Copyright and Artificial Intelligence

Caroline Nokes Excerpts

Wednesday 18th December 2024 Commons Chamber

[Chris Bryant]

I disagree. I saw the right hon. Gentleman nodding earlier when I was talking about not wanting to pull the rug from under the feet of UK AI adopters. The UK is in a very specific position. We have probably the best copyright laws of any country because of the specific way in which they developed. It is partly thanks to Hogarth, Dickens and many others over the years that we have ended up with strong copyright legislation. We also have a strong body of intellectual property in this country, which is enormously valuable, potentially, to AI operators. We stand in a very specific position. There is an argument that AI can be trained elsewhere, in another jurisdiction, but the moment it is brought into the UK, it still falls under UK legislation.

The right hon. Gentleman is also right about this. I did not consult Taylor Swift, but I did ask an AI company to come up with a song in the manner of Adele.

“Oh, I still feel you deep in my soul,

Even though you left me out here on my own.

The love we had it’s slipping through my hands,

But I can’t forget, I still don’t understand.

You’re gone, but your memory’s all I see,

And in the silence, it’s you haunting me”—

Madam Deputy Speaker. [Laughter.] It is sort of Adele, but it is not Adele. Does Adele know that her material has been used? Does her record label know that her lyrics have been used to create that? It is sort of in the territory, but it is not right. I think we can get this right in the UK and provide leadership to the world. That is what we should strive for.

[Madam Deputy Speaker (Caroline Nokes)]

I will just make the point that I can see that this is very technical and complicated. It might require long answers, but I am not sure it required that level of input from not-Adele.

[Mr James Frith (Bury North) (Lab)]

Can the Minister clarify the difference between his term “rights reservation” and previous reports of the Government’s preference for an opt-out system? Those systems have already been called out and considered unjust by our creators. There are AI leaders who recognise the need for fair licensing. What assurances can the Government provide to support both human and AI innovation? Does the Minister, with his creative industries hat on, agree that respecting copyright would see the introduction of an opt-in system as essential?

--- Later in debate ---

[Mike Martin (Tunbridge Wells) (LD)]

This is a timely statement, because I have been conversing with Anne, one of my constituents. Anne is a visual artist and dress designer, and she has exactly the concerns that you set out.

[Madam Deputy Speaker (Caroline Nokes)]

Order. It is the Minister who is setting out concerns, not me.

[Mike Martin]

I beg your pardon, Madam Deputy Speaker.

I will recommend to Anne that she contributes to the consultation. However, the Minister hits on the nub of the problem, which is the international element. For me, the key example is China, a country that has a history of stealing IP and is a key player in the international AI competition. I wish the Minister well in this work, but how can we thread the needle so that, if the consultation leads to a Bill that gets implemented, we avoid not only the copyright of our creatives being stolen by Chinese AI firms but handing the AI advantage to China?

--- Later in debate ---

[Chris Bryant]

I don’t think I am allowed to sing at the Dispatch Box.

[Madam Deputy Speaker (Caroline Nokes)]

The Minister would be well advised not to sing at the Dispatch Box, but I thank him for his comprehensive responses this afternoon.