Local Museums

Bill Grant Excerpts
Wednesday 7th March 2018

(6 years, 1 month ago)

Westminster Hall
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Bill Grant Portrait Bill Grant (Ayr, Carrick and Cumnock) (Con)
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It is a pleasure to serve under your chairmanship, Mrs Main. While thanking my hon. Friend the Member for Stirling (Stephen Kerr) for securing this debate, I should point out that, unlike him, I am not yet an exhibit in a museum.

As the Member of Parliament for the birthplace of Scotland’s favourite son, Robert Burns, I am acutely aware of the benefits that local museums can bring to a community. There are many museums that contribute to the cultural, social and economic life of Ayr, Carrick and Cumnock. I will name but a few, such as the Rozelle museum and gallery in Alloway in Ayr. The McKechnie Institute in Girvan is very important to that community. It was bequeathed by the McKechnie brothers, who were traders who sailed or smuggled their goods to and from Girvan harbour—but they did leave the town that institute and museum. The town hall in Maybole reflects the rich industry of that town over recent years, and includes the former town bell. Perhaps Opposition Members might be tempted to make a pilgrimage to the Baird Institute in Cumnock, which delightfully plays host to a room dedicated to Keir Hardie, founder of the Labour party, first Labour politician and first leader of the Labour party. They are welcome to come along—it is well worth a visit. We are proud of it, and I give credit to East Ayrshire Council for hosting it.

I should also mention His Royal Highness Prince Charles, who secured Dumfries House for the nation. It is adjacent to Cumnock and is a wonderful asset for the Ayrshire community, for Scotland and the UK. South of Ayr, on the coast towards Girvan, Culzean Castle still has what are termed the Eisenhower rooms, where President Eisenhower was hosted after the second world war.

One of our biggest attractions must be the award-winning Robert Burns Birthplace Museum in Alloway. I pay tribute to the National Trust for Scotland, which made a hefty investment in that. It includes Burns Cottage, where the bard was born, as well as Alloway Auld Kirk. In the tale of “Tam o’ Shanter”, Tam, wearing his blue bonnet and on “his gray mare, Meg” made an approach to that church, under the guise of thunder and lightning and darkness, where he found auld Nick having a party with the witches, who in turn gave chase to Tam and his mare. Meg was aiming for the “key-stane o’ the brig” at the Brig o’Doon, to cross the river where the witches would not cross. The nearest the witches got was Meg’s tail and, sadly, Meg forever lost her tail. That was the tail of Meg and the tale of Tam o’ Shanter.

The monument and the gardens are there. It is a perfect destination for anyone who wants to learn more about Scotland’s national poet, who is famous throughout the world. Since the new museum was opened to the public in December 2010, it has drawn approximately 300,000 visitors per annum. They come from all over the world—America, Canada, Russia, Europe, wherever. They come to Alloway, contribute to the local economy, perhaps staying in the local area and seeing more of the wonderful sights that Ayrshire has to offer. In addition to those employed at the museum, it also supports jobs in local businesses, especially in the tourism and hospitality sector, which is very important to Scotland and the UK.

Museums, quite simply, are worth it, even on a purely economic level, but they are much more than just economic enterprises—they are there to educate, entertain and inform. Like the many other local museums in South Carrick, the Robert Burns Birthplace Museum helps everyone who walks through its doors to learn more about Ayrshire and one of its most famous sons.

If my colleague, the hon. Member for Kilmarnock and Loudoun (Alan Brown), were here, I am sure he would agree that Ayrshire should also promote the good work of Sir Alexander Fleming, who discovered penicillin. The world is indebted to him for that discovery, but we do not mark that as much as we should. I am sure the hon. Gentleman would support me in taking that forward—perhaps in a pop-up museum that could be mobile and go roundabout. That is something worth pursuing. We need to promote Sir Alexander Fleming and the good work he did for not just the UK but the world.

People who come from far and wide to visit a local museum learn about the local area’s history, culture and people. They return home with a knowledge about that area that they can share with friends and family.

