Public Sector Broadcasting (Diversity)

Gary Streeter Excerpts

Tuesday 14th July 2015 Westminster Hall

[Liz McInnes]

I thank the hon. Gentleman for that intervention. It is a very good point. From talking to Miriam O’Reilly, I feel that by taking the case against the BBC she destroyed her career in broadcasting. It is extremely unfortunate, but it highlights the problems still facing women in the media.

It is extremely important that older women are represented on television as role models for younger women, for today’s older women and, indeed, for everyone. They have much to contribute. Gone are the days when women were seldom heard or seen in news and current affairs broadcasts. Nevertheless, our public sector broadcasters, Ofcom and the Government have a long way to go to achieve genuine gender balance, for older women in particular.

[Mr Gary Streeter (in the Chair)]

The winding-up speeches now begin. I call Mr John Nicolson.

--- Later in debate ---

[Mr Vaizey]

I recall. Nick Robinson has now obviously been brought back from the cold; I gather that he is to be a presenter on the “Today” programme, taking over from Jim Naughtie, another fine Scottish voice represented on the nation’s flagship programme. Mr Naughtie will be a sad loss, although he will carry on as a special correspondent.

If people had not been listening carefully to the hon. Member for Arfon (Hywel Williams) they might have been under the impression that S4C funding had been cut by 93%. Of course, S4C remains one of the most generously funded broadcasters—not just in this country, but anywhere in the world. It does an outstanding job of promoting Welsh programming and the Welsh language. It is, of course, a great Conservative achievement: it was set up under Margaret Thatcher’s Government.

Finally on my theme of chutzpah, before a raft of interventions comes my way, I should mention the Opposition spokesperson, the hon. Member for Clwyd South (Susan Elan Jones), who talked about how her party wants a big, bold BBC. She failed to remind us of how the last Labour Government drove from office not only the chairman of the BBC but its director-general, because of their objections to some BBC coverage. I am not sure I am going to take lessons from any of the parties on the Opposition Benches about the future of the BBC. No doubt when the Green Paper is published on Thursday, they will take the opportunity to make their points to the Secretary of State during his statement.

I return to the main theme of the debate, put forward so ably by the hon. Member for Newcastle upon Tyne Central: diversity in broadcasting and, in particular, class and regional representation. The BBC is an important player in that. It goes without saying that its increased representation in Salford in the north-west, for example, has made a material difference to regional representation. Its representation in Glasgow in Scotland is also important. Just three weeks ago we had an important debate in this Chamber in which lots of MPs from the west and east midlands called for greater BBC representation in the midlands—Birmingham, in particular. I hope our Green Paper will reflect those calls and provoke a debate.

On the issue of representation of people from different socioeconomic classes and regions, as well as black and minority ethnic people, people with disabilities and women—the hon. Member for Heywood and Middleton (Liz McInnes) ably raised the need for both disabled and female representation in broadcasting—I echo the words of the hon. Member for East Dunbartonshire: I wholeheartedly agree with the sentiments put forward by all those who have spoken.

To pick up again on the themes put forward by the hon. Member for Newcastle upon Tyne Central, the question is about fairness—that goes without saying—but there is also an economic and business case, which she was right to mention. For example, Sheryl Sandberg, the chief executive of Facebook, points out in her book that there is a need to pursue gender equality not just because it is fair but because the economic and business case for it is overwhelming. That case stacks up on whatever kind of representation one wishes to talk about.

To the points that the hon. Lady made so ably I would add that such representation is particularly pertinent to the media. The media reflect—or should reflect—the society in which we live, so it is important for all of us living in the UK that, when we turn on our television or listen to whatever media we choose, we feel that the media reflect the kind of society that we live in. The power of the media is not simply in reflecting our society; whenever we see significant under-representation in any profession, the media can be a powerful advocate. If someone sees themselves represented on screen not just as themselves but as a lawyer or teacher, or any other profession that springs to mind, that is incredibly important. That is why it is so important to focus on this issue.

I hope that in those remarks I have demonstrated my answer to the hon. Lady’s first question, about whether I shared her concern. I certainly do. Her second question was about whether I thought that socioeconomic and regional background were important factors to take into account—again, the answer is yes, I do. She asked me whether we can make more progress, so I will concentrate on some progress that we have made, albeit in perhaps a slightly narrower field than she covered in her speech.

