British Museum: Ethiopian Sacred Altar Tablets

Lord Bishop of Worcester Excerpts

Wednesday 30th March 2022 Lords Chamber

[Lord Parkinson of Whitley Bay (Con)]

My Lords, the noble and right reverend Lord alludes to the complexity of this case, and the 150 year-old matter that it concerns. The expedition to which he refers was, of course, to free hostages who have been taken, including an Anglican missionary whose two servants had been beaten to death by Emperor Tewodros II. But the main issue is the way in which these items are now cared for by the British Museum—and he is absolutely right to point to their religious significance. The tablets are housed in a special location which is maintained in consultation with the Ethiopian Church; they are well looked after by a committed curatorial and conservation team and available to be visited only by Ethiopian Orthodox priests. As I say, the museum has had constructive conversations with the Ethiopian Church on this, and would welcome further discussions.

[The Lord Bishop of Worcester]

My Lords, apart from the way in which these artefacts were obtained, and the responsibility of the British Museum and its independence, I wonder whether the Minister would agree that what sets these artefacts apart, as he has intimated, from any others in the British Museum and other museums across our land, is that they are sacred. As such, they relate to a living faith—the Ethiopian Orthodox Church. Whereas these tabots mean very little to anyone here except as stones of limited historical value, and no one is able to see them anyway, they are of profound religious significance in Ethiopia. Would not the Minister agree that they should therefore be returned to those who understand them to be holy and will cherish them as such?

[Lord Parkinson of Whitley Bay (Con)]

The right reverend Prelate is right that these items remain of enduring importance to people, and the British Museum is very sensitively discussing those matters with the Ethiopian Orthodox Church, so that those sensitivities can be understood and reflected and so that the future of the items can be discussed appropriately. The past may be distant, but it remains around us, and the issues of sensitivity and importance are of course considered very carefully by the British Museum and all other cultural institutions.

Covid-19: Creative Industries

Lord Bishop of Worcester Excerpts

Tuesday 22nd September 2020 Lords Chamber

[Baroness Barran (Con)]

I share the noble Baroness’s view that there is talent everywhere and that our creative industries have been an extraordinary success. On the cultural recovery fund, there is within it a priority of focusing on projects that help deliver on levelling up and on organisations that have a track record of social benefit.

[The Lord Bishop of Worcester]

My Lords, given that engagement with the creative industries can have such a positive impact on society in so many ways, does the Minister agree that it is crucial for the Government to seek to encourage a much greater involvement of those from lower socioeconomic backgrounds in the creative industries, so as to enable those industries to represent and engage with the whole of society? Does she further agree that this is a matter of urgency, given the vulnerability of such groups at present to Covid-19 and other health risks, as well as to unemployment?

[Baroness Barran (Con)]

The right reverend Prelate is absolutely right. We are committed, and have been, along with many parts of the industry, to addressing the gap around accessibility for lower socioeconomic groups. It is a complex industry with a multiplicity of tiny organisations, which makes it challenging from a policy perspective—but the commitment is there.

Arts and Cultural Services

Lord Bishop of Worcester Excerpts

Tuesday 3rd March 2020 Lords Chamber

[Baroness Barran]

The noble Baroness is right to raise the issue of need in rural areas. The Government are approaching this principally through the lens of ensuring equality of access to cultural provision; we have focused on programmes such as Creative People and Places, reaching more than 3 million people in the areas in the bottom quartile for access. All the funds being looked at at the moment will look through the lens of rural access but our principal aim, in the words of the noble Baroness’s speech the other evening, is to unleash the creative potential of the nation.

[The Lord Bishop of Worcester]

My Lords, while the provision of arts and cultural services by local authorities is clearly crucial to our society’s well-being, does the Minister share the frustration felt by many of us at the increasingly utilitarian approach taken by schools and further and higher education, which often devalues arts and culture at a time when we know less about what skills will be required in the workplace of the future but we know that the sort of broad vision provided by arts and culture—and, perhaps, religion—will be invaluable?

[Baroness Barran]

The right reverend Prelate makes an important point. He will be aware that the Government committed in their manifesto to offering an arts premium to secondary schools to fund enriching activities for pupils; we have committed £107 million of funding to that for 2021-22. On careers progression, good work is going on between Arts Council England and the creative industries body to develop apprenticeships, particularly in this area.