Music: Contribution to the UK Economy

Debate between Conor McGinn and James Frith

Friday 3rd November 2017 Commons Chamber

[Conor McGinn]

Yes, absolutely. My hon. Friend makes a very pertinent point, which leads me on to say that many venues have closed down as a result of developers moving in. When that happens, the venues, many of which have operated successfully and without issue for decades, become vulnerable to complaints from new residents, which can threaten licences or result in new conditions for the venue. The financial burden for venues to install expensive soundproofing, for example, can be prohibitive, especially when they are operating with small margins. The Government must urgently stop the rising tide of venue closures by enshrining such an agent of change principle into law here. I pay tribute to my hon. Friend and other Members from Cardiff, including my hon. Friend the Member for Cardiff West (Kevin Brennan), for their campaigning on the issue pertaining to their city. Enshrining an agent of change principle into the law would mean that developers who brought about a change that had an impact on existing businesses would have to take some responsibility for that. My right hon. Friend the Member for Warley (John Spellar) is driving that important change forward through a ten-minute rule Bill that he will present to the House.

The industry also faces enormous economic uncertainty as the UK leaves the EU; it is not immune to the threats and challenges. In a poll of musicians, composers, songwriters, lyricists, producers and artist managers this year, it was found that more than half feared that leaving the EU would have a negative impact on the music industry, and just 2% thought that Brexit would have a positive impact on their chances of work. The Government need to recognise that their lack of clarity on a transitional deal is affecting the music industry and is delaying investment opportunities and long-term planning. On top of that, an estimated one in 10 workers in the music sector holds a passport from another EU country—a greater proportion than the 7% of the total UK workforce who are from other EU nations. I want to pay tribute to the important work of the Musicians’ Union in championing the rights of professional musicians and performers who tour across the EU, and I hope the Minister pays close attention to what it has to say and will commit to working with it.

[James Frith (Bury North) (Lab)]

I congratulate my hon. Friend on securing this debate. As a former singer in a band, I rise to support his arguments. I am unsure whether the sales of the music that I wrote contributed a huge amount to the economy, but the beer sales certainly did. Some 1.86 million music tourists visited the north-west last year, generating £500 million for the local economy and sustaining 6,000 jobs. A key factor in that is our ability to grow new artists. As my hon. Friend has been saying, Brexit presents possible restrictions on freedom of movement, so would he support the industry calls for an EU-wide touring passport once the UK leaves to ensure that our musicians can continue to perform overseas and not just in the brilliant bars and venues, such as those that he and I frequent in Manchester?