Asked by: Caroline Dinenage (Conservative - Gosport)
Question to the Department for Digital, Culture, Media & Sport:
To ask the Secretary of State for Culture, Media and Sport, whether she has had recent discussions with Cabinet colleagues on the potential merits of a text and data mining exception to copyright legislation.
Answered by Chris Bryant - Minister of State (Department for Culture, Media and Sport)
We recognise the important role that the UK copyright framework plays in supporting investment into the creative industries and ensuring that talent and creativity are rewarded. Finding the right balance between rewarding human-centred creativity, fostering the potential of AI to open up new creative frontiers and ensuring legal certainty for all those working in these fields is going to be complex and challenging, but addressing it is a priority of this Government. My department is working closely with the Department for Science, Innovation, and Technology (DSIT) and the Intellectual Property Office (IPO) to address this issue.
This work requires thoughtful engagement with the creative industries and with AI developers including widespread consultation. DCMS and DSIT chaired roundtables with AI developers and representatives of the creative industries to discuss AI and IP issues on 17 September. The Government will continue to work closely with a range of stakeholders on this topic, and will set out next steps soon. These would need to address a range of issues in the round, including transparency.
Asked by: Caroline Dinenage (Conservative - Gosport)
Question to the Department for Digital, Culture, Media & Sport:
To ask the Secretary of State for Culture, Media and Sport, if she will make it her policy to hold a consultation on a text and data mining exception to copyright legislation.
Answered by Chris Bryant - Minister of State (Department for Culture, Media and Sport)
We recognise the important role that the UK copyright framework plays in supporting investment into the creative industries and ensuring that talent and creativity are rewarded. Finding the right balance between rewarding human-centred creativity, fostering the potential of AI to open up new creative frontiers and ensuring legal certainty for all those working in these fields is going to be complex and challenging, but addressing it is a priority of this Government. My department is working closely with the Department for Science, Innovation, and Technology (DSIT) and the Intellectual Property Office (IPO) to address this issue.
This work requires thoughtful engagement with the creative industries and with AI developers including widespread consultation. DCMS and DSIT chaired roundtables with AI developers and representatives of the creative industries to discuss AI and IP issues on 17 September. The Government will continue to work closely with a range of stakeholders on this topic, and will set out next steps soon. These would need to address a range of issues in the round, including transparency.
Asked by: Caroline Dinenage (Conservative - Gosport)
Question to the Department for Digital, Culture, Media & Sport:
To ask the Secretary of State for Culture, Media and Sport, whether her Department has had recent discussions with representatives of the creative industries on proposals for a text and data mining exception to copyright legislation.
Answered by Chris Bryant - Minister of State (Department for Culture, Media and Sport)
We recognise the important role that the UK copyright framework plays in supporting investment into the creative industries and ensuring that talent and creativity are rewarded. Finding the right balance between rewarding human-centred creativity, fostering the potential of AI to open up new creative frontiers and ensuring legal certainty for all those working in these fields is going to be complex and challenging, but addressing it is a priority of this Government. My department is working closely with the Department for Science, Innovation, and Technology (DSIT) and the Intellectual Property Office (IPO) to address this issue.
This work requires thoughtful engagement with the creative industries and with AI developers including widespread consultation. DCMS and DSIT chaired roundtables with AI developers and representatives of the creative industries to discuss AI and IP issues on 17 September. The Government will continue to work closely with a range of stakeholders on this topic, and will set out next steps soon. These would need to address a range of issues in the round, including transparency.
Asked by: Caroline Dinenage (Conservative - Gosport)
Question to the Department for Digital, Culture, Media & Sport:
To ask the Secretary of State for Culture, Media and Sport, what steps she is taking to ensure that large scale lotteries meet social responsibility requirements.
