, in England, Hull has been a city of culture, so we feel it is time for Wales to receive the crown. Who could be a more fitting successor than Swansea, the queen of Welsh hearts?

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[John Glen]

I thank the hon. Gentleman for his intervention. The independent panel will be looking at a whole variety of factors. It will be looking at what advantages, and the extent of those advantages, the different bids are likely to accrue to their given cities, and the economic advantage will be one of the elements that they will look at very carefully.

As with the other debates, I thought it would be helpful to set out the benefits of the city of culture. Speaking of Hull, it is helpful to reflect in this debate on how much is to be gained from winning the UK city of culture title. Hull City Council estimates that the local economy has benefited from £3.3 billion in total investment since being awarded the title in 2013. Seven out of 10 Hull residents say that the UK city of culture status is having a positive effect on their lives. As I have mentioned in previous debates, Hull 2017’s volunteers have already undertaken more than 300,000 volunteer hours. City of culture status has helped to restore local pride, and who can forget Hull City’s fans singing, “You’re only here for the culture!” at a premier league match earlier this year? Ironically, I think they were playing Swansea at the time.

[Jo Stevens]

Although this is just an anecdote, does the Minister think it represents Hull? I remember going to a Cardiff City match against Hull where the Hull fans had a big banner saying, “Ghetto of excellence.” I think they can lose the “ghetto” bit now, after city of culture.

[John Glen]

The hon. Lady makes a fine point. Hull has seen brilliant engagement with the arts.