Michelle Donelan Portrait Michelle Donelan
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Does my hon. Friend agree that strong relationships between Wiltshire museums and exhibition places, such as Corsham Pound and Chippenham Museum, enable our young people to learn about our history? They are our future, after all.

Bill Grant Portrait Bill Grant
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I entirely agree. Our heritage and our past are the foundations of our future and young people should know the journey of their community for that future.

Visitors returning home help to put an area on the map, and that in turn attracts more people to the museum and the area in general. Museums build the cultural profile of an area and contribute to bringing in more tourists and boosting the local economy. They also help local people, as my hon. Friend said, learn more about their own heritage, encouraging community cohesion and a strong sense of civic pride, which we must retain and build on. People who know their community’s history and culture very often take pride in it and tend to care and contribute to their community. It is important that we have local museums that can pass on that local knowledge to the next generation, and it is therefore also important that local museums engage with local schools and community groups to facilitate that.

In Ayrshire we are blessed with the home of Burns and so many other cultural assets, but every part of the United Kingdom has its own story to tell, and its own local museums to tell them. Those museums are a great cultural, social and economic good, and we should not be afraid to support them.

An issue facing the majority of UK towns is the demise of our town centres as the retail landscape changes throughout the UK and Europe. We need to think seriously about taking heritage museums into town centres to add another dimension to helping to secure their future. Perhaps the dispersal of lottery funds could come in to secure the vibrancy of town centres—that was mentioned earlier.

Museums and heritage centres are often soft targets for budget cuts by councils or other public bodies. That temptation should and must be resisted as closure may prove to be folly in the long term.

I close by thanking every single person, young and old—even those as old as me—who volunteer their time and services to small local and larger museums. They are the mainstay supporting the existence of such facilities in our communities. They are so important. Our past is the foundation of our future and we should secure it as best we can.

--- Later in debate ---
Deidre Brock Portrait Deidre Brock
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I am glad to take the opportunity to mention—and I am sure the hon. Gentleman will acknowledge—the work of Museums Galleries Scotland in providing funding for local museums in Scotland. He will be pleased to see that it is distributing nearly £750,000 in capital grants to small museums in this round of funding, which is one of four in the year, and will, I am sure, want to congratulate our Cabinet Secretary for Finance on finding an extra £200,000 for this round of funding. He will also be delighted by the range of funds available to museums from Museums Galleries Scotland—particularly, perhaps, the funding for collections in the programme to deliver against the national strategy.

Alistair Darling, in the dog days of the last Labour Government, said he planned spending cuts deeper and more savage than anything Thatcher had done. The response of George Osborne and the current incumbent of No. 11 Downing Street seems to be, “Hold my beer,” with little regard for the cultural carnage that could follow.

The hon. Member for Stirling bemoaned becoming a museum artefact, but he might think upon that and consider it better than the alternative. I grew up in Australia, where the ownership of history is a contentious issue, and the different attitudes often create conflict. I suggest that there is a bit of that in Scotland as well. Those who would remember the whole of Scotland, including its working people, its poor and its dispossessed, do not necessarily sit comfortably with those who would laud royalty and wealth. Similarly, there is little in the way of commemoration of the Gaelic heritage of Scotland. I asked earlier whether the hon. Gentleman would support the repatriation of the Lewis chessmen. I wonder whether he believes that collections held centrally should be sent back where they came from, and whether he supports the repatriation of items such as the Elgin marbles—not to Elgin, before some wag starts up—but back to Greece.

Bill Grant Portrait Bill Grant
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Again, I am old enough to be an exhibit, but does not the hon. Lady agree that the greatest risk to museums and heritage centres in Scotland is the continued and repeated unnecessary cuts to council budgets by the Scottish Government when there is no need to do so, and when they can find £115 million at the drop of a hat to support their equivalent of the DUP, the Green party?

Anne Main Portrait Mrs Anne Main (in the Chair)
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Order. Interesting though it is to cover the minutiae of politics between the SNP and other parties, I hope we will stick with the subject of the debate, which is museums.