Jane Austen

Damian Hinds Excerpts

Thursday 18th December 2025 Westminster Hall

[Damian Hinds (East Hampshire) (Con)]

It is very good to see you, Mr Efford, presiding over this timely debate. Not only is this the 250th-anniversary year, but I think this is the first Backbench Business slot available after Jane’s actual birthday, which was on Tuesday. I congratulate the hon. Member for Basingstoke (Luke Murphy) not only on securing the debate—I thank the Backbench Business Committee for granting it—but on his excellent speech.

The last time I saw a production of a Jane Austen novel was “Pride and Prejudice” at the Vyne in the hon. Gentleman’s constituency, as part of the 250th celebrations. It was the second-wettest outdoor event I have ever been at. By coincidence, the very wettest was “Sense and Sensibility” earlier that same summer, at Uppark just outside Petersfield.

A number of places have a link to Jane Austen, including Southampton, Winchester, Bath and, of course, the rectory at Steventon. But it was at Chawton that Jane Austen’s genius truly flourished, and where she either wrote entirely or revised and completed all six of her globally beloved novels. The house in Chawton is now, of course, the Jane Austen’s House museum, which is in my East Hampshire constituency.

The significance of Austen as a novelist can hardly be overstated. Things changed after her work. It was not that she wrote about ordinary people—they were not quite ordinary—but they were a lot more ordinary than the grand, historical figures or the Gothic characters who would typically have featured in novels up to that point. The novels were about ordinary events for those people: the subtle putdowns and the slightly tedious visits they had to withstand. She demonstrated that the domestic world holds just as much drama and just as many moral dilemmas and lessons as any royal court or battlefield. They were not quite what you would call kitchen sink dramas, but they were a social observation and social commentary, so in turn became a sort of social campaigning, because to change the world we first have to observe and explain it.

There was then Austen’s own ordinariness, coming not quite from the masses, but still, relatively speaking, ordinary. She was the daughter of a clergyman with a fairly limited formal education, which makes hers also a story of social mobility. That social mobility grew posthumously. We talk about the enduring significance and legacy of authors, but for Jane Austen that grew dramatically with the increasing interest in the 1870s and 1880s.

The huge increase then came in the mid-1990s, with the BBC adaptation of “Pride and Prejudice”. Notably, the most famous scene in that adaptation was not in the book. There is an interesting question about how new media adds to what we already have. As the hon. Member for Basingstoke said, we see the storylines in “Bridget Jones”, “Clueless” and “Bridgerton”—there may be no actual Austen link, but quite a few people probably think there is. In any event, we see a kind of genre-spawning going on.

I am not a literary critic. Were Jane Austen to describe me, she might say something like, “He was a moderately read man who happily knew the limits of his own scholarship.” I will not go further than that—the hon. Member for Basingstoke did a very good job—but I can and will pay tribute to all those who do so much to keep Jane Austen’s legacy alive, celebrate her work and its wider impact and make sure it gets to a wider and wider audience. It just so happens that many of those people are resident in my constituency and connected with Jane Austen’s house, Chawton House or the Regency day and festival.

I already spoke briefly about the significance of the house in Chawton. It was Jane’s place of stability after what had been a period of insecurity, and it was there that she received her own copy of “Pride and Prejudice”—I think she called it her darling child when it arrived from London—and read it out loud to a neighbour with her mother. Not only was the house the place where those novels were fashioned; it was also the place where that “truth universally acknowledged” was heard out loud for the first time. The house became a museum in 1949. Today, it holds an unparalleled collection of first editions, personal letters and artefacts, and receives tens of thousands of visitors from around the world. This year, for the anniversary year, there were 55,000 visitors, a third of whom were from overseas. Under the leadership of Lizzie Dunford, it has done amazing things with the team of 18 staff and 80 fantastic volunteers.

However, Chawton is not about only Jane’s own house. There is also what she called the “Great House”: her brother Edward’s house, which is correctly called Chawton House and was the reason that Jane was in Chawton. She was a frequent visitor, even when it was let out to another family. Today, it is a public historic house in the estate run by the Chawton House library trust and is dedicated to telling the stories of women’s history and women’s writing. It has the UK’s leading collection of pre-20th century women’s writing, with around 16,000 items, including the so-called Grandison manuscript in Jane’s own hand.

Chawton House is a centre of scholarship and long has been, but these days it is also a fantastic day out. It has had a great upgrade under the chief executive, Katie Childs. There are brilliant volunteers there who help to bring the place to life. Visitors will discover many influences on Jane’s novels around the house. It runs a great programme of outdoor theatre, classical music and walks—countryside walks such as the walk from Chawton to Farringdon were, of course, a great influence on Jane—as well as being a Royal Horticultural Society partner garden.

Finally, there is the town of Alton, just outside which the small village of Chawton lies. The whole of Alton is really involved with Jane Austen’s legacy. On 21 June this year, we had a fantastic unveiling of the new bust of Jane Austen, which is now in the Alton Regency garden just outside the assembly rooms and very close to the branch of her brother Henry’s bank on the high street. It was great to have there the sculptor Mark Coreth and descendants of the Austen and Knight families. The bust was made at Morris Singer foundry in Lasham, which—a little fun fact for colleagues—was the same foundry that fashioned the two unique bronze sculptures outside the door of Westminster Hall that mark the late Queen’s platinum jubilee.

Every year, the Regency day and festival bring into Alton hundreds of people, particularly those with a fondness for period costume. It is a great spectacle. The Regency ball always sells out. There is great work between Chawton and Basingstoke on some of these commemorative events. That festival is now into its 17th year and attracts people from around the world, with some 50 events. It has a brilliant organising committee, which includes the secretary, Julie McLatch. It was all the brainchild of local hero Pat Lerew.

In conclusion, and given the season, I will quote Mr Elton in “Emma”:

“At Christmas every body invites their friends about them, and people think little of even the worst weather”—

which will be a good thing if it stays as filthy as it is outside right now. Mr Efford, if I might paraphrase Caroline Bingley in “Pride and Prejudice”:

“I sincerely hope your Christmas”—

in Eltham and Chislehurst—

“may abound in the gaieties which that season generally brings”.