We know that the position is not good whichever way we look at it. The proportion of people from BAME backgrounds working in film, television, radio, video and photography has not increased in recent years. People with disabilities are significantly under-represented. Women make up only a third of employees in the film and TV industry despite making up more than half the population. As the hon. Member for Heywood and Middleton made clear, in flagship news programmes there are three male reporters for every female one. Employment in television and film has traditionally been low in the north of the UK, Wales and Northern Ireland.

Over the past couple of years, I have concentrated on BAME diversity in particular. I am happy to say that I was spurred into action by campaigns such as those in which Lenny Henry—Sir Lenny Henry, now—was being significantly vocal. In that respect, we have made some progress. All the main broadcasters are now committed to significant and stretching targets to increase diversity in broadcasting.

For example, the BBC has said that at least 15% of people on air will be from BAME backgrounds within three years, and that it will double BAME representation at senior level. The hon. Member for Newcastle upon Tyne Central mentioned the other difficulty that we must not lose sight of: that although we might be good at recruiting talented people at the start of their careers, there is a massive falling off when people reach mid-management level. ITV published its proposals at the end of last year. Sky has announced what is probably the most ambitious target—to see one in five significant on-screen roles going to people from BAME backgrounds. Channel 4 set out its new diversity charter in January.

The British Film Institute has put in place a system to ensure diversity in all films it funds in future. I was pleased that we were able to work with the Equality and Human Rights Commission and Ofcom to look at specific guidelines on the Equality Act 2010. Broadcasters are understandably nervous and do not want inadvertently to breach the Act; we need to make absolutely clear the progress they can make without doing so.

The most significant development, which addresses the wider point about socioeconomic diversity, is the new work being undertaken by the Creative Diversity Network, an organisation funded by the broadcasters—Channel Five has recently rejoined it following its change in ownership. Previously it had a rotating chair and non-permanent staff. It now has a permanent chief executive, a permanent chair, in John McVay from the trade body Pact. It is launching a monitoring scheme called Project Diamond, which will be uniform across all the broadcasters. Although this might sound a long way away, it is a difficult and complex project to put in place and so we are hoping to see the first data from it early next year. At that point I hope we will have got to the stage where broadcasters have nowhere to hide. The figures may be bad or shocking, but my hope is that people will not see that as an excuse to turn on each other but as an opportunity to learn what the baseline is against which they need to make progress.

We should not stop at broadcasting. We also need to look at theatre, and indeed at the arts in a much wider sense. I hope that in all those areas we will get to a position of no longer having to think about these issues and seeing people in roles and jobs, on and off screen, regardless of their background. That is very important.

There are other issues. As the hon. Member for Newcastle upon Tyne Central made clear in her speech, these are difficult professions to break into. Doing so is often based on networking or on whether someone can finance their early career by effectively working for free. I am pleased that, with Creative Skillset, an employer-led agency that works with Government, we have put together a programme involving some 400 different creative industries to put in place needs-blind apprenticeships that will support people, whatever their background. I think we are up to about 8,500 apprentices, 1,800 paid interns and 1,200 trainees. In terms of supporting the creative industries outside London and regional and socioeconomic diversity, the work of Creative England, which is effectively the screen agency outside London, is very important. It works in film, television and the video games industry.

Due to the success of the tax credit, much more extensive media clusters are developing, which I think will address some gaping holes. For example, in Northern Ireland, I think it is fair to say that “Game of Thrones”, which is now supported by the tax credit, has, in effect, created a very high-quality television cluster within Belfast and beyond. Screen Yorkshire is doing a fantastic job in attracting inward investment into Yorkshire. I have mentioned Salford, and we know that many Members of Parliament are also keen to see greater representation in Birmingham.

Finally, I take up the challenge that the hon. Member for Newcastle upon Tyne Central put to me: to get a casting director from London—I assume she means from London; if they were from Newcastle, it might be slightly pointless—to go to a northern state school. My challenge to her is to nominate the state school and the show. Touch wood, I will be free—and I will still be in this job—to go with the casting director and take them from the cosy metropolitan world they inhabit in central London to see some real acting talent, hopefully, in the hon. Lady’s constituency.

[Mr Gary Streeter (in the Chair)]

You can’t say fairer than that. Chi Onwurah has a few moments to wind up if she wishes to take them.