Local Museums

Anne Main Excerpts

Wednesday 7th March 2018 Westminster Hall

[Gloria De Piero (Ashfield) (Lab)]

May I pay tribute to the D. H. Lawrence Birthplace Museum in Eastwood, which is in my constituency? We are fortunate that such a famous literary figure was born in Eastwood and I would like us to be able to do more to celebrate him. However, does the hon. Gentleman not agree that, given local authority cuts have been so drastic, lottery funding needs shaking up? Cities have got all this funding, but lottery cash needs to go to towns as well, so that we can do more to protect and promote our local museums.

[Mrs Anne Main (in the Chair)]

Before I ask Mr Kerr to respond to that, I will point out that we are having mini-speeches. If hon. Members desire to speak, there are plenty of opportunities for them to do so, if they try to catch my eye. Mr Kerr, can we keep interventions brief? Thank you.

[Stephen Kerr]

I am grateful to the hon. Member for Ashfield (Gloria De Piero) for her intervention and for highlighting that issue. Of course, she highlights the importance of the heritage that our museums represent, but they represent much more. In Stirling, we have a number of museums. The Stirling Smith is the principal museum of the city, but we also have the Argyll and Sutherland Highlanders Museum in Stirling castle, the Dunblane Museum and a number of other smaller museums. That is alongside the major tourist attractions that we have in Stirling, such as Stirling castle itself, which is also home to the famous and internationally important Stirling heads.

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[Michelle Donelan (Chippenham) (Con)]

Does my hon. Friend agree that it is not only local artefacts that we can see in local museums, but artefacts that represent the history of our country, Great Britain? Chippenham Museum is having a refurb by the Arts Council that will allow it to have artefacts from the V&A—

[Mrs Anne Main (in the Chair)]

Order. Interventions should be brief. If the hon. Lady wishes to make a speech, she should by all means do so.

[Stephen Kerr]

I welcome the news that my hon. Friend the Member for Chippenham (Michelle Donelan) has just shared with colleagues. As the Member of Parliament for Stirling, I cannot mention the battles of Bannockburn and of Stirling Bridge too often. They happened in Stirling and are major aspects of the wars of independence. Globally significant events happened in our backyard. We feel differently about these events from people from elsewhere in Scotland because they are part of our local history. Stirling was besieged during the battle of Bannockburn in 1314, when Stirling High School was already 150 years old. I often wonder whether the students got the day off when the battle of Bannockburn was fought.

Globally, Bannockburn was an important turning point in western European history. Nationally, it solidified Scotland’s place in the world for 300 years. Locally, people had to live with it, and still have to live with it today. We are proud of it. To understand these events in their entirety, we have to understand how the global, national and local fit together. The Stirling Smith has caltrops that would have been used to immobilise the English cavalry in the 14th century, as well as souvenirs and guidebooks that were sold from the visitor centre in the 19th century. The Smith is literally a stakeholder, as it has a number of the wooden stakes that might have been used at the battle of Bannockburn.

The effort over many years to preserve and protect our history is breath-taking. The Smith prevented the destruction of the Stirling heads from Stirling castle, which were being rolled down the hill for the entertainment of the troops stationed at the castle. Allegedly, a museum curator dug the original plans for the Wallace monument out of a skip. The museum team encouraged the donation of a piece of tarpaulin that was covering someone’s woodpile. It turned out to be the miners’ banner from the Fallin pit during the 1984 strike. We should not underestimate the importance of museums in preserving our local, national and global history.

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[Deidre Brock]

To follow the hon. Gentleman’s train of thought, I wonder what his thoughts are on repatriating the Lewis chessmen from the British Museum up to the Western Isles.

[Mrs Anne Main (in the Chair)]

Before I ask Mr Kerr to continue, could I ask that he is given a moment to respond to one intervention before another is thrown his way? Mr Kerr, you might wish to deal with any residual remarks that you had from the previous intervention.

[Stephen Kerr]

I am very happy with the remarks that I offered in connection with the first intervention. On the second intervention, I understand the merits, as I am trying to make clear in my speech, of making the artefacts of these islands available to all the people of these islands. They should be made accessible on the basis not of words such as “repatriation”, but of their availability to be displayed. I understand that there are challenges, but we should address those challenges. Such items tell our story, and they should be available to us so that we understand who we are, what our progenitors have done and what our future holds. All those things make up the golden thread that I am trying to describe. We need to follow the old adage of being risk-aware rather than risk-averse, lest we stop people accessing those parts of our heritage found in treasure trove or in the national collections. We will all be richer if we move in that direction.

