(9 months, 1 week ago)
Lords ChamberThose were some of the questions we explored in our pay transparency pilot, which looked at the impact of requiring employers to put salary information into their job recruitment advertisements and not asking about previous salaries. We plan to publish the methodology for that so that employers can adopt it. We will also do more work to look at the challenges of implementation.
Does my noble friend the Minister share my concern about the gender pay gap in pensions, which just accumulates in historical terms to create a very serious problem in the future?
My noble friend is absolutely right. Last June, DWP published an official measure of the gender pensions gap, which is currently 35% in private pensions. The reforms that we brought in will mean that 3 million women will benefit by more than £550 per year by 2030 and that the gender pensions gap will equalise by the early 2040s—more than 10 years earlier than under previous legislation.
(3 years, 7 months ago)
Lords ChamberI declare my interest as a former member of the Advisory Committee on Pop Festivals and my other interests as set out in the register. As the Minister knows, festivals are often a major foundation of artistic activity outside our great cities, but many of those planned for this summer are already being cancelled because of uncertainty over Covid. Do Her Majesty’s Government have plans to assist?
The Government recognise the importance of the live music sector more broadly, and music festivals in particular, which is why more than £34 million from our cultural recovery fund has supported festivals, including Boomtown, Shambala, Glastonbury and Deer Shed. As I said in response to the noble Baroness, Lady Bonham-Carter, we are aware of the wider concerns around indemnity for live events and are trying to understand the market failure and how it impacts on different forms of live events.
(3 years, 8 months ago)
Lords ChamberThe Government absolutely agree with my noble friend about the importance of touring for students, both within the EU and more broadly around the world. He will be aware that our rules for touring creative professionals are more generous than those of many EU member states. The working group to which I referred met for the first time on 5 February to try to get clarity on the issues impacting creative professionals and how best to support them. I reassure my noble friend that we are working across government to address the important issues he raises.
I strongly support my noble friend Lord Black. This could and should have been resolved by now, for it is self-evidently in the interests of all concerned that frictionless visa-free arrangements—[Connection lost.]
My noble friend kindly shared his question with me ahead of time so, despite the technological glitches, I will endeavour to answer. First, we remain disappointed that the deal we proposed in this area, which met the needs of our extraordinary creative industries, was not agreed by the EU. We understand the concerns of the sector and we are working at pace to address them so that touring can resume as soon as it is safe.
(3 years, 10 months ago)
Lords ChamberWe are absolutely determined to make sure that we protect all parts of the cultural and creative ecosystem. As I have said, the Secretary of State is meeting organisations tomorrow and we continue to work closely to understand their needs, so that as soon as touring can recommence after the pandemic we do so with confidence.
My Lords, touring is not peripheral to the arts but central and vital—the basis of a major export industry and a vital showcase for the United Kingdom. If we could just lay aside the unfortunate blame game of recent days, can this please be sorted out as a matter of the utmost urgency?
I can say only to my noble friend that I hope that the Secretary of State’s round table tomorrow constitutes utmost urgency.