Answered by Stephanie Peacock - Parliamentary Under Secretary of State (Department for Culture, Media and Sport)
There are around 500 large society lotteries licensed by the Gambling Commission. The Gambling Act 2005 has licensing objectives that underpin the responsible functions that any Lottery must meet. These include:
preventing gambling from being a source of crime or disorder, being associated with crime or disorder, or being used to support crime
ensuring that gambling is conducted in a fair and open way
protecting children and other vulnerable people from being harmed or exploited by gambling.
All Society and local authority lotteries licensed by the Gambling Commission are required to comply with the relevant conditions and codes of practice, which are set by the Gambling Commission. These licence conditions are set out at the time a licence is issued. Further information about social responsibility requirements are contained in the Gambling Commission’s Licence Conditions and Codes of Practice.
The National Lottery is managed under separate legislation - the National Lottery Act 1993. This establishes a statutory duty on the Government to ensure it is run with due propriety, wide social value commitments, while contributing substantially to Good Causes across the UK and via the Lottery Duty.
The Licence is awarded through a competitive process to an operator with an overriding duty to ensure the interests of every Participant in respect of playing, engaging with or being exposed to, the National Lottery are protected. This is supported through regulatory requirements overseen by the Gambling Commission.
The current operator Allwyn has its own strategy of creating additional social value commitments in the way they operate their business and engage with all National Lottery partners. More information on Allwyn’s social value plan can be found here.
Asked by: Caroline Dinenage (Conservative - Gosport)
Question to the Department for Digital, Culture, Media & Sport:
To ask the Secretary of State for Culture, Media and Sport, what recent estimate her Department has made of the number of jobs that are supported by the film and TV industry.
Answered by Chris Bryant - Minister of State (Department for Culture, Media and Sport)
The film and TV sector forms a critical part of UK society, democracy and its creative industries. DCMS estimates that the number of filled jobs within the film and TV industry is 182,000, as of the 2023-2024 financial year. The Government is committed to continue supporting growth and job creation in this sector.
Asked by: Caroline Dinenage (Conservative - Gosport)
Question to the Department for Digital, Culture, Media & Sport:
To ask the Secretary of State for Culture, Media and Sport, with reference to her Department’s publication entitled Government response to Online Advertising Programme consultation, updated on 25 July 2023, what assessment her Department has made of the adequacy of the evidence base for the (a) origin and (b) location of in-scope online advertising; and how that evidence will inform future policy decisions.
Answered by Julia Lopez
As set out in the Government’s response to the 2022 Online Advertising Programme consultation, the configuration of the market at present can mean that accessing comprehensive data on harms associated with online advertising can be challenging. We have already commissioned external research papers, conducted a call for evidence, and completed a public consultation, to seek to address this.
The Online Advertising Taskforce was established to encourage actors across the advertising industry to improve standards and build the evidence base on advertising harms and how they enter the supply chain, in advance of future legislation. As part of this work, DCMS is undertaking research on online users’ experiences of advertising harms. The Taskforce will publish a progress report on its work in the autumn.
The publication in due course of the second consultation on the Online Advertising Programme will also provide an opportunity for respondents to contribute additional evidence.
Asked by: Caroline Dinenage (Conservative - Gosport)
Question to the Department for Digital, Culture, Media & Sport:
To ask the Secretary of State for Digital, Culture, Media and Sport, if she will make an assessment of the potential merits of introducing a Smart Fund to help ensure creators and performers are remunerated for their work by using funds from sales of electronic devices which copy, store and share creative content.
Answered by Julia Lopez
The Government agrees that creators should be fairly remunerated. The Government is taking forward work to achieve this, including a programme considering the remuneration issues related to music streaming.
DCMS Ministers and officials have been engaging with the Design and Artists Copyright Society (DACS) on their proposals for a Smart Fund. It is encouraging to see proposals from the sector to support creators and fair remuneration. However introducing statutory levies of this nature can present significant challenges, including the risk that costs would be passed to consumers. This is of particular concern in the context of wider cost of living challenges. We encourage DACS to work with the tech industry to explore options for industry-led solutions.