I do not wish to dwell on museum funding, as the particular issues of museum funding in my constituency have been resolved thanks to public pressure. I am sure that many Members will want to reflect on funding, but there is one point that I would like to make. New acquisitions in museums are essential not only to enrich and enliven the position of a local museum, but as a way of recording the present, which will turn into the past. I am sure I am not alone among Members in being astonished to see things from my childhood enshrined in local museums. I recently attended an exhibition in a museum and discovered that a picture of my class of 1976 is now one of the exhibits, so I stand before hon. Members as—partially, at least—a museum exhibit.

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[Several hon. Members rose—]

[Mrs Anne Main (in the Chair)]

Order. Wind-ups will begin at half past three.

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[Eddie Hughes]

I completely endorse those comments. To a degree, without those volunteers, some of the buildings in question would not be maintained. It is not always a question of money, although of course we need more money. The efforts of such people sustain the buildings and keep educating and inspiring us.

Moving through the museum, the house at the front gives a sense of what life was like, and in the buildings at the back visitors can see where locks were made locally. They were bespoke, clumsy, large products, but the museum gives a sense of why Willenhall was great and why at one time it made most of the locks used in the country. That has led to Guardian Locks in my constituency, a business that has existed since 1982. It is a family-run enterprise and does not do mass manufacture, which means it can offer clients a bespoke service. Sometimes it delivers only one or two locks, but people know it gives excellent service. The product is guaranteed and the family stand completely behind the products they provide.

Assa Abloy is also in my constituency. It was formed in 1994 and, if we believe its website, might be the largest provider globally of intelligent lock systems.

[Mrs Anne Main (in the Chair)]

Order. I ask the hon. Gentleman to refer to museums on a regular basis. His comments will then be in order. He is straying somewhat off the topic.

[Eddie Hughes]

I am sorry, Mrs Main. I was coming back to my point of inspiration. It is Willenhall Lock Museum that has inspired Guardian Locks and Assa Abloy to produce high-quality locks on a global scale.

Obviously, it is not only locks that we deal with in the Black country. Walsall, our local football club, is nicknamed the Saddlers because we have a 200-year history of leather crafting in Walsall. At the Leather Museum, visitors can enjoy a tour, see how the products were crafted and, according to the website, make a keyring. People are leather crafters by the time they leave, having enjoyed their visit.

However, the scale of things gets bigger, because of the Black Country Living Museum, which is spread over 26 acres—hard to imagine. That huge site has 50 buildings taken from other parts of the Black country and reconstructed to form a high street as well as various businesses. It is populated partly by volunteers, who show people traditional smithing and crafts that we might have forgotten. The point of those museums is that they inspire. Those who go to the museum have an opportunity to see, in many ways, the reason this country is so great, and the opportunity that we have taken to innovate and lead the world. People young and old get that chance to see why our future has been fantastic in the past, and will be yet again.

It is important, with reference to the Mendoza review, that museums take the opportunity to understand how they should operate in an era of restricted funds. They need to ensure that they bring crowds through the door. Sometimes money has to change hands. At Willenhall Lock Museum, a group of 10 people can have a tour for £75, and for larger groups it is an extra £5 a person. Check the website—or in fact, Mrs Main, do not check the website: if you visit I shall give you a tour myself. To make their future sustainable, museums need new ways to bring people in and new access to funds, and they need to engage with the public. We have a great future, and our history is represented in the museums I have described. I suggest everyone should come to the Black country.

[Mrs Anne Main (in the Chair)]

I thank the hon. Gentleman for that kind invitation. My husband is from Birmingham way, and I have been to the Black Country Living Museum, but if I am ever up that way again I will perhaps look him up.

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[Stephen Kerr]

I find it a bit rich for the Scottish National party spokesperson to take that tone in the debate. An SNP council was threatening to close the Smith Museum in Stirling. It is a bit rich for me to sit and listen to a sermon.

[Mrs Anne Main (in the Chair)]

Order. Interventions usually pose a question, Mr Kerr, but I am sure the hon. Lady will note and perhaps respond to your remarks.

[Deidre Brock]

I am glad to take the opportunity to mention—and I am sure the hon. Gentleman will acknowledge—the work of Museums Galleries Scotland in providing funding for local museums in Scotland. He will be pleased to see that it is distributing nearly £750,000 in capital grants to small museums in this round of funding, which is one of four in the year, and will, I am sure, want to congratulate our Cabinet Secretary for Finance on finding an extra £200,000 for this round of funding. He will also be delighted by the range of funds available to museums from Museums Galleries Scotland—particularly, perhaps, the funding for collections in the programme to deliver against the national strategy.

