Music: Contribution to the UK Economy

Alison Thewliss Excerpts

Friday 3rd November 2017 Commons Chamber

[Conor McGinn]

I will indeed. Whatever vintage we are, we can all appreciate the genius of Fats Domino. I also think it is fair to say that the music at the Ricoh in Coventry is definitely better than the football there.

I want to highlight the global success of the industry, and its impressive achievements in driving tourism and generating export revenues. The UK music industry generated export revenues of £2.5 billion in 2016. That is a huge contribution to UK exports, and indeed to Exchequer revenues, and this will be increasingly important as the UK leaves the EU. At home, 823,000 overseas music tourists attended gigs and festivals here in 2016. That is an enormous credit to our myriad festivals and live music events, from the world-famous Glastonbury—where my right hon. Friend the Member for Islington North (Jeremy Corbyn) was the star turn—to the Westfield Street music festival in St Helens, where my hon. Friend the Member for St Helens South and Whiston (Ms Rimmer) and I were definitely not such star turns.

[Alison Thewliss (Glasgow Central) (SNP)]

The hon. Gentleman mentions international music festivals. Would he like to pay tribute to the organisers of the Celtic Connections festival in Glasgow, which brings international acts to the city? Does he share my concern that visa restrictions following Brexit could put at risk such wonderful events?

[Conor McGinn]

I am happy to commend the organisers of that festival. I am hugely fond of Celtic and traditional Irish music and I have been involved in it all my life. I will come on to the hon. Lady’s point about the potential consequences of Brexit a little later, if she will allow me.

There is cause for celebration, but we in this House must remain acutely aware of the many threats to the music industry’s success. The entrepreneurial and creative nature of the music industry means that there are many small businesses, as well as individual freelancers, operating in the sector. That includes independent record companies, studios and music venues. Let us take music venues as an example. Across the UK, an estimated 35% of grassroots music venues have closed down over the past decade, including some in my own constituency. That is hundreds of small businesses that have folded, and thousands of missed opportunities for young artists and performers. Many venues have closed down as a result of developers moving into an area to build flats and houses nearby.