St Patrick’s Day: Irish Diaspora in the UK

Andy Slaughter Excerpts

Thursday 14th March 2024 Westminster Hall

[Andy Slaughter (Hammersmith) (Lab)]

It is a real pleasure to be here and to have you chairing this debate, Dame Siobhain. I compliment those who have brought the debate forward—I think it is important that we do this every year. It is a privilege to represent one of the largest and longest-established Irish communities in England, and indeed one of the most talented. From W. B. Yeats to the Pogues, Hammersmith has represented the best of not just literature and music, but many different forms of arts and science.

I want to talk a little about the Irish Cultural Centre in Hammersmith, which is rightly recognised as one of the centres of Irish culture in the UK. I pay tribute to the current team: William Foote, the director; Ros Scanlon, the artistic director; and Peter Power-Hynes, the chair of trustees. It is rather invidious to name people going back over the 30 years that the centre has existed, but I cannot not name the previous director, David O’Keefe, who sadly died tragically young in 2019; Ivan Gibbons, Hilda McCafferty, Mary Walker—people who have made the centre a lasting success—and, last but not least, Jim O’Hara, who for 13 years was the chair of trustees.

The centre runs a brilliant arts programme all year round, particularly in the weeks of St Patrick’s day and St Brigid’s day, and it includes not just music and theatre, but painting. Members should go to the centre if only to see the paintings illustrating the text of “Ulysses”, which are fantastic and a day out in themselves, in one of the best libraries of Irish books in the country. Just to prove that they do not just do administrative tasks, a couple of weeks ago I went to see Brian Friel’s fantastic play, “Lovers”, which some may be familiar with, and William, the director, starred, and Ros, the artistic director, directed.

A lot of what we do at the centre is home-grown. On Friday afternoons and evenings, there are music sessions. Anybody can come along with an instrument and join in—that is an open invitation to Members present, but it is surprisingly melodic and harmonious, so maybe they should check their level of ability. It is fantastic. Any member of the public can wander in and just sit for three or four hours every Friday and listen to some of the most beautiful Irish music.

These things do not happen by accident. My association goes back to when we first commissioned and built the Irish centre back in the early 1990s, when I was deputy leader of the council. It was principally the project of the then leader of the council, Iain Coleman, who was my predecessor as MP for Hammersmith and Fulham, and the councillor Sean Reddin. That was a time of austerity as well, but they found the site and the money, they put it together and they built the Irish centre. It was opened by the then Tánaiste, Dick Spring, and it was hugely successful.

Unfortunately, that centre did not survive—for political reasons I will not go into, the site was going to be sold—but a group of people who wanted it to survive came together. That included, in the end, the local authority, then led by Stephen Cowan, and Shepherd’s Bush Housing Association, led by Paul Doe. They bought the site, knocked down the existing centre and built an even better centre, which is there today, with about five floors of social housing on top of it. It is a real tribute to the community that that all came together in the way it did.

The key parties to that happening were the Irish embassy and the Irish Government, which, even during a time of great austerity, was able to find the resources to support it. I pay tribute to not just Martin Fraser, the current ambassador, but his predecessors, for everything they have done to support Irish culture and the Irish diaspora in the UK. They really understand the importance of that. They do not just pay lip service to it; they put in their money, resources and enthusiasm. I hope that will long continue. We have had the privilege of welcoming a number of Irish Prime Ministers, Deputy Prime Ministers and Cabinet Ministers, and I think we will again this week. I am indulging myself a little bit, Dame Siobhain, because the centre is a very important institution for not just the Irish community, but the whole community, and not just in Hammersmith, but in all of west London.

I will finish by touching on one other aspect. My seat is changing: if I am successful in the next election, I will keep Hammersmith but gain Chiswick. There are many links between Hammersmith and Chiswick, and one of them is Yeats. Anyone who has not done so should go on the Yeats walk, which begins in Hammersmith and takes you on a journey down the river and into Chiswick, because Yeats lived for a number of years in Bedford Park and composed some of his most famous works while he was living there. Chiswick Eyot is the model for “The Lake Isle of Innisfree”. That is my contention; I am not sure that everybody would agree, but that is certainly what we believe in west London.

Cahal Dallat, himself a very well-respected poet, has championed the cause of Yeats. We not only have the Yeats walk and a wonderful sculpture called “Enwrought Light”—people might recognise the literary reference there—in the grounds of St Michael’s church, but we have the Yeats app, so people can go round and visit all the sites that Yeats made famous as part of his life there. It is something that we treasure and a hugely important part of our culture. It is great that some of the greatest artists in the world have come and shared that with us in west London, but that is just so typical of the Irish diaspora, which has brought joy as well as talent across the world. That is what we should pay tribute to today.