Alistair Darling, in the dog days of the last Labour Government, said he planned spending cuts deeper and more savage than anything Thatcher had done. The response of George Osborne and the current incumbent of No. 11 Downing Street seems to be, “Hold my beer,” with little regard for the cultural carnage that could follow.

The hon. Member for Stirling bemoaned becoming a museum artefact, but he might think upon that and consider it better than the alternative. I grew up in Australia, where the ownership of history is a contentious issue, and the different attitudes often create conflict. I suggest that there is a bit of that in Scotland as well. Those who would remember the whole of Scotland, including its working people, its poor and its dispossessed, do not necessarily sit comfortably with those who would laud royalty and wealth. Similarly, there is little in the way of commemoration of the Gaelic heritage of Scotland. I asked earlier whether the hon. Gentleman would support the repatriation of the Lewis chessmen. I wonder whether he believes that collections held centrally should be sent back where they came from, and whether he supports the repatriation of items such as the Elgin marbles—not to Elgin, before some wag starts up—but back to Greece.

[Bill Grant]

Again, I am old enough to be an exhibit, but does not the hon. Lady agree that the greatest risk to museums and heritage centres in Scotland is the continued and repeated unnecessary cuts to council budgets by the Scottish Government when there is no need to do so, and when they can find £115 million at the drop of a hat to support their equivalent of the DUP, the Green party?

[Mrs Anne Main (in the Chair)]

Order. Interesting though it is to cover the minutiae of politics between the SNP and other parties, I hope we will stick with the subject of the debate, which is museums.

[Deidre Brock]

Indeed. Thank you, Mrs Main. I will take your advice. It would be difficult to do so now, but we shall certainly continue that conversation outside this debate, I have no doubt.

To return to the Elgin marbles, should all those things be sent back where they came from, so that they have cultural and local resonance, as the hon. Member for Stirling suggested about some items in the Scottish national collections? Does he support the repatriation of the “Book of Deer”, for example?

Museums are, in the main, staffed by enthusiastic people who try to ensure that a record of the past is preserved and presented to future generations intact for reinterpretation. I contend, however, that they reckon without political barbarians, and they have not seen the huge amount of brutality coming their way. Under the SNP, local authorities are getting a larger share of the Scottish budget than ever. Tory cuts mean that the overall budget for Scotland is reducing, but the share going to local government is increasing, and across Scotland that investment is paying off.

In Edinburgh, museum opening hours will be extended this year so that more people can visit and more citizens engage, and more revenue will be generated. The Museum of Edinburgh, the Museum of Childhood, the People’s Story Museum, the Writers Museum—all will have extended hours. I also want to mention the fantastic staff who steer those museums and galleries. They manage to work miracles on a small budget, and as convenor for culture and leisure in Edinburgh for five years, one of my greatest pleasures was to have got to know them and to have seen at first hand their ingenuity, dedication, expert knowledge and loving care for the items and buildings in the city’s ownership.

One of my favourite museums—I hope this is allowed a mention—is the Museum of Edinburgh, which is not to be confused with the National Museum of Scotland on Chambers Street, although it often is. The Museum of Edinburgh possesses objects that range from a cabinet made by Deacon Brodie that once rested in the bedroom of the young Robert Louis Stevenson, to signs that swung above shops in Leith in my constituency in the 18th and 19th centuries, and beautiful examples of glass, silver and pottery for which Edinburgh and its surrounds were once renowned. I suggest that Members come to visit Edinburgh’s museums—I might be biased, but I think that Scotland’s capital city performs extremely well in maintaining a range of local museums that tell different aspects of its story.

The story elsewhere is not as rosy as some hon. Members have suggested. A survey of cuts in 2015 found that nearly one in five English regional museums closed one part or branch to the public in that year, and 10% of England’s museums are to introduce entry charges. At the end of last year, the Mendoza review of England’s museums reported a 13% reduction in funding over the past 10 years—an indication, I suggest, that some of England’s politicians are not listening to England’s people.

Finally, the logical consequence of what some would describe as barbarous Tory policies since 2010 is clear: they create a desert and they call it culture. If any Member of the governing party really cared about local museums, they would be lobbying their Chancellor for an immediate end to austerity.