Asked by: Ian Byrne (Independent - Liverpool West Derby)
Question to the Department for Digital, Culture, Media & Sport:
To ask the Secretary of State for Culture, Media and Sport, what recent assessment her Department has made of the potential impact of dynamic pricing on the accessibility of music gigs.
Answered by Chris Bryant - Minister of State (Department for Culture, Media and Sport)
We will soon launch a call for evidence on pricing practices for live events tickets, which will include dynamic pricing, alongside a consultation on new protections for consumers on the resale of tickets.
Asked by: Ian Byrne (Independent - Liverpool West Derby)
Question to the Department for Digital, Culture, Media & Sport:
To ask the Secretary of State for Culture, Media and Sport, if she will have discussions with the Football Association (FA) on the potential impact of ending FA Cup replays on non-Premier League teams.
Answered by Stuart Andrew - Shadow Secretary of State for Culture, Media and Sport
David and Goliath fixtures are part of the magic of the FA Cup. They are also important for the finances of smaller clubs. While this is ultimately a matter for the football authorities, we expect the FA and Premier League to consult with the English Football League and other leagues further down the pyramid on moves such as this and reach agreements collectively.
It is now incumbent on the FA and Premier League to publicly explain this decision and what further support they can provide to affected clubs.
Asked by: Ian Byrne (Independent - Liverpool West Derby)
Question to the Department for Digital, Culture, Media & Sport:
To ask the Secretary of State for Culture, Media and Sport, whether she has had recent discussions with the Football Association (FA) on consultation with the English Football League on FA Cup replays.
Answered by Stuart Andrew - Shadow Secretary of State for Culture, Media and Sport
David and Goliath fixtures are part of the magic of the FA Cup. They are also important for the finances of smaller clubs. While this is ultimately a matter for the football authorities, we expect the FA and Premier League to consult with the English Football League and other leagues further down the pyramid on moves such as this and reach agreements collectively.
It is now incumbent on the FA and Premier League to publicly explain this decision and what further support they can provide to affected clubs.
Asked by: Ian Byrne (Independent - Liverpool West Derby)
Question to the Department for Digital, Culture, Media & Sport:
To ask the Secretary of State for Culture, Media and Sport, whether she plans to direct the Horse Race Betting Levy Board to increase the proportion of the levy for aftercare provision for vulnerable horses leaving the racing industry.
Answered by Stuart Andrew - Shadow Secretary of State for Culture, Media and Sport
The Government is aware of the vital work the horseracing industry does in supporting and retraining former racehorses. However, we have no current plans to direct the Levy Board to make amends to levy schemes.
The Horserace Betting Levy Board’s expenditure covers all its three statutory purposes, all of which support horse welfare to some extent, with one of their goals to drive high quality care and support for the horse in Racing. In total, the Horserace Betting Levy Board spends around £3.5 million annually on horse-related areas, such as educational research and on a number of horse welfare projects. The Levy Board funds the Retraining of Racehorses charity, which is British Horseracing's official charity for the welfare of horses who have retired from racing.
The British Horseracing Authority (BHA) is responsible for the safety of horses at races in Britain and works with animal welfare organisations like the RSPCA and World Horse Welfare to keep racecourses as safe as possible for horses. The British Horseracing Authority created a cross-industry Horse Welfare Board in April 2019. The Board makes recommendations including a multi-year strategy for improving welfare. In February 2020, the Welfare Board published its five-year strategic plan for the welfare of horses bred for racing. The strategy focuses on the ambition that every horse bred to race should lead – and be seen to lead – “a life well-lived”. The Horse Welfare Board is funded by the HBLB and The Racing Foundation.
Furthermore, in April 2024 the British Horseracing Authority (BHA) and Great British Racing (GBR) launched a new campaign, HorsePWR, designed to promote the facts around welfare in horseracing and challenge and correct inaccurate information shared by people who are opposed to it.
Asked by: Ian Byrne (Independent - Liverpool West Derby)
Question to the Department for Digital, Culture, Media & Sport:
To ask the Secretary of State for Culture, Media and Sport, with reference to her Department's Gambling white paper, published on 27 April 2023. whether she plans to take steps to help reduce the impact of the white paper's proposals on (a) casual gamblers and (b) the growth of illegal gambling.
Answered by Stuart Andrew - Shadow Secretary of State for Culture, Media and Sport
His Majesty’s Government recognises that, while millions of people gamble online without experiencing problems, for some it becomes an addiction with serious consequences. The white paper, published in April this year, outlines a balanced and proportionate package of measures.
