Culture, Media and Sport Committee

Debate between Caroline Dinenage and Caroline Nokes

Thursday 3rd July 2025 Commons Chamber

[Dame Caroline Dinenage]

The hon. Gentleman is absolutely right. The Northern Ireland film and TV sectors have been hugely successful, notably for “Game of Thrones” and I think that “Line of Duty” was shot there, too. It has had phenomenal success, again based on remarkable skills. I have not had the opportunity to speak to the Northern Ireland Government, but I really would like to because, as he says, there is plenty of work for everyone. We have British stories that are there to be told in every single corner of the British Isles. We need to make sure we are promoting our British film and TV industries, so we can keep telling those stories.

[Madam Deputy Speaker (Caroline Nokes)]

I thank the Chair of the Select Committee for her statement. I think she failed to get “Bend it Like Beckham” into her list and my constituent Nick Manzi will be very disappointed in her for that.

Glastonbury Festival: BBC Coverage

Debate between Caroline Dinenage and Caroline Nokes

Monday 30th June 2025 Commons Chamber

[Madam Deputy Speaker (Caroline Nokes)]

I call the Chair of the Select Committee.

[Dame Caroline Dinenage (Gosport) (Con)]

I refer the House to my entry in the Register of Members’ Financial Interests. I thank the Secretary of State for that strong and welcome statement. The BBC editorial guidelines on livestreaming are actually quite clear. They say,

“The level of monitoring should be appropriate for the likely content. A producer should normally be in a position to cut the feed from a live stream if it becomes necessary.”

What explanation has the BBC given for why the livestream was not cut? It cannot be for lack of staff on the ground; the BBC took a reported 400 people to Glastonbury at the weekend—what were they all doing? For such a vast operation with multi simultaneous live shows going out across various different parts of the site, has the Secretary of State had the opportunity to ask the BBC who has the final say on which bands are deemed suitable for live broadcast and why on earth it chose this one, and who makes the final decision when it becomes necessary to cut a livestream?

Live Events Ticketing: Resale and Pricing Practices

Debate between Caroline Dinenage and Caroline Nokes

Monday 13th January 2025 Commons Chamber

[Madam Deputy Speaker]

I call the Chair of the Culture, Media and Sport Committee.

[Dame Caroline Dinenage (Gosport) (Con)]

I welcome the Government’s putting music fans at the forefront of these consultations, although the Minister will know that I would like him to go further and have a full fan-led review of music. Meanwhile, looking at the details of these consultations, it is telling that while Ticketmaster welcomed the resale consultations, it is silent on the dynamic pricing issue. The Minister will recall that Oasis told their fans that dynamic pricing was a

“tool to combat ticket touting”.

Does he agree that if the Government act decisively to stop large-scale touting from inflating ticket prices, there will be less need for promoters such as Live Nation to have to use dynamic pricing?