Domestic Ivory Market

Debate between Danny Kinahan and Lord Vaizey of Didcot

Monday 6th February 2017 Westminster Hall

[Mr Edward Vaizey (Wantage) (Con)]

I cannot believe that any wild animal would dare to take on the hon. Gentleman.

[Danny Kinahan (South Antrim) (UUP)]

Well, you are.

[Mr Vaizey]

And look what will happen to me. Will the hon. Member for Bassetlaw (John Mann) clarify his position? If an antique contains ivory and is perhaps in a world-renowned museum, will it be allowed to sell it or lend it to another museum under his proposals?

--- Later in debate ---

[Danny Kinahan]

I agree entirely. It is not about a total ban, but a near-complete ban. I am not criticising the hon. Lady for what she said. I just make the point that we need to look after such stunningly beautiful items. If there is a ban, in time more of the items will not be looked after, and eventually there will be none. Similarly, if we do not look after elephants and tigers, there will be none. At the moment, the situation is leaning towards the animals being lost, so we have to find the right balance.

Let me run through some things that have ivory in them. We all know about antique pianos and musical instruments—often, the pieces on violins that people turn to fit and change strings are often ivory, and 95% of our brass and wind instruments contain ivory. Even the bagpipes I was looking at the other day had ivory fittings. Some 80% of all chess sets contain ivory. One of our greatest exhibits is probably the Lewis chessmen, which are made out of mammoth tusk. Those would be banned. We have to work a way through. What we must stop happening is people copying them and then trying to sell them today.

Portrait miniatures from the 18th and 19th centuries were painted on a thin sliver of ivory, and we particularly need to look after those. People carried those portraits with them when they were travelling the world. They are little bits of history—whether we are talking about Nelson, the Duke of Wellington or Robbie Burns. Those little gems of painting would not be looked after, so we have to make sure that we do. On the other hand, there is the Chinese and oriental trade, with some stunning antique pieces, yet at the same time, we have the problem of those being copied and of other things being made today. That is what we have to stop. We have people here in the trade and in our museums who can advise us. I hope the Minister will set up a committee that can give certificates, set the rules, and advise and be dynamic in how we operate the near-ban.

No. 4 in the book, “A History of the World in 100 Objects” is the swimming reindeer, from 11,000 BC. It is made of ivory, as are No. 11, King Den’s sandal label from 2,980 BC, and No. 61, the Lewis chessmen, which I have mentioned. They are very much part of our history.

[Mr Vaizey]

I do not want to turn this into a pub quiz, but HMS Beagle’s chronometer—object No. 91—has ivory in it. In fact, the British Museum has 13,000 objects that are made of ivory. We have to reach a consensus, which I think is breaking out, that antiques should be exempt from any ban.

[Danny Kinahan]

I could not have taken a more helpful intervention. That is exactly what I was leading to. The British Museum, which loans pieces worldwide and looks after the items that are the whole world’s history and artefacts, has bought, paid for and kept parts of collections from Iran and Iraq. It gathers in objects from around the world. Think of our museums, galleries and great houses everywhere. The ivory trade is in there in part. Yes, it may be ghastly and awful that that is what people did in the past, but we have to find the balance.