The white paper’s proposals are targeted to protect those most at risk of gambling addiction or suffering catastrophic losses, while having minimal impact on the freedoms of the large majority of gamblers. For example, financial risk checks will be frictionless checks and based on data sharing, and only apply to only the very highest spenders. Proposed changes to game design rules will only impact the most intense products and not how most people ordinarily play, and the proposed data sharing between operators is only for those showing strong indicators of harm. “Casual gamblers” will also benefit from a number of the reforms, such as the new ombudsman to provide redress when things go wrong, greater control over the gambling marketing they receive, and reforms to support the land-based sector. Where proposals have been subject to consultation, we and the Gambling Commission are considering all responses carefully, including from gamblers not suffering harm.
We are also taking strong action to tackle illegal gambling alongside our reforms to the licensed sector. The Gambling Commission has been engaging with internet search and service providers to delist illegal operators and restrict access, working with payment providers and financial institutions to cut illegal operators off from payments, and working with software providers to prevent access to popular products and games. Furthermore, as we committed in the white paper, we are legislating through the recently introduced Criminal Justice Bill to give the Gambling Commission tough new powers to tackle criminal gambling websites.
Asked by: Ian Byrne (Independent - Liverpool West Derby)
Question to the Department for Digital, Culture, Media & Sport:
To ask the Secretary of State for Digital, Culture, Media and Sport, if he will make extended financial support available for freelancers in the arts sector when the Self-Employment Income Support Scheme and Coronavirus Job Retention Scheme end to respond to venues not being (a) permitted to open as covid-19 lockdown restrictions are eased and (b) able to offer contracts of employment to freelancers in that sector.
Answered by Caroline Dinenage
"DCMS recognise that these are extremely challenging times for freelancers, and understand the crucial role they play in making our arts and creative industries world-leading. We are working hard to ensure that we help to provide financial support to freelancers during this period.
On 5 July, DCMS announced a major £1.57 billion support package for key cultural organisations to help them through the coronavirus pandemic. This funding will provide targeted support to organisations across a range of sectors, including performing arts and theatres, museums and galleries, heritage sites, live music venues and independent cinema.
As a result of these grants and loans, organisations will be more able to resume cultural activity, albeit in a socially distanced way, which will increase employment opportunities for freelancers. Each organisation that receives money will know what best they can do to support their workforce, including their freelance workforce.
The Self-Employment Income Support Scheme has also been extended with applications opening in August for a second and final grant. The grant will operate in the same way as the existing scheme with self-employed workers eligible for a single payment covering three months, at a level of 70% of average monthly earnings up to a maximum of £6,570 (i.e. down from 80% and a maximum of £7,500).
Alongside this funding, ACE have announced £95m of additional support for individuals, which can include freelancers. This involves things such as an additional £75m in project grants. These will be focused on applications that maximise employment opportunities and those from under-represented groups and freelancers are eligible to apply to this directly. National Portfolio Organisations can also apply to create new work with bids that create employment opportunities prioritised. A further round of the ACE programme ‘Discover Your Creative Practice’ will also open in the autumn, which will make approximately £18m available for individuals looking to develop new creative skills that will help them to further develop their career. ACE will also be adding £2m into relevant benevolent funds to support those less well supported by the programmes outlined above, including stage managers and technicians
Asked by: Ian Byrne (Independent - Liverpool West Derby)
Question to the Department for Digital, Culture, Media & Sport:
To ask the Secretary of State for Digital, Culture, Media and Sport, if the Government will make it its policy to reinstate the provisions under the (a) Coronavirus Job Retention Scheme and (b) Self-Employment Income Support Scheme for people employed in the arts sector in the event of a second wave of covid-19.
Answered by Caroline Dinenage
Currently, DCMS are working to aid sector reopening, and support organisations who are in need of financial support due to the coronavirus pandemic. We are tracking the public health situation and scientific guidance closely in order to ensure we are able to support sectors using clear guidelines. Should the scientific guidance change in the future, or the coronavirus situation worsen, we will continue to work through what guidance and support is necessary to support our vital arts and creative sectors.
From the Government’s £1.57bn Culture Recovery Fund we have held back £258m in reserve to provide us with flexibility to respond to the path of covid-19 and its impact. The Government will conduct a Spending Review this year and all decisions regarding funding for future financial years will be considered at that event.
Asked by: Ian Byrne (Independent - Liverpool West Derby)
Question to the Department for Digital, Culture, Media & Sport:
To ask the Secretary of State for Digital, Culture, Media and Sport, if he will make it his policy to provide backdated financial support to freelancers in the arts sector who are not eligible for the Coronavirus Job Retention Scheme or the Self-Employment Income Support Scheme.
