Budget Resolutions Debate
Full Debate: Read Full DebateBaroness Keeley
Main Page: Baroness Keeley (Labour - Life peer)Department Debates - View all Baroness Keeley's debates with the Department for Digital, Culture, Media & Sport
(9 months, 1 week ago)
Commons ChamberIn his Budget speech, the Chancellor said he wanted to recognise the contribution of our creative industries and the tourism that comes from orchestras, museums, galleries and theatres. It was welcome that the Budget made permanent the tax reliefs they can claim. However, this Budget comes at a time when funding for our arts and culture sector is widely seen to be in crisis. Local authorities are the biggest funders of arts and culture, but years of cuts from Conservative-led Governments mean that the funding previously spent on supporting orchestras to work in communities, investing in grassroots music venues or strengthening the pipeline of talent into the music industry has fallen by 43% since 2010. The Local Government Association reports that more than a third of local authorities are saying that they need to make cost savings on arts and culture to balance the books. That balancing of the books has become ever harder at a time of increasing need for social care, children’s services and support for homelessness.
The decline of support for music is most worrying in music education, where music and art subjects are being squeezed out for pupils in state schools. There has been a drop in the number of music teachers, a drop in the number of hours music is taught, a drop in the take-up of music subjects at GCSE and A-level, and a drop in funding in state schools. Just 15% of state-school students receive sustained music tuition compared with half of children at independent schools, which still believe in music education.
Music hubs have a vital role in providing high-quality music education, providing it to 87% of schools in England, yet the funding for music hubs has declined in real terms over the last decade. Their financial viability will come under even further threat in September if the Government end their funding of the teachers’ pension scheme for the thousands of music teachers engaged by music hubs. This has only been extended to August, so there is a great deal of uncertainty. By not addressing this issue and by bringing about the decline of music education in state schools, the Government risk losing music teachers, future musicians and the audiences of the future. They also fail to offer children access to an activity with many benefits for their academic, social and emotional development.
There are further challenges for the music industry. For musicians looking to tour overseas, the Government’s failure to negotiate a touring agreement with the EU has had devastating impacts on pay and career progression, particularly for developing artists. Added to that, we have failings at His Majesty’s Revenue and Customs in issuing A1 forms on time, and that is causing long delays and financial penalties for UK musicians who tour Europe. It is not acceptable that touring musicians are now waiting up to a year to be paid due to HMRC’s failings.
Musicians hoping to play closer to home in one of England’s brilliant music venues or one of our festivals may now find fewer options. Over 125 grassroots music venues were lost in 2023, according to the Music Venue Trust, and 15 festivals have already been forced to postpone or cancel this year. Music events are important for the visitor economy. UK Music estimates that over 14 million music tourists come to the UK every year, and they spend £6.5 billion while they are here. The Music Venue Trust reports that every £10 spent on a live music ticket is worth £17 to the area’s local economy. Grassroots venues are where many musicians learn their trade. The Bath music venue Moles helped to launch the careers of Ed Sheeran, Oasis and Radiohead, but it was one of the 15% of grassroot music venues that closed their doors last year.
The Budget missed many opportunities for the Government to help the music industry, and Ministers have failed to address the issues I have raised. Today my right hon. and learned Friend the Leader of the Opposition said
“It is short-sighted and frankly immoral, to allow arts and culture to become the domain of a few privileged pupils… Britain is a world leader in music and film, but we are holding back masses of potential because the Conservatives’ creativity crisis is shutting kids out.”
Fourteen years of Conservative Governments undervaluing culture and music have created that creativity crisis, and I am delighted that Labour’s mission is to break down the barrier to opportunity in music in the arts. Labour’s former Culture Secretary, Lord Smith of Finsbury, said that he believed his role from 1997 to 2001 was about
“all the things that for ordinary people make life worth living.”
If elected, Labour will unleash a generation of creativity, so that every child gets access to creative subjects, not just the privileged few, and I welcome that.