Answered by Caroline Dinenage
DCMS recognise that these are extremely challenging times for freelancers, and understand the crucial role they play in making our arts and creative industries world-leading. We are working hard to ensure that we help to provide financial support to freelancers during this period.
On 5 July, DCMS announced a major £1.57 billion support package for key cultural organisations to help them through the coronavirus pandemic. This funding will provide targeted support to organisations across a range of sectors, including performing arts and theatres, museums and galleries, heritage sites, live music venues and independent cinema.
As a result of these grants and loans, organisations will be more able to resume cultural activity, albeit in a socially distanced way, which will increase employment opportunities for freelancers. Each organisation that receives money will know what best they can do to support their workforce, including their freelance workforce.
The Self-Employment Income Support Scheme has also been extended with applications opening in August for a second and final grant. The grant will operate in the same way as the existing scheme with self-employed workers eligible for a single payment covering three months, at a level of 70% of average monthly earnings up to a maximum of £6,570 (i.e. down from 80% and a maximum of £7,500).
Alongside this funding, ACE have announced £95m of additional support for individuals, which can include freelancers. This involves things such as an additional £75m in project grants. These will be focused on applications that maximise employment opportunities and those from under-represented groups and freelancers are eligible to apply to this directly. National Portfolio Organisations can also apply to create new work with bids that create employment opportunities prioritised. A further round of the ACE programme ‘Discover Your Creative Practice’ will also open in the autumn, which will make approximately £18m available for individuals looking to develop new creative skills that will help them to further develop their career. ACE will also be adding £2m into relevant benevolent funds to support those less well supported by the programmes outlined above, including stage managers and technicians.
Asked by: Ian Byrne (Independent - Liverpool West Derby)
Question to the Department for Digital, Culture, Media & Sport:
To ask the Secretary of State for Digital, Culture, Media and Sport, if he will (a) provide and (b) encourage insurers to provide freelance workers in the cultural sector with a personal insurance scheme that includes cover for covid-19-related illnesses.
Answered by Caroline Dinenage
DCMS recognise that these are extremely challenging times for freelancers, and understand the crucial role they play in making our arts and creative industries world-leading. We are working hard to ensure that we help to provide financial support to freelancers during this period.
On 5 July, DCMS announced a major £1.57 billion support package for key cultural organisations to help them through the coronavirus pandemic. This funding will provide targeted support to organisations across a range of sectors, including performing arts and theatres, museums and galleries, heritage sites, live music venues and independent cinema.
As a result of these grants and loans, organisations will be more able to resume cultural activity, albeit in a socially distanced way, which will increase employment opportunities for freelancers. Each organisation that receives money will know what best they can do to support their workforce, including their freelance workforce.
The Self-Employment Income Support Scheme has also been extended with applications opening in August for a second and final grant. The grant will operate in the same way as the existing scheme with self-employed workers eligible for a single payment covering three months, at a level of 70% of average monthly earnings up to a maximum of £6,570 (i.e. down from 80% and a maximum of £7,500).
Alongside this funding, ACE have announced £95m of additional support for individuals, which can include freelancers. This involves things such as an additional £75m in project grants. These will be focused on applications that maximise employment opportunities and those from under-represented groups and freelancers are eligible to apply to this directly. National Portfolio Organisations can also apply to create new work with bids that create employment opportunities prioritised. A further round of the ACE programme ‘Discover Your Creative Practice’ will also open in the autumn, which will make approximately £18m available for individuals looking to develop new creative skills that will help them to further develop their career. ACE will also be adding £2m into relevant benevolent funds to support those less well supported by the programmes outlined above, including stage managers and technicians.
Asked by: Ian Byrne (Independent - Liverpool West Derby)
Question to the Department for Digital, Culture, Media & Sport:
To ask the Secretary of State for Digital, Culture, Media and Sport, what steps he has taken to underwrite the £270 million of repayable finance in his funding package for arts and cultural organisations in England; and what the repayment timeframe is for those loans.
Answered by Caroline Dinenage
The Repayable Finance Scheme is intended to assist larger organisations who need more than £3m, and that have a history of financial resilience. Thorough financial checks will be conducted prior to awards being granted, and recipients will need to demonstrate financial viability as a result of receiving the award. This support package represents the most cost effective way of preventing key cultural and heritage organisations from insolvency, and the repayable finance option will ensure a return to the taxpayer on their investment.
Loans will be available on generous terms including a payment term of up to 20 years, an initial repayment holiday of up to four years and a 2% interest rate per annum. Further details are available in the guidance published by